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340
Effects
Mono-Mono Serial (Mono-Mono)
101: OD/HG - Phaser
(Overdrive/Hi.Gain - Phaser)
This effect combines a mono overdrive/high-gain distortion and
a phaser. You can change the order of the effects.
FX Amt = 100: Mono In - Stereo Out / FX Amt = 0: Stereo In - Stereo Out
Left
Overdrive / Hi-Gain
3 Band PEQ
+
Driver
Output Level
Mode: Overdrive / Hi-Gain
Drive
Right
OD/HI-GAIN
Overdrive, Hi-
[O]Drive Mode
Gain
a
Drive
1...100
[O]Output
0...50
Level
b
Src
Off...Tempo
Amt
–50...+50
[O]Low Cutoff
20...1.00k
[Hz]
e
Gain [dB]
–18...+18
[O]Mid1 Cutoff
300...10.00k
[Hz]
f
Q
0.5...10.0
Gain [dB]
–18...+18
[O]Mid2 Cutoff
500...20.00k
[Hz]
g
Q
0.5...10.0
Gain [dB]
–18...+18
PHASER
[P]LFO
0.02...20.00
Frequency [Hz]
h
LFO Waveform Triangle, Sine
[P]Manual
0...100
i
Depth
0...100
Resonance
–100...+100
-Wet, -
[P]Phaser Wet/
1:99...Dry...99:1
Dry
, Wet
j
Src
Off...Tempo
Amt
–100...+100
[P]Output
Normal,
Mode
Wet Invert
k
OD/HG
Routing
Phaser, Phaser
OD/HG
Dry, 1:99...99:1,
Wet/Dry
Wet
l
Src
Off...Tempo
Amt
–100...+100
FX Amt
Routing
Phaser
Phaser
Normal
+
Output Mode
Wet Invert
Resonance
Phaser FX Amt
FX Amt
LFO: Tri / Sine
Switches between overdrive and
high-gain distortion
Sets the degree of distortion
Sets the overdrive output level
Selects the modulation source for
the overdrive output level
Sets the modulation amount of the
overdrive output level
Sets the center frequency for Low
EQ (shelving type)
Sets the gain of Low EQ
Sets the center frequency for Mid/
High EQ 1 (peaking type)
Sets the band width of Mid/High EQ
1
Sets the gain of Mid/High EQ 1
Sets the center frequency for Mid/
High EQ 2 (peaking type)
Sets the band width of Mid/High EQ
2
Sets the gain of Mid/High EQ 2
Sets the speed of the LFO
Selects the LFO Waveform
Sets the frequency to which the
effect is applied
Sets the depth of LFO modulation
Sets the resonance amount
Sets the phaser effect balance
Selects the Wet/Dry modulation
source for the phaser
Sets the Wet/Dry modulation
amount for the phaser
Selects the phaser output mode
Switches the order of the overdrive
and phaser
Balance between the wet and dry
signal
Table , "Dynamic Modulation
sources, " on page 283
Amount of modulation source
102: OD/HG - Mt.Delay
(Overdrive/Hi.Gain - Multitap Delay)
This effect combines a mono overdrive/high-gain distortion and
a multitap delay.
FX Amt = 100: Mono In - Mono Out / FX Amt = 0: Stereo In - Stereo Out
Left
Overdrive / Hi-Gain
3 Band PEQ
+
Driver
Output Level
Mode: Overdrive / Hi-Gain
Drive
Right
OD/HI-GAIN
Overdrive, Hi-
[O]Drive Mode
Gain
a
Drive
1...100
[O]Output
0...50
Level
b
Src
Off...Tempo
Amt
–50...+50
[O]Low Cutoff
20...1.00k
[Hz]
e
Gain [dB]
–18...+18
[O]Mid1 Cutoff
300...10.00k
[Hz]
f
Q
0.5...10.0
Gain [dB]
–18...+18
[O]Mid2 Cutoff
500...20.00k
[Hz]
g
Q
0.5...10.0
Gain [dB]
–18...+18
MULTITAP DELAY
[D]Tap1 Time
0.0...1360.0
[msec]
h
Tap1 Level
0...100
[D]Tap2 Time
0.0...1360.0
[msec]
i
Feedback
–100...+100
[D]High Damp
j
0...100
[%]
[D]Mt.Delay
Dry, 1:99...99:1,
Wet/Dry
Wet
k
Src
Off...Tempo
Amt
–100...+100
Dry, 1:99...99:1,
Wet/Dry
Wet
l
Src
Off...Tempo
Amt
–100...+100
FX Amt
Multitap Delay
Feedback
Delay
(2)
(1)
High Damp
Mt.Dly FX Amt
FX Amt
Switches between overdrive and
high-gain distortion
Sets the degree of distortion
Sets the overdrive output level
Selects the modulation source for
the overdrive output level
Sets the modulation amount of the
overdrive output level
Sets the center frequency for Low
EQ (shelving type)
Sets the gain of Low EQ
Sets the center frequency for Mid/
High EQ 1 (peaking type)
Sets the band width of Mid/High EQ
1
Sets the gain of Mid/High EQ 1
Sets the center frequency for Mid/
High EQ 2 (peaking type)
Sets the band width of Mid/High EQ
2
Sets the gain of Mid/High EQ 2
Sets the Tap1 delay time
Sets the Tap1 output level
Sets the Tap2 delay time
Sets the Tap2 feedback amount
Sets the damping amount in the
high range
Sets the multitap delay effect
balance
Selects the Wet/Dry modulation
source for the multitap delay
Sets the Wet/Dry modulation
amount for the multitap delay
Balance between the wet and dry
signal
Table , "Dynamic Modulation
sources, " on page 283
Amount of modulation source

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