This effect gives a signiﬁcant swell and movement of pitch to the sound. It is more effective when applied
to a sound with a lot of harmonics, such as cymbals or electric guitar sounds.
Mono In - Mono Out
LFO: Tri / Sine
Delay Time [msec]
LFO Frequency [Hz]
High Damp [%]
c: LFO Shape
g: High Damp [%]
Changing the LFO waveform shape controls the peak sweep of ﬂanging effects.
LFO Shape = 0...+100
The peak shape of the positive and negative Feedback value is different. The
harmonics will be emphasized when the effect sound is mixed with the dry
sound if you set a positive value for both Feedback and Wet/Dry, and if you set
a negative value for both Feedback and Wet/Dry.
This parameter sets the amount of damping of the feedback in the high range.
Increasing the value will cut high-range harmonics.
Delay from the original sound
Selects the LFO Waveform.
Determines how much the LFO waveform is changed.
Modulation source of LFO speed
Modulation amount of LFO speed
Depth of LFO modulation
Feedback damping amount in the high range
Sets the balance between the effect and dry sounds.
Modulation source of effect balance
Modulation amount of effect balance
LFO Shape = 0...–100
Wet / Dry