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330
Effects
Mono-Mono Serial (Mono-Mono)
82: P4EQ - Mt. Delay
(Parametric 4-Band EQ -
This effect combines a mono four-band parametric equalizer
and a multitap delay.
FX Amt = 100: Mono In - Mono Out / FX Amt = 0: Stereo In - Stereo Out
Left
Parametric 4Band EQ
+
Trim
Right
P4EQ
a
[E]Trim
0...100
[E]B1 Cutoff
20...1.00k
[Hz]
b
Q
0.5...10.0
Gain [dB]
–18...+18
[E]B2 Cutoff
50...5.00k
[Hz]
c
Q
0.5...10.0
Gain [dB]
–18...+18
[E]B3 Cutoff
300...10.00k
[Hz]
d
Q
0.5...10.0
Gain [dB]
–18...+18
[E]B4 Cutoff
500...20.00k
[Hz]
e
Q
0.5...10.0
Gain [dB]
–18...+18

MULTITAP DELAY

[D]Tap1 Time
0.0...1360.0
[msec]
f
Tap1 Level
0...100
[D]Tap2 Time
0.0...1360.0
[msec]
g
Feedback
–100...+100
(Tap2)
h [D]High
0...100
Damp [%]
Dry,
[D]Mt.Delay
1:99...99:1,
Wet/Dry
Wet
i
Src
Off...Tempo
Amt
–100...+100
Dry,
Wet/Dry
1:99...99:1,
Wet
j
Src
Off...Tempo
Amt
–100...+100
Multitap Delay)
FX Amt
Multitap Delay
Feedback
Delay
(2)
(1)
High Damp
Mt.Dly FX Amt
FX Amt
Sets the parametric EQ input
level
Sets the center frequency of
Band 1
Sets the bandwidth of Band 1
Sets the gain of Band 1
Sets the center frequency of
Band 2
Sets the bandwidth of Band 2
Sets the gain of Band 2
Sets the center frequency of
Band 3
Sets the bandwidth of Band 3
Sets the gain of Band 3
Sets the center frequency of
Band 4
Sets the bandwidth of Band 4
Sets the gain of Band 4
Sets the Tap1 delay time
Sets the Tap1 output level
Sets the Tap2 delay time
Sets the Tap2 feedback amount
Sets the damping amount in
the high range
Sets the multitap delay effect
balance
Selects the Wet/Dry
modulation source for the
multitap delay
Sets the Wet/Dry modulation
amount for the multitap delay
Balance between the wet and
dry signal
Table , "Dynamic Modulation
sources, " on page 283
Amount of modulation source
83: Comp - Wah
(Compressor - Wah/Auto Wah)
This effect combines a mono compressor and a wah. You can
change the order of the connection.
FX Amt = 100: Mono In - Mono Out / FX Amt = 0: Stereo In - Stereo Out
Left
Compressor
EQ Trim
LEQ HEQ
+
Comp
Output Level
Right
Envelope - Control
COMPRESSOR
[C]
a
1...100
Sensitivity
[C]Attack
1...100
b
Output Level
0...100
c
[C]EQ Trim
0...100
[C]Pre LEQ
–15...+15
Gain [dB]
d
Pre HEQ Gain
–15...+15
[dB]
WAH
[W]Frequency
0...100
Bottom
e
Frequency Top 0...100
Auto,
[w]Sweep
D-mod,
Mode
LFO
f
Src
Off...Tempo
[W]LFO
0.02...20.00
Frequency [Hz]
g
Resonance
0...100
LPF
Off, On
Dry,
[W]Wet/Dry
1 : 99...99 : 1,
Wet
h
Src
Off...Tempo
Amt
–100...+100
Comp Wah,
i
Routing
Wah Comp
Dry, 1:99...99:1,
Wet/Dry
Wet
j
Src
Off...Tempo
Amt
–100...+100
FX Amt
Routing
Wah/Auto Wah
Wah
FX Amt
Sweep Mode
FX Amt
Envelope
Auto
D-mod
D
-mod
LFO
LFO
Sets the sensitivity
Sets the attack level
Sets the compressor output level
Sets the EQ input level
Sets the gain of Low EQ
Sets the gain of High EQ
Sets the lower limit of the wah
center frequency
Sets the upper limit of the wah
center frequency
Selects the control from auto-wah,
modulation source, and LFO
Selects the modulation source for
the wah when Sweep Mode=D-mod
Sets the speed of the LFO
Sets the resonance amount
Switches the wah low pass filter on
and off
Sets the wah effect balance
Selects the Wet/Dry modulation
source for the wah
Sets the Wet/Dry modulation
amount for the wah
Switches the order of the
compressor and wah
Balance between the wet and dry
signal
Table , "Dynamic Modulation
sources, " on page 283
Amount of modulation source

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