Yamaha Tyros5 Reference Manual page 22

5 4 Voice Open—all parts on
retrigger
6 4 Voice Open—all parts on
7 4 Voice Incremental 1
—from highest retrigger
8 4 Voice Incremental 1
—from highest
9 4 Voice Incremental 2
—from lowest retrigger
10 4 Voice Incremental 2
—from lowest
11 3 Voice Close—all parts on
retrigger
12 3 Voice Close—all parts on
13 3 Voice Open—all parts on
retrigger
14 3 Voice Open—all parts on
15 3 Voice Incremental 1
—from highest retrigger
16 3 Voice Incremental 1
—from highest
17 3 Voice Incremental 2
—from lowest retrigger
18 3 Voice Incremental 2
—from lowest
19 2 Voice Close—all parts on
retrigger
20 2 Voice Close—all parts on
21 2 Voice Incremental 1
—from highest retrigger
22 2 Voice Incremental 1
—from highest
23 2 Voice Incremental 2
—from lowest retrigger
24 2 Voice Incremental 2
—from lowest
*1: In three-voice ensembles, Part 4 moves in the same way as Part 1.
*2: In two-voice ensembles, Part 3 moves in the same way as Part 1; Part 4 moves in the same way as Part 2.
*3: With ensemble types that support key off retriggering, whenever a part stops playing because the corresponding key is released, it will be
reassigned based on the keys still held down and will play the appropriate note.
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22 Tyros5 Reference Manual
This setting is suitable for open chords. If one key is played, all four
parts will produce a sound. If two or more keys are played, the parts will
be divided among the various notes of the chord.
Part 1
Part 1 Part 2
Part 2 Part 3
Part 3 Part 4
Part 4
The more keys played, the greater the number of parts that produce a
sound, with priority given to higher parts. For example, Part 1 is played
for one key, Part 1 and Part 2 are played for two keys, and so on.
Part 1 Part 1
Part 2
The more keys played, the greater the number of parts that produce a
sound, with priority given to lower parts. For example, Part 4 is played
for one key, Part 4 and Part 3 are played for two keys, and so on.
Part 3
Part 4 Part 4
This setting produces a three-note ensemble for closed chords. (*1)
This setting produces a three-note ensemble for open chords. (*1)
Three-note version of an ensemble with priority given to higher parts.
For example, Parts 1 & 4 are played for one key, Parts 1 & 4 and Part 2
are played for two keys, and so on. (*1)
Three-note version of an ensemble with priority given to lower parts.
For example, Part 3 is played for one key, Part 3 and Part 2 are played
for two keys, and so on. (*1)
This setting produces a two-note ensemble for closed chords. (*2)
Two-note version of an ensemble with priority given to higher parts. For
example, Parts 1 & 3 are played for one key, and Parts 1 & 3 and Parts 2
& 4 are played for two keys. (*2)
Two-note version of an ensemble with priority given to lower parts. For
example, Parts 2 & 4 are played for one key, and Parts 1 & 3 and Parts 2
& 4 are played for two keys. (*2)
Part 1
Part 1
Part 3
Part 2
Part 2
Part 3
Part 4
Part 4
Part 1 Part 1
Part 2 Part 2
Part 3 Part 3
Part 4
Part 1
Part 2 Part 2
Part 3 Part 3
Part 4 Part 4
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