Mixer Accessories
S16
Digital Snake I/O
I/O Box with 16 Remote-Controllable
Mic/Line Inputs, 8 Outputs and AES50
Networking featuring KLARK TEKNIK
SuperMac Technology
16 fully programmable and remote-
controllable audiophile mic preamps
8 analog, servo-balanced
XLR outputs
AES50 network ports featuring
KLARK TEKNIK SuperMac
technology for ultra-low latency
(in-ear compatible)
Up to 100 m networking capability
via CAT-5e cable (not included)
Dual AES50 ports for cascading S16
units—no merger or router required
Precise LED metering plus 7-segment
displays for signal control on stage
Phones output assignable to
any of the inputs/outputs for
on-stage monitoring
Connectivity for BEHRINGER's P-16
Personal Monitoring System for
In-Ear applications (not included)
Dual ADAT outputs for use in splitter
mode and stand-alone digital
multicore applications
MIDI In/Out for bi-directional
communication between FOH
console and on-stage MIDI devices
USB connector for system
updates via PC
"Planet Earth" switching power
supply for maximum flexibility
(100 - 240 V~), noise-free audio,
superior transient response plus
low power consumption for
energy saving
Digital mixing has revolutionized
so much of the live-entertainment
production workflow. But one thing that
hasn't changed is having to roll out that
heavy, cumbersome old analog snake.
That is until now! The new S16 Digital
Snake from BEHRINGER takes the burden
out of connecting your FOH (Front of
House) console with the talent. The S16
provides 16 fully programmable, remotely
controllable high-end mic preamps plus
8 analog, balanced XLR returns at the
stage end, and connects to the FOH via
a single CAT5 cable without the need
for a dedicated router. KLARK TEKNIK,
a longtime industry-leader in the
development of high-end digital audio
processing, provided the SuperMAC
technology that made all of this
possible—BEHRINGER made it affordable.
Massive Connectivity
When used as part of a complete
X32 system, two S16 Stage Boxes can
be cascaded via the built-in AES50
ports, providing connectivity for up to
32 mic/line inputs, 16 balanced outputs
and the incredibly-affordable POWERPLAY
P-16 Personal Monitoring System,
which can feed up to 48 individual
monitor mixers. We also included two
optical ADAT sockets for connecting
channels 1-8 and 9-16 to outboard
devices, a convenient USB port for
system updates via your PC, plus MIDI
I/O for lighting systems and sound
module control.
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