Korg pa 900 User Manual page 431

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124: St. BPM Long Dly
(Stereo BPM Long Delay)
The stereo delay enables you to match the delay time with the
song tempo.
Stereo In - Stereo Out
Left
Input Level D-mod
Input Level D-mod
Right
Tempo
BPM
Base Note x Times
Adjust [%]
BPM
Base Note x Times
Adjust [%]
MIDI,
BPM
40.00...
300.00
a
Time Over? L
---, OVER!
R
---, OVER!
L Delay Base
r...w
Note
b
Times
x1...x32
Adjust [%]
–2.50...+2.50
R Delay Base
r...w
Note
c
Times
x1...x32
Adjust [%]
–2.50...+2.50
L Feedback
–100...+100
d
Src
Off...Tempo
L Amt
–100...+100
R Feedback
–100...+100
e
R Amt
–100...+100
f
High Damp [%] 0...100
g Low Damp [%] 0...100
Input Level
–100...+100
Dmod [%]
h
Src
Off...Tempo
Dry, 1:99...99:1,
Wet/Dry
Wet
i
Src
Off...Tempo
Amt
–100...+100
a: Time Over? L, R
You can set the delay time up to 5,460msec. If the delay time
exceeds this limit, the error message "OVER!" appears in the dis-
play. Set the delay time parameters so that this message will not
appear. "Time Over?" is only a display parameter.
FX Amt
High Damp Low Damp
Delay
Feedback
High Damp Low Damp
Delay
FX Amt
MIDI syncs to the system tempo; 40–
300 sets the tempo manually for this
individual effect
Display the error message if the left
channel delay time exceeds the
upper limit
Display the error message if the
right channel delay time exceeds
the upper limit
Selects the type of notes to specify
the left channel delay time
Sets the number of notes to specify
the left channel delay time
Fine-adjust the left channel delay
time
Selects the type of notes to specify
the right channel delay time
Sets the number of notes to specify
the right channel delay time
Fine-adjust the right channel delay
time
Sets the feedback amount for the
left channel
Selects the modulation source of
feedback amount
Sets the modulation amount of the
left channel feedback
Sets the feedback amount for the
right channel
Sets the modulation amount of the
right channel feedback
Sets the damping amount in the
high range
Sets the damping amount in the low
range
Sets the modulation amount of the
input level
Selects the modulation source for
the input level
Balance between the wet and dry
signal
Table , "Dynamic Modulation
sources, " on page 357
Amount of modulation source
125: Early Reflections
This early reflection effect has more precise early reflections
with twice the maximum length of a normal-size effect (See
"Early Reflections" on page 401.). You can create a very smooth
and dense sound.
FX Amt = 100: Mono In - Stereo Out / FX Amt = 0: Stereo In - Stereo Out
Left
EQ Trim
LEQ
HEQ
+
Pre Delay
EQ Trim
Right
Sharp, Loose,
a
Type
Modulated,
Reverse
b ER Time [msec] 10...1600
Pre Delay
c
0...200
[msec]
d EQ Trim
0...100
Low,
Pre LEQ Fc
Mid-Low
e
High,
Pre HEQ Fc
Mid-High
Pre LEQ Gain
–15.0...+15.0
[dB]
f
Pre HEQ Gain
–15.0...+15.0
[dB]
Dry, 1:99...99:1,
Wet/Dry
Wet
g
Src
Off...Tempo
Amt
–100...+100
Effects
427
Double Size
FX Amt
Early Reflections
FX Amt
Selects the decay curve for the early
reflection
Sets the time length of early
reflection
Sets the time taken from the original
sound to the first early reflection
Sets the input level of EQ applied to
the effect sound
Selects the cutoff frequency (low or
mid-low) of the low-range equalizer
Selects the cutoff frequency (high or
mid-high) of the high-range
equalizer
Sets the gain of Low EQ
Sets the gain of High EQ
Balance between the wet and dry
signal
Table , "Dynamic Modulation
sources, " on page 357
Amount of modulation source

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