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Korg Pa800 User Manual Page 223

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Hint: In order to avoid having the Master Trans-
pose setting change when selecting a new Perfor-
mance or STS, use the general Master Transpose
Lock (the first parameter in this page).
Note: When the Master Transpose Lock is closed, this
parameter has no effect. However, the Master Trans-
pose Lock also locks the Style Performance Transpose.
Sub Scale/Quarter Tone
When locked, selecting a Performance or STS will
not change the Sub-Scale or Quarter Tone value.
(See "Sub-Scale panel" on page 92).
STS SubScale/Quarter Tone
When closed, this lock prevents an STS change to
modify the SubScale/Quarter Tone settings,
allowing for changing sounds and effects but not
the scale. When open, changing an STS may also
change these settings.
(See "Sub-Scale panel" on page 92).
Auto Octave This lock lets you decide if the instrument will
automatically transpose the Upper tracks when
switching between the FULL UPPER and the
SPLIT Keyboard modes.
• If On, when switching to the FULL UPPER or
SPLIT Keyboard Mode, the Upper tracks trans-
position is left unchanged.
• If Off, when switching to the FULL UPPER Key-
board Mode, the Upper tracks Octave Transpose
is automatically set to "0". When switching to the
SPLIT Keyboard Mode, the Upper tracks Octave
Transpose is automatically set to "-1".
• Lock–Control pane
Assignable Switches
When locked, selecting a Performance or STS will
not change the Assignable Switch assignment.
(See "Pad/Switch: Assignable Switch" on page 105).
Slider Mode
When locked, selecting a Performance or STS will
not change the selected status of the SLIDER
MODE button.
(See "Assignable Slider Mic" on page 222).
Split Point
When locked, selecting a Performance or STS will
not change the split point.
(See "Split Point" on page 92).
Global edit mode
Pad
When locked, selecting a Performance or STS will
not change the Pad assignment.
(See "Pad/Switch: Pad" on page 105).
Lower
When this lock is closed, the Lower track remains
unchanged when a different Style, Performance
or STS is selected.
This is useful if, for example, you prefer to always
play with the left hand muted and reserved only
to playing chords for the arranger.
Hint: If you want the same Lower settings to be
used during all your shows, save your preferred
Lower settings to Performance 1-1 (automatically
selected on startup), then close this lock and choose
the "Write Global-Global Setup" from the page
menu.
Keyboard Mode/Chord Scanning
When this lock is closed, the Keyboard Mode and
Chord Scanning remain unchanged when a dif-
ferent Performance or STS is selected.
This is useful if, for example, you prefer to always
play in Full Keyboard, with chords recognized on
the whole keyboard range.
Note: The Keyboard Mode and Chord Scanning
settings are reset when switching to a different oper-
ating mode.
Hint: If you want the same Keyboard Mode and
Lower Scanning settings to be used during all your
shows, save your preferred settings to Performance
1-1 (automatically selected on startup), then close
this lock and choose the "Write Global-Global
Setup" from the page menu.
• Lock–FX & Voice Processor pane
Voice Processor Preset
When locked, selecting a Performance or STS will
not change the Voice Processor Preset.
(See "VP Preset" on page 91).
Upper 1 FXs In Sound mode, you can assign a Sound two
effects (FX1 and FX2). When you assign a new
Sound to the Upper 1 track, the FX1 and FX2 set-
tings saved with that Sound can be automatically
selected, overriding Performance/STS settings for
this track. Whether Sound or Performance/STS
effect parameters will be considered, depends on
the status of this lock.
219
General Controls: Lock

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