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ULTRA-CURVE PRO
DEQ2496
Ultra-high resolution 24-bit/96 kHz
A/D- and D/A converters
(113 dB dynamic range)
Open architecture allowing future
software updates via MIDI
2 high-performance 32/40-bit
floating-point DSPs for ultimate
sonic resolution
Balanced inputs and servo-balanced
outputs with gold-plated XLR
connectors, stereo aux
output, AES/EBU and S/PDIF inputs
and outputs (XLR and optical)
Internal switch-mode power
supply for maximum flexibility
(100 - 240 V~), noise-free audio,
superior transient response and
lowest possible power consumption
High-quality components and
exceptionally rugged construction
ensure long life
Conceived and designed by
BEHRINGER Germany
Or, if you prefer the old-school
approach to variable bandwidth, we've
included 10-band parametrics that can be
fine-tuned in increments down to 1/60 of
an octave.
Dynamically-activated EQ
Dynamic EQ automatically raises or
lowers a defined frequency range based
on volume level. It's literally a
combination of an equalizer (with
frequency center and bandwidth controls)
and a dynamics processor (with ATTACK,
RELEASE, THRESHOLD and RATIO
parameters).
DEQ opens up a world of both creative
mastering and PA problem solving
possibilities. We've given you total control
with multiple filter types including
bandpass mode. And of course you can
store DEQ settings for recall at any time
manually or via MIDI.
Feedback Destroyer with
Learning Mode
DEQ2496
In
Out
Insert
XENYX 2222USB
With the digital capabilities we've just
listed, it's easy to see why we were able
to include a highly-effective Feedback
Destroyer (FBD) feature — it's essentially a
dynamically-activated parametric EQ that
"watches" the whole frequency spectrum
in 1/60-octave bands and then instantly
identifies and notches out feedback.
FBD can be run in AUTO mode
to compensate for movements of
performers on stage, or in SNGLE mode
that locks onto individual frequencies and
then varies the amount of attenuation
and bandwidth depending on feedback
stimulus — more suited to fixed
microphone installations.
We also included a LEARN mode that
generates short audio pulses, raises their
gain until feedback occurs and then
locks into potential trouble-causing
band centers.
Stereo Imager (WIDTH).
While usually considered a mastering
technique, the ability to widen the stereo
image can be useful in live sound work,
too. When you hear it in action, we think
you and your audience will be impressed.
Output Left
Output Right
EUROPOWER
EP4000
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B1520 PRO
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