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The XENYX Series represents a milestone in the development of mixing console technology. With the new XENYX microphone preamps including phantom power as an option, balanced line inputs and a powerful effects section, the mixing consoles in the XENYX Series are optimally equipped for live and studio applications. Owing to state-of-the-art circuitry, your XENYX console produces a warm analog sound that is unrivalled. With the addition of the latest digital technology, these best-in-class consoles combine the advantages of both analog and digital technology.
RISK OF ELECTRIC SHOCK! DO NOT OPEN!
Terminals marked with this symbol carry electrical current of sufficient magnitude to constitute risk of electric shock. Use only high-quality professional speaker cables with ¼" TS or twist-locking plugs pre-installed. All other installation or modification should be performed only by qualified personnel.
This symbol, wherever it appears, alerts you to the presence of uninsulated dangerous voltage inside the enclosure - voltage that may be sufficient to constitute a risk of shock.
This symbol, wherever it appears, alerts you to important operating and maintenance instructions in the accompanying literature. Please read the manual.
To reduce the risk of electric shock, do not remove the top cover (or the rear section). No user serviceable parts inside. Refer servicing to qualified personnel.
To reduce the risk of fire or electric shock, do not expose this appliance to rain and moisture. The apparatus shall not be exposed to dripping or splashing liquids and no objects filled with liquids, such as vases, shall be placed on the apparatus.
These service instructions are for use by qualified service personnel only. To reduce the risk of electric shock do not perform any servicing other than that contained in the operation instructions. Repairs have to be performed by qualified service personnel.
XENYX Mic Preamps
The microphone channels feature high-end XENYX Mic Preamps that compare well with costly outboard preamps in terms of sound quality and dynamics and boast the following features:
"British EQ"
The equalizers used for the XENYX Series are based on the legendary circuitry of top-notch consoles made in Britain, which are renowned throughout the world for their incredibly warm and musical sound character. Even with extreme gain settings these equalizers ensure outstanding audio properties.
We should like to draw your attention to the fact that extreme volumes may damage your hearing and/or your headphones or loudspeakers. Turn the MAIN MIX control and PHONES control in the main section fully counter-clockwise before you switch on the unit. Always be careful to set appropriate volume levels.
Important notes concerning installation
A mixing console fulfils three main functions:
The interface of BEHRINGER mixing consoles is optimized for these tasks enabling you to easily keep track of the signal path.
Your mixing console was carefully packed in the factory to guarantee safe transport. Nevertheless, we recommend that you carefully examine the packaging and its contents for any signs of physical damage, which may have occurred during transit.
Be sure that there is enough space around the unit for cooling purposes and to avoid over-heating please do not place your mixing console on high-temperature devices such as radiators or power amps. The console is connected to the mains via the supplied cable. The console meets the required safety standards. Blown fuses must only be replaced by fuses of the same type and rating.
Please register your new BEHRINGER equipment right after your purchase by visiting http://behringer.com and read the terms and conditions of our warranty carefully.
Should your BEHRINGER product malfunction, it is our intention to have it repaired as quickly as possible. To arrange for warranty service, please contact the BEHRINGER retailer from whom the equipment was purchased. Should your BEHRINGER dealer not be located in your vicinity, you may directly contact one of our subsidiaries. Corresponding contact information is included in the original equipment packaging (Global Contact Information/European Contact Information). Should your country not be listed, please contact the distributor nearest you. A list of distributors can be found in the support area of our website (http://behringer.com).
Registering your purchase and equipment with us helps us process your repair claims more quickly and efficiently.
Thank you for your cooperation!
This chapter describes the various control elements of your mixing console. All controls, switches and connectors will be discussed in detail.
Fig. 2.1: Connectors and controls of mic/line inputs
MIC
Each mono input channel offers a balanced microphone input via the XLR connector and also features switchable +48/+15 V phantom power supply for condenser microphones. The XENYX preamps provide undistorted and noise-free gain as is typically known only from costly outboard preamps.
LINE IN
Each mono input also features a balanced line input on a ¼" connector. Unbalanced devices (mono jacks) can also be connected to these inputs.
GAIN
Use the GAIN control to adjust the input gain. This control should always be turned fully counterclockwise whenever you connect or disconnect a signal source to one of the inputs.
COMP
Use the COMP knob to adjust the amount of compression effect on the channel. Compression limits the dynamic range of the audio source, which can help vocals cut through a mix better, for example. Turn the COMP knob clockwise until the adjacent LED occasionally lights during speech/singing.
All mono input channels include a 3-band equalizer, except for the Q502USB, which is equipped with a 2-band EQ. All bands provide boost or cut of up to 15 dB. In the central position, the equalizer is inactive.
The circuitry of the British EQs is based on the technology used in the best-known top-of-the-line consoles and providing a warm sound without any unwanted side effects. The result are extremely musical equalizers which, unlike simple equalizers, cause no side effects such as phase shifting or bandwidth limitation, even with extreme gain settings of ±15 dB.
Fig. 2.2: The equalizer of the mono input channels
EQ
The upper (HI) and the lower band (LO) are shelving filters that increase or decrease all frequencies above or below their cut-offfrequency. The cut-offfrequencies of the upper and lower band are 12 kHz and 80 Hz respectively. The mid band (Q802/1002/1202USB) is configured as a peak filter with a center frequency of 2.5 kHz.
LOW CUT
In addition, the mono channels (Q1002USB and Q1202USB) are equipped with a steep LOW CUT filter at 80 Hz designed to eliminate unwanted low-frequency signal components.
Fig. 2.3: The FX send/panorama/level controls
FX (Q802/1002/1202USB only)
FX sends (or AUX sends) enable you to feed signals via a variable control from one or more channels and sum these signals to a bus. The bus appears at the console's FX send output and can be fed from there to an external effects device. The return from the effects unit is then brought back into the console on the aux return connectors (Q802USB) or normal channel inputs. Each FX send is mono and features up to +15 dB gain.
As the name suggests, the FX sends of the XENYX mixing consoles are intended to drive effects devices (reverb, delay, etc) and are therefore configured post-fader. This means that the mix between dry signal and effect remains at the level determined by the channel's aux send, irrespective of the channel fader setting. If this were not the case, the effects signal of the channel would remain audible even when the level knob is lowered to -∞.
PAN
The PAN control determines the position of the channel signal within the stereo image. This control features a constant-power characteristic, which means the signal is always maintained at a constant level, irrespective of position in the stereo panorama.
LEVEL
The LEVEL control determines the level of the channel signal in the main mix.
CLIP
The CLIP LED's of the mono channels illuminate when the input signal is driven too high, which could cause distortion. If this happens, use the GAIN control to reduce the preamp level until the LED does not light anymore.
Fig. 2.4: Stereo line inputs
LINE IN
Each stereo channel has two balanced line level inputs on ¼" jacks for left and right channels. If only the jack marked "L" (left) is used, the channel operates in mono. The stereo channels are designed to handle typical line level signals.
Both inputs will also accept unbalanced jacks.
The XENYX 802 features a stereo 3-band EQ in each stereo channel. The filter characteristics and cut-offfrequencies are the same as those in the mono channels.
Fig. 2.5: The equalizer of the stereo input channels
A stereo EQ is highly preferable to two mono equalizers. when working on a stereo signal, as two separate EQ's will usually produce an unwanted discrepancy between the left and right channels.
Fig. 2.6: The FX send/balance/level controls
FX
The FX sends of the stereo channels function similar to those of the mono channels. However, since the FX send buses are both mono, a mono sum is first taken from the stereo input before it is sent to the FX bus. The Q502USB is not equipped with FX sends.
BAL
The BAL(ANCE) control determines the levels of left and right input signals relative to each other before both signals are then routed to the main stereo mix bus. If a channel is operated in mono via the left line input, this control has the same function as the PAN control used in the mono channels.
LEVEL
The LEVEL control determines the volume of the channel being sent to the main mix.
+4/-10
The stereo inputs of the XENYX Q1002USB and Q1202USB have an input sensitivity switch which selects between +4 dBu and -10 dBV. At -10 dBV (home-recording level), the input is more sensitive (requires less level to drive it) than at +4 dBu (studio level).
Fig. 2.7: FX send/return connectors
Fig. 2.8: FX send/return controls
STEREO AUX RETURN
Q802USB only: the STEREO AUX RETURN connectors are used to bring the output of the external effects device (whose input is derived from the aux sends) back into the console. You can instead use these connectors as additional inputs, but any effects device will then have to be brought back into the console via a normal stereo channel. This does, however, give you the ability to use the channel EQ on the effects return signal if you wish.
If only the left connector is used, the AUX RETURN automatically operates in mono. Use the AUX RETURN control to determine how much of the effects signal is sent to the main mix.
FX SEND
The FX SEND output (does not apply for Q502USB) should be connected to the input of an external effects unit. The post-fader FX signal you created using the input channel FX controls is sent to the effects unit via the FX SEND ouput. Use the FX SEND control of the main section to adjust the overall send level (Q1002USB and Q1202USB only).
Fig. 2.9: Monitor/main mix connectors
Fig. 2.10: Monitor control and main mix fader
PHONES/CONTROL ROOM
The stereo PHONES jack (at the top of the connector panel) is where you connect headphones. The unbalanced CTRL ROOM OUT jacks carry the summed effects and main mix signals. The PHONES/CONTROL ROOM control adjusts the level of both headphones and main monitor outputs. The Q502USB is not equipped with control room outputs.
MAIN MIX
The MAIN OUT connectors are unbalanced mono jacks. The main mix signal appears here at a level of 0 dBu. The MAIN MIX fader adjusts the volume of these outputs. The XENYX Q802USB and Q502USB mixing consoles feature a rotary control for this purpose.
2-TRACK INPUT
The 2-TRACK INPUT s are used to bring an external signal source (e.g. CD player, tape deck, etc.) into the console. They can also be used as a standard stereo line input, so the output of a second XENYX or BEHRINGER ULTRALINK PRO MX882 can be connected.
Fig. 2.11: 2-TRACK input/output
Alternatively the line or tape output of a hi-fiamplifier with source selection switch could also be hooked up here, allowing you to easily listen to additional sources.
2-TRACK OUTPUT
These connectors are wired in parallel with the MAIN OUT and carry the main mix signal (unbalanced). Connect the 2-TRACK OUTPUT to the inputs of your recording device. The output level is adjusted via the high-precision MAIN MIX fader or rotary control (Q802USB and Q502USB).
Fig. 2.12: Assignment switches of the main section
USB/2-TR TO MAIN MIX
When the USB/2-TR TO MAIN switch is depressed, the USB/2-Track input is assigned to the main mix, providing an additional input for tape machines, computers, MIDI instruments or other signal sources that do not require any processing. The 2-Track Out/USB recording signal are muted to avoid feedback.
USB/2-TR TO PHONES/CTRL RM (Q502: USB/2-TR TO PHONES)
Press the USB/2-TR TO PHONES/CTRL RM switch if you want to monitor the 2-Track or USB input via the CTRL ROOM OUT. This provides an easy way to monitor signals coming back from tape to ensure that they are recording correctly.
FX TO CTRL ROOM
If you want to monitor only the FX send signal in your headphones or monitor speaker(s), press the FX TO CTRL switch. This mutes the main mix signal while routing the FX SEND output to the monitor(s). The XENYX Q802USB and Q502USB do not feature this switch.
Fig. 2.13: Phantom power and control LEDs
+48 V
The red +48 V LED lights up when phantom power is on. The PHANTOM switch activates the phantom power supply on the XLR connectors of all mono channels.
POWER
The POWER LED indicates that the console is powered on.
Level indicator
The high-precision 4-segment display accurately displays the relevant signal level.
LEVEL SETTING: To correctly set the gains of the channels, first set the LEVEL controls of the input channels to their center positions (0 dB). Then use the GAIN controls to increase the input amplification until signal peaks show 0 dB on the level meter.
When recording to digital recorders, the recorder's peak meter should not go into overload. While analog recorders can be overloaded to some extent, creating only a certain amount of distortion (which is common and often desirable), digital recorders distort quickly when overloaded. In addition, digital distortion is not only undesirable, but also renders your recording completely useless.
Fig 2.14: USB connector
USB CONNECTOR
Connect your mixer to a computer using a standard USB cable. This enables a stereo signal to be sent to and from your mixer and computer. The signal sent from the mixer to the computer is the same as the main bus. The audio returning from the computer into the mixer appears directly in the main and/or control room bus (depending on USB/2TR to MAIN and PHONES/CTRL RM buttons).
NOTE: The mixer cannot be bus-powered via USB! Always use the included power adaptor to supply power to the mixer.
AC POWER IN
Connect the power supply to the 3-pin mains connector on the rear of the console. Use the AC adapter supplied to connect the console to the mains. The adapter complies with all applicable safety standards.
You will need a large number of cables for different applications. The illustrations below show how the connectors should be wired. Be sure to use only high-grade cables.
Please use commercial RCA cables to connect the 2-track inputs and outputs.
You can, of course, also connect unbalanced devices to the balanced inputs/outputs. To do this, use either mono plugs or stereo plugs with the ring and sleeve bridged (pins 1 and 3 in the case of XLR connectors).
Never use unbalanced XLR connectors (PIN 1 and 3 connected) on the MIC input connectors when using the phantom power supply.
Fig. 3.1: XLR connections
Fig. 3.2: ¼" mono plug
Fig. 3.3: ¼" stereo plug
Fig. 3.4: Stereo plug for headphones connection
Q1202USB | Q1002USB | Q802USB | Q502USB | ||
Mono Inputs | |||||
Microphone Inputs | |||||
Type | XLR connector, balanced, discrete input circuit | ||||
Mic E.I.N. (20 Hz - 20 kHz) | |||||
@ 0 Ω Source resistance | -134 dB / 136 dB A-weighted | ||||
@ 50 Ω Source resistance | -131 dB / 133 dB A-weighted | ||||
@ 150 Ω Source resistance | -129 dB / 131 dB A-weighted | ||||
Frequency Response | <10 Hz - 150 kHz (-1 dB) | ||||
<10 Hz - 200 kHz (-3 dB) | |||||
Max. input level | +12 dBu @ +10 dB Gain | ||||
Impedance | 1.9 kΩ balanced | 1.9 kΩ balanced | 1.9 kΩ balanced | 1.4 kΩ balanced | |
Signal-to-noise ratio | 110 dB A-weighted (0 dBu In @ +22 dB Gain) | ||||
Distortion (THD+N) | 0.005% / 0.004% A-weighted | ||||
Line Inputs | |||||
Type | ¼" TRS connector, balanced | ||||
Impedance | 20 kΩ balanced, 10 kΩ unbalanced | ||||
Gain range | -10 dB to +40 dB | ||||
Max. input level | +22 dBu @ 0 dB Gain | ||||
Stereo Inputs | |||||
Type | 2 x ¼" TRS connectors, balanced | ||||
Impedance | 20 kΩ balanced, 10 kΩ unbalanced | ||||
Gain range | -20 dB to + 20 dB | ||||
Max. input level | +22 dBu | ||||
CD/Tape Inputs | |||||
Type | RCA connector | ||||
Impedance | 18 kΩ | ||||
Max. input level | +22 dBu | ||||
Equalizer | |||||
Low | 80 Hz / ±15 dB | ||||
Mid | 2.5 kHz / ±15 dB | ||||
High | 12 kHz / ±15 dB | ||||
Aux Sends | |||||
Type | ¼" TRS connector, balanced | ||||
Impedance | 120 Ω | ||||
Max. output level | +22 dBu | ||||
Aux Returns | |||||
Type | ¼" TRS connector, balanced | ||||
Impedance | 20 kΩ balanced / 10 kΩ unbalanced | ||||
Max. input level | +22 dBu | ||||
Main Outputs | |||||
Type | ¼" TRS connector, balanced | ||||
Impedance | 120 Ω balanced | ||||
Max. output level | +22 dBu | ||||
Control Room Outputs | |||||
Type | ¼" TRS connector, balanced | ||||
Impedance | approx. 120 Ω | ||||
Max. output level | +22 dBu | ||||
Phones Output | |||||
Type | ¼" TRS connector, unbalanced | ||||
Max. output level | +21 dBu / 150 Ω (+25 dBm) | ||||
CD/Tape Outputs | |||||
Type | RCA connector, unbalanced | ||||
Impedance | 1 kΩ | ||||
Max. output level | +22 dBu | ||||
Main Mix System Data (Noise) | |||||
Main mix @ -∞, channel fader @ -∞ | -106 dB / -109 dB A-weighted | ||||
Main mix @ 0 dB, channel fader @ -∞ | -93 dB / -96 dB A-weighted | -93 dB / -96 dB A-weighted | -92 dB / -95 dB A-weighted | -95 dB / -98 dB A-weighted | |
Main mix @ 0 dB, channel fader @ 0 dB | -84 dB / -87 dB A-weighted | ||||
Power Supply | |||||
Power consumption | 20 W | 13 W | 13 W | 13 W | |
USA/Canada | 120 V~, 60 Hz | ||||
Adapter | MXUL5 | MXUL3 | MXUL3 | MXUL3 | |
Europe/U.K./Australia | 230 V~, 50 Hz | ||||
Adapter | MXEU5 | MXEU3 | MXEU3 | MXEU3 | |
China | 220 V~, 50 Hz | ||||
Adapter | MXCCC5 | MXCCC3 | MXCCC3 | MXCCC3 | |
Korea | 220 V~, 60 Hz | ||||
Adapter | MXKR5 | MXKR3 | MXKR3 | MXKR3 | |
Japan | 100 V~, 50/60 Hz | ||||
Adapter | MXJP5 | MXJP3 | MXJP3 | MXJP3 | |
USB | |||||
Connector | Type B | ||||
Sample Rate | 48 kHz | ||||
Physical/Weight | |||||
Dimensions (W x D x H) | 250 x 248 x 50 mm (9.8 x 9.8 x 2.0" ) | 195 x 248 x 50 mm (7.7 x 9.8 x 2.0" ) | 195 x 248 x 50 mm (7.7 x 9.8 x 2.0" ) | 138 x 184 x 46 mm (5.4 x 7.2 x 1.8") | |
Weight (Net) | 1.5 kg (3.3 lbs) | 1.1 kg (2.4 lbs) | 1.1 kg (2.4 lbs) | 0.6 kg (1.3 lbs) |
Responsible Party Name: MUSIC Group Services US Inc.
Address: 18912 North Creek Parkway, Suite 200 Bothell, WA 98011, USA
Phone/Fax No.: Phone: +1 425 672 0816 Fax: +1 425 673 7647
XENYX Q1202USB/Q1002USB/Q802USB/Q502USB complies with the FCC rules as mentioned in the following paragraph:
This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to part 15 of the FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a residential installation. This equipment generates, uses and can radiate radio frequency energy and, if not installed and used in accordance with the instructions, may cause harmful interference to radio communications. However, there is no guarantee that interference will not occur in a particular installation. If this equipment does cause harmful interference to radio or television reception, which can be determined by turning the equipment offand on, the user is encouraged to try to correct the interference by one or more of the following measures:
This device complies with Part 15 of the FCC rules. Operation is subject to the following two conditions:
Changes or modifications to the equipment not expressly approved by MUSIC Group can void the user's authority to use the equipment.
For the applicable warranty terms and conditions and additional information regarding MUSIC Group's Limited Warranty, please see complete details online at www.music-group.com/warranty.
TECHNICAL SPECIFICATIONS AND APPEARANCES ARE SUBJECT TO CHANGE WITHOUT NOTICE AND ACCURACY IS NOT GUARANTEED. BEHRINGER, KLARK TEKNIK, MIDAS, BUGERA, AND TURBOSOUND ARE PART OF THE MUSIC GROUP (MUSIC-GROUP.COM). ALL TRADEMARKS ARE THE PROPERTY OF THEIR RESPECTIVE OWNERS. MUSIC GROUP ACCEPTS NO LIABILITY FOR ANY LOSS WHICH MAY BE SUFFERED BY ANY PERSON WHO RELIES EITHER WHOLLY OR IN PART UPON ANY DESCRIPTION, PHOTOGRAPH OR STATEMENT CONTAINED HEREIN. COLORS AND SPECIFICATIONS MAY VARY FROM ACTUAL PRODUCT. MUSIC GROUP PRODUCTS ARE SOLD THROUGH AUTHORIZED FULLFILLERS AND RESELLERS ONLY. FULLFILLERS AND RESELLERS ARE NOT AGENTS OF MUSIC GROUP AND HAVE ABSOLUTELY NO AUTHORITY TO BIND MUSIC GROUP BY ANY EXPRESS OR IMPLIED UNDERTAKING OR REPRESENTATION. THIS MANUAL IS COPYRIGHTED. NO PART OF THIS MANUAL MAY BE REPRODUCED OR TRANSMITTED IN ANY FORM OR BY ANY MEANS, ELECTRONIC OR MECHANICAL, INCLUDING PHOTOCOPYING AND RECORDING OF ANY KIND, FOR ANY PURPOSE, WITHOUT THE EXPRESS WRITTEN PERMISSION OF MUSIC GROUP IP LTD.
ALL RIGHTS RESERVED.
© 2013 MUSIC Group IP Ltd.
Trident Chambers, Wickhams Cay, P.O. Box 146, Road Town, Tortola, British Virgin Islands
Here you can download full pdf version of manual, it may contain additional safety instructions, warranty information, FCC rules, etc.
Download behringer XENYX Q1202USB/Q1002USB/Q802USB/Q502USB Manual
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