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4-4 Recording to a Multitrack
4-4 Recording to a Multitrack
– 20 dB
ø
MIC
M/T
LINE
GAIN
To include the multitrack in the channel path, select MULTI in one of the
eight windows in the Input Channel & Inserts section. This creates an in-
line channel configuration, separating the channel input and monitor paths.
HINT: As a starting point, position the multitrack (MULTI) in window
number 5. This allows windows 1 to 4 to be used for other functions such
as EQ and dynamics so that they affect the recorded signal. Windows 6 to
8 are still available for inserting functions into the monitor path post
multitrack. In other words, the top row of processing blocks forms the
channel path, whilst the lower row is the monitor path.
Once one channel is set up, it can be copied to other channels across the
console as required (described in Chapter 7, Session Management™).
INPUT CHANNEL & INSERTS
F I L T E R
E Q
IN
IN
M U L T I
6
IN
IN
In-line channel multitrack recording configuration
All console inputs are available on the Channel Input Screens for cross
patching. They are split into three different screen pages: MIC, LINE and
M/T inputs.
(Refer to Chapter 5, Control Screens, for further details)
D Y N
I N S E R T
IN
IN
7
8
IN
IN
Chapter 4 Signal Paths
4-7
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