Korg Pa3X 76-keys User Manual page 209

Pad When locked, selecting a Style or SongBook entry
will not change the Pad assignment.
(See "Pad/Switch: Pad" on page 133).
Lower When this lock is closed, the Lower track remains
unchanged when a different Style, Performance
or STS is selected.
This is useful if, for example, you prefer to always
play with the left hand muted and reserved only
to playing chords for the arranger.
Hint: If you want the same Lower settings to be
used during all your shows, save your preferred
Lower settings to Performance 1-1 (automatically
selected on startup), then close this lock and choose
the "Write Global-Global Setup" from the page
menu.
Keyboard Mode (Split)/Chord Scanning
When this lock is closed, the status of the SPLIT
button (i.e., of the keyboard mode) and the
CHORD SCAN section remain unchanged when
a different Performance or STS is selected.
This is useful if, for example, you prefer to always
play in Full Keyboard, with chords recognized on
the whole keyboard range.
Note: The Split (Keyboard Mode) and Chord Scan
settings are reset when switching to a different
operating mode.
Hint: If you want the same Keyboard Mode and
Lower Scanning settings to be used during all your
shows, save your preferred settings to Performance
1-1 (automatically selected on startup), then close
this lock and choose the "Write Global-Global
Setup" from the page menu.
• Lock–FX & Voice Processor pane
Voice Processor Preset
When locked, selecting a Performance or STS
will not change the Voice Processor Preset.
(See "VP Preset" on page 118).
Upper 1 FXs In Sound mode, you can assign a Sound to the FX
B Group. When you assign a new Sound to the
Upper 1 track, the FX B settings and Master FX
send levels saved with that Sound can be auto-
matically selected, overriding Performance/STS
settings for this track. Whether Sound or Perfor-
mance/STS effect parameters will be considered,
it depends on the status of this lock.
• If the Upper 1 FX Lock is turned on, when
assigning a new Sound to the Upper 1 track, Per-
formance/STS parameters are left untouched;
selected effects, and FX Send values, are not
changed.
• If the Upper 1 FX Lock is turned off, when
assigning a new Sound to the Upper 1 track,
Sound parameters are considered; selected
effects, and FX Send values, are changed accord-
ing to the Sound's stored data.
Note: If effects associated to the selected Sound are
not compatible with effects already assigned to the
FX B block, the Master FX Send values on the other
Keyboard tracks will be automatically set to zero.
For example, assume a chorus effect is assigned to
the Master 2 FX processor. If the new Sound
assigns a distortion effect to the Master 2 FX pro-
cessor, the Master 2 FX Send value on the Upper 2,
Upper 3, and Lower tracks will be set to zero, to
avoid these tracks sound in the wrong way. This
way, the Upper 1 track (usually the most important
one for solo playing) will sound with the needed
effect, while the other Keyboard tracks will just
sound dry.
• Lock–Style pane
Style Preferences
When locked, selecting a Performance or STS
will not change the value of parameters contained
in the Style Preferences pages. By default, it is
turned on.
(See "Preferences: Style Preferences" on page 135,
and "Preferences: Style Play Setup" on page 136).
Bass Inversion
When locked, selecting a Performance or STS
will not change the Bass Inversion status. Bass
Inversion can also be assigned to one of the
Assignable Switches or the Assignable Pedal.
(See "BASS INVERSION" on page 10).
Manual Bass When locked, selecting a Performance or STS
will not change the Manual Bass status.
(See "MANUAL BASS" on page 10).
Fill Mode When locked, the selected Fill Mode will not
change when selecting a different Performance or
Style.
(See "Fill Mode (1...4, Break)" on page 134).
Global edit mode
205
General Controls: Lock