Neunaber IMMERSE User Manual

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your trust by delivering a quality product that inspires you to make great
music.
Neunaber products are designed and manufactured in Orange, California
USA. Please visit neunaber.net for more information and support.

Connections

We recommend that this pedal be placed at the end of your chain, after all
other effects. If you are using the overdrive channel of your amplifier, this
effect should be placed in the effects loop for best results.
The P J accepts a standard (5.5 mm OD x 2.1 mm ID) center-
OWER ACK
negative pedal power adapter (not included). The power adapter must be
between 9V and 12V and capable of supplying 70mA or more.
The I J (right side) accept inputs directly from your instrument,
NPUT ACKS
amplifier effects loop output, or other effect pedals via standard 1/4" (6.35
mm) phone connectors.

Input 1 only accepts a mono input.

Both Inputs 1 & 2 accept a stereo input.

Input 2 only accepts a stereo TRS input.
I M M E R S E
r e v e r b e r a t o r
U G
S E R U I D E
The O J
UTPUT ACKS
amplifier, or effects loop return via standard 1/4" (6.35 mm) phone
connectors. The buffered output is capable of driving long cables. If plugging
into the input of an amp, you should use the low impedance (Lo-Z) input if
available.

Output 1 only

Both Outputs 1 & 2
stereo signal from a mono input.

Output 2 only
The input and output connections are independent. You may—for example—
use a mono input with stereo outputs or stereo inputs with a stereo TRS
output.
Important Note:
two discrete signals (such as two different instruments).
(left side) supply output to another effect pedal, an
supplies a summed mono output.
supply a stereo output. Using both outputs creates a
supplies a stereo TRS output.
input/output 1 and input/output 2 should not be used with
The F S bypasses the effect. The LED lights when the effect is
OOT WITCH
active. Bypassing the effect does not lower power consumption, because it
does not turn off power to the pedal.
The Immerse Reverberator implements a high-quality buffered bypass. The
signal is always buffered whether on or bypassed. We chose this type of
bypass because the last output in a pedal chain should be buffered, and
reverb is typically placed at the end of a pedal chain.
The K D switch removes the dry signal, leaving only the "wet" (effect)
ILL RY
signal. This is useful for parallel effect loops.
The T switch changes the bypass mode between normal and trails.
RAILS
Trails allows the effect to naturally trail off after the pedal is bypassed. With
normal bypassing, the effect is abruptly cut off; however, normal bypassing
results in lower noise while the pedal is bypassed.

Effects

Reverberation ("reverb") gives your instrument a sense of acoustic
spaciousness. There have been various methods of simulating this effect
over the years, several of which have evolved into their own distinct sound.
W ™ is an updated version of Neunaber's renowned algorithm, with shorter
ET
pre-delay, higher initial density and more balanced imaging.
 fx level adjusts the reverb level
 depth adjusts the length of the reverb tail (size of the acoustic space)
 tone controls the tone of the reverb only
 modulate controls the speed and depth of modulation in the reverb