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Behringer 2600 Manual

Behringer 2600 Manual

Controls

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8
2600
2600 Controls
& Step 1: Controls
+ Paso 1: Controles
* Etape 1 : Réglages
 Schritt 1: Bedienelemente
(, Passo 1: Controles
!, Passo 1: Controlli
Pre-Wired Connections
The panel silk-screening displays the various connections between modules that
have been pre-wired at the factory.
For example, in the VOLTAGE CONTROLLED FILTER/RESONATOR VCF section,
pre-wired connections from Voltage Controlled Oscillators 1, 2 and 3 into the VCF
block are indicated by the labeled boxes at the bottom of the section:
These labeled, pre-wired inputs correspond to sliders on the panel directly above
the label, which enables adjustment of the incoming signal strength.
The input jacks directly above each labeled box disconnects the pre-wired
connection whenever a 3.5 mm connector is placed into the jack,
as indicated by this graphic:
Voltage Controlled Oscillators (VCOs)
The Voltage Controlled Oscillators (VCOs) electronically generate repeating wave
signals, in a variety of waveforms that can then be shaped, combined and ltered
 INITIAL OSCILLATOR FREQUENCY – This slider chooses a VCO's coarse
operating frequency in four ranges for audio (10 Hz, 100 Hz, 1 kHz or 10
kHz) or four sub-audio frequency ranges (.03 Hz, .3 Hz, 3.0 Hz or 30 Hz)
when the VCO operates as a Low Frequency Oscillator (LFO). To choose
between audio and LFO modes, use the AUDIO/LF sliding switch in the
lower left of each VCO.
 FINE TUNE – Use this slider to tune the frequency chosen by the INITIAL
OSCILLATOR FREQUENCY slider up or down as needed to nd the precise
frequency you need.
 PULSE WIDTH – Use this slider to set a default width for the waveform.
 SYNC ON/OFF – Use these sliding switches to lock VCO2 and/or VCO3 with
VCO1 so that the synced oscillators act as a single large oscillator that
follows the frequency of VCO1 to produce complex sounds.
 OUTPUTS – These output jacks allow you to send out either audio or
LFO signals from the VCOs via cables with 3.5 mm connectors. The type
of waveform is indicated by the silk-screening associated with the jacks
(sawtooth, pulse, sine, triangle, and so on, depending on the speci c VCO
in use). The PULSE outputs can also be used to mix in signals from the
lower LFO section (VCO1), the NOISE GENERATOR section (VCO2), or the
ADSR ENVELOPE GENERATOR (VCO3) to produce a composite output signal.
 AUDIO/LF (KYBD ON/OFF) – This sliding switch chooses between audio
and low (LFO) frequencies for adjustment with the INITIAL OSCILLATOR
FREQUENCY, FINE TUNE and PULSE WIDTH sliders. When using the VCO as
a Low Frequency Oscillator, keyboard control is automatically disabled. In
the AUDIO position, keyboard control is enabled.
 FM CONTROL – Use these inputs to route in external control voltage
signals via cables with 3.5 mm connectors. Placing a connector into one of
these jacks disconnects the corresponding pre-wired connection indicated
directly below the jack.
 PWM – Use this input when you want to route in external control voltages
to control the pulse width in place of the PULSE WIDTH slider.

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Summary of Contents for Behringer 2600

  • Page 1 2600 2600 Controls & Step 1: Controls + Paso 1: Controles * Etape 1 : Réglages  Schritt 1: Bedienelemente (, Passo 1: Controles !, Passo 1: Controlli Pre-Wired Connections  INITIAL OSCILLATOR FREQUENCY – This slider chooses a VCO’s coarse...
  • Page 2 Quick Start Guide...
  • Page 3 2600 2600 Controls Voltage Controlled Filter (VCF)/Resonator Section CONTROL – Use these inputs for external control voltage signals via cables with 3.5 mm connectors. Each of these inputs breaks the pre-wired The VOLTAGE CONTROLLED FILTER (VCF)/RESONATOR uses a low-pass lter with connection when a connector is inserted into the jack.
  • Page 4 Quick Start Guide Voltage Controlled Ampli er Section MANUAL – Press this button to manually produce a gate signal to trigger both the AR and ADSR circuits. The Voltage Controlled Ampli er (VCA) o ers further tone-shaping possibilities TIME FACTOR (x2/x1/x0.5) – Use this sliding switch to choose between in parallel with the Voltage Controlled Filter (VCF) before both are blended in the three basic time durations for the overall length of the envelope.
  • Page 5 VCF and VCA. you see this label: NOTE: 2600 uses a digital reverb, while BLUE MARVIN features a real, on-board spring reverb. AUDIO – Use these two inputs to route audio signals into the Mixer via cables with 3.5 mm connectors.
  • Page 6 Quick Start Guide Envelope Follower Section ON/OFF – This switch turns the Portamento function on or o . MOMEN – Pressing this button temporarily activates the Portamento The Envelope Follower generates an output voltage based on an input signal, function for as long as the button is held down. depending on the average amplitude of the input signal.
  • Page 7 2600 2600 Controls Ring Modulator Section Noise Generator Section The Ring Modulator is a voltage multiplier that combines two input signals to The Noise Generator produces a noise signal that can be adjusted between white, produce a variety of exotic timbres. By default, the two pre-wired signals come pink and low frequency types of noise, each of which has distinct characteristics into the circuit from VCO1 (sawtooth) and VCO2 (sine).
  • Page 8 Quick Start Guide Voltage Processor Section ENV FOLL – This input can accept both control voltages and audio signals but is optimized to process the Envelope Follower output signal. The Voltage Processor o ers three di erent processors for both audio and control voltage signals.
  • Page 9: Back Panel

    2600 2600 Controls EXT CLK IN – This jack can be used to import an external clock signal MIDI CHANNEL SWITCHES – These 4 switches allow you to set the MIDI to run the Sample & Hold circuit. Placing a 3.5 mm connector into this Channel number from 1 to 16 (see the table printed in this document or jack will disable the internal clock generator.
  • Page 10 Quick Start Guide 2600 Controles Conexiones precableadas  INITIAL OSCILLATOR FREQUENCY – Este mando deslizante elige la frecuencia operativa en un margen amplio del VCO entre cuatro rangos de Las serigrafías del panel le indican las distintas conexiones entre los módulos que audio (10 Hz, 100 Hz, 1 kHz ó...