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Global edit mode
General Controls: Lock
(See "Split Point" on page 88).
Pad
When locked, selecting a Performance or STS will
not change the Pad assignment.
(See "Pad/Switch: Pad" on page 100).
Lower
When this lock is closed, the Lower track remains
unchanged when a different Style, Performance
or STS is selected.
This is useful if, for example, you prefer to always
play with the left hand muted and reserved only
to playing chords for the arranger.
Hint: If you want the same Lower settings to be
used during all your shows, save your preferred
Lower settings to Performance 1-1 (automatically
selected on startup), then close this lock and choose
the "Write Global-Global Setup" from the page
menu.
Keyboard Mode/Chord Scanning
When this lock is closed, the Keyboard Mode and
Chord Scanning remain unchanged when a dif-
ferent Performance or STS is selected.
This is useful if, for example, you prefer to always
play in Full Keyboard, with chords recognized on
the whole keyboard range.
Note: The Keyboard Mode and Chord Scanning
settings are reset when switching to a different oper-
ating mode.
Hint: If you want the same Keyboard Mode and
Lower Scanning settings to be used during all your
shows, save your preferred settings to Performance
1-1 (automatically selected on startup), then close
this lock and choose the "Write Global-Global
Setup" from the page menu.
Voice Processor Preset
When locked, selecting a Performance or STS will
not change the Voice Processor Preset.
(See "VP Preset" on page 87).
Upper 1 FXs In Sound mode, you can assign a Sound two
effects (FX1 and FX2). When you assign a new
Sound to the Upper 1 track, the FX1 and FX2 set-
tings saved with that Sound can be automatically
selected, overriding Performance/STS settings for
this track. Whether Sound or Performance/STS
effect parameters will be considered, depends on
the status of this lock.
• If the Upper 1 FX Lock is turned on, when
assigning a new Sound to the Upper 1 track, Per-
formance/STS parameters are left untouched;
selected effects, and FX Send values, are not
changed.
• If the Upper 1 FX Lock is turned off, when
assigning a new Sound to the Upper 1 track,
Sound parameters are considered; selected
effects, and FX Send values, are changed accord-
ing to the Sound's stored data.
Note: If effects associated to the selected Sound are
not compatible with effects already assigned to the
CD FX block, C and/or D Send values on the other
Keyboard tracks will be automatically set to zero.
For example, assume a chorus effect is assigned to
the D effect processor. If the new Sound assigns a
distortion effect to the D effect processor, the D Send
value on the Upper 2, Upper 3, and Lower tracks
will be set to zero, to avoid these tracks sound in the
wrong way. This way, the Upper 1 track (usually
the most important one for solo playing) will sound
with the needed effect, while the other Keyboard
tracks will just sound dry.
Style Preferences
When locked, selecting a Performance or STS will
not change the value of parameters contained in
the Style Preferences pages.
(See "Preferences: Style Preferences" on page 101,
and "Preferences: Global Setup" on page 102).
Bass Inversion
When locked, selecting a Performance or STS will
not change the Bass Inversion status.
(See "BASS INVERSION" on page 12).
Manual Bass When locked, selecting a Performance or STS will
not change the Manual Bass status.
(See "MANUAL BASS" on page 12).
Fill Mode
When locked, the selected Fill Mode will not
change when selecting a different Performance or
Style.
(See "Fill Mode (1...3)" on page 99).
Style Element When locked, selecting a different Style does not
cause selecting a different Style Element.
Style Tracks Play/Mute Lock
When closed, this lock prevents a Style or Perfor-
mance change to modify the Play/Mute status of
the Style tracks. This way, you can, for example,
turn the bass track off during a whole show, to
allow your bassist to play it live. Also, you could
mute all Acc tracks, to only play with the Drum
and Bass tracks.
(See "Track status icons" on page 87).
Style Tracks Volume
When this lock is closed, the volume of the Style
tracks remains unchanged when a different Style
or Performance is selected.
This is useful if you create your own Styles, and
like to dynamically adjust the volume by using
the sliders as a mixer. It is not recommended with
Factory Styles, each one already mixed at its best
right at the factory.
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