The 2-Band Structure's Full And Advanced Setup Controls - Orban OPTIMOD 6300 Operating Manual

OPTIMOD 6300 DIGITAL
If you wish, you may adjust the Modify parameters to your own taste. Always start
with L to get as close to your desired sound as possible. Then edit the Mod-
-M
ESS ORE
ify parameters using the Basic, Intermediate or Advanced Modify screen, and save
those edits to a User Preset.

The 2-band Structure's Full and Advanced Setup Controls

The tables below show a summary of the 2-band controls in the dynamics section.
AGC, Equalizer, Stereo Enhancer, and look-ahead limiter controls are common to
both 2-band and 5-band structures and are described in the pages above.
Some of the 2-band controls are common to the Full Modify and Advanced Modify
screens, with additional 2-band controls available in the Advanced Modify screen.
(Note that "advanced" controls are accessible only from 6300 PC Remote software.)
2B DRIVE control adjusts signal level going into the 2-band compressor, determin-
ing the amount of gain reduction in the 2-band compressor.
Regardless of the release time setting, we feel that the optimal amount of gain re-
duction in the 2-band compressor for sound-for-picture applications is 10-15dB. For
fine arts formats, operating with 0-10 dB of gain reduction (with the gain riding
2-band Controls
Full Modify Name
2B BASS CLIP
2B BASS CPL
2B DRIVE
2B GATE
2B REL
2B REL SHAPE
LOUD THR
PARENT PRESET
Less-More
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Advanced Name
2B Bass Clip Threshold
2B Bass Coupling
2B Drive
2B Gate Threshold
2B Release
2B Release Shape
Loudness Controller Threshold
Less-More Index
2B Master Knee
2B Bass Knee
2B Master Ratio
2B Bass Ratio
2B Master Break(point)
2B Bass Break(point)
2B Master Compression Threshold
2B Bass Compression Threshold
2B Master Attack
2B Bass Attack
2B Master Comp Ratio
2B Bass Comp Ratio
2B Master Knee
2B Bass Knee
2B Crossover
Table 3-8: 2-band Controls
Range
-6.0 ... 0.0 dB
0 ... 100 %
–10 ... 25 dB
Off, –44 ... –15 dB
0.5 ... 20 dB / S
Linear, Exponential
Off, 0.0 ... -12.0 dB
[read-only]
[read-only]; 1.0 ... 10.0
0 ... 50 dB
0 ... 50 dB
1:1 ... infinity:1
1:1 ... infinity:1
1 ... 50 dB
1 ... 50 dB
–15 ... 0, Off
-10.0 ... 5.0 dB, Off
4 ... 50, Off
4 ... 50, Off
1:1 ... :1
1:1 ... :1
0 ... 30 dB
0 ... 30 dB
Allpass, Linear
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OPERATION