Behringer EURODESK SX4882 Quick Start Manual page 14

Ultra-low noise design 48/24-input 8-bus in-line mixer with mic preamplifiers, british eqs and integrated meterbridge
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26
EURODESK SX4882
EURODESK SX4882 Controls
(1)
(2)
(3)
(4)
(6)
(7)
(11)
(10)
Rear panel
(12) (13)
(14)
(5)
(9) (8)
(16)
(15)
(17)
27
Quick Start Guide
EURODESK SX4882 Controls
Controls
Expander port bus inputs. If you want to
(EN)
(1)
add another console to your EURODESK SX4882,
the expander port bus inputs give access to all
subgroups, auxes and mix busses via an array of
1/4" jacks, situated top left on the rear panel.
Auxiliary sends. Unbalanced 1/4" jacks, wired
(2)
tip = signal (+ve) and sleeve = ground/screen.
They operate at +4 dBu.
(3)
Auxiliary returns. All six stereo pairs,
to be located immediately below the aux sends,
are on unbalanced 1/4" jacks and operate
at 0 dBu.
Subgroup inserts. Unbalanced send and return
(4)
from a single stereo jack socket, wired tip = out,
ring = in and sleeve = ground/screen.
(5)
2-track in/out. RCA sockets for use with tape
recorders, etc., signal = main mix, wired center
post = signal (+ve) and sleeve = ground/screen.
2-track/external inputs. Two additional
(6)
stereo inputs, this time on unbalanced 1/4" jacks,
wired tip = signal (+ve) and sleeve =
ground/screen.
(7)
Main inserts. As above, but for the main mix.
(8)
Stereo outputs. The control room output
(monitors) main mix, MIX-B and studio output are
all on a pair of unbalanced 1/4" jacks, nominal output
level +4 dBu.
Phones 1/2. These are on stereo jacks, wired tip =
(9)
left signal, ring = right signal and sleeve =
ground/screen.
(10)
Meter/analyzer out. Unbalanced jacks at +4
dBu for use with external measuring equipment,
e.g. the built-in real-time analyzer of our BEHRINGER
ULTRACURVE PRO DEQ2496 (signal = master
LED meters).
Master balanced outputs. Balanced XLR
(11)
for connecting to the mastering recorder. Wired pin
1 ground/screen, pin 2 hot and pin 3 cold. Maximum
level is +28 dBu.
A-channel line inputs. The A-channel line inputs
(12)
accept balanced or unbalanced 1/4" jacks, tip = hot,
ring = cold and sleeve = ground/screen.
(13)
Mic inputs. These are via XLR-type connectors,
wired pin 1 = ground, pin 2 = hot and pin 3 = cold,
for balanced low-level operation. Since most quality
capacitor microphones require a 48 V DC offset to
charge the plates, phantom power is provided and
can be switched on or off in three blocks of eight via
a switch situated below channels 8, 16 and 24.
Channel inserts. These provide for unbalanced
(14)
send and return from a single stereo jack socket.
Wiring is: tip = out, ring = in and sleeve =
ground/screen.
(15)
Direct outputs. This tap comes from just after the
channel fader. Unbalanced 1/4" jacks.
B-channel inputs/tape returns. They also accept
(16)
balanced or unbalanced 1/4" jacks and are switchable,
in groups of eight, between -10 dBV (unbalanced)
and +4 dBu (balanced), corresponding to the
standard semi-professional and professional
operating levels and configurations respectively.
(17)
Subgroup outputs/tape sends. The eight
subgroups are each connected to two stereo jack
sockets, for easy patching into 16 track recording
systems (or 24 track, if you use Y-adaptors).
Once again, the operating level is switchable
between +4 dBu and -10 dBV in two banks of (2x) 4.
For more details on the full functionality
of this product, see the product page on
behringer.com and download the full manual.

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