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Korg MS2000R Owner's Manual: Front Panel Knob/key Control Change Assignments

Korg owner's manual analog modeling synthesizer ms2000, ms2000r.
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Front panel knob/key control change assignments

Control changes can be assigned to each front panel knob/key of the MS2000/MS2000R so that the changes in sound as con-
trolled by knob/key operations can be transmitted as performance data.
Synth Parameter
Vocoder Parameter
PITCH
Portamento
Portamento
Wave
Wave
OSC 1
Control1
Control1
Control2
Control2
Wave
– – – – – – – – – – – CC#78 0: Saw, 64: Squ, 127: Tri
OSC Mod
– – – – – – – – – – – CC#82 0: OFF, 43: Ring, 85: Sync, 127: RingSync
OSC 2
Semitone
HPF Level
Audio in 2
Tune
Threshold
OSC 1 Level
OSC 1 Level
OSC 2 Level
Inst Level
MIXER
Noise Level
Noise Level
Type
Formant Shift
Cutoff
Cutoff
FILTER
Resonance
Resonance
EG 1 Int
Mod Int
KBD Track
E.F.Sense
Level
Level
Panpot
Direct Level
AMP
EG2/GATE
– – – – – – – – – – – CC#86 0: EG2, 127: GATE
Distortion
Distortion
Attack
Attack
Decay
Decay
EG 1
Sustain
Sustain
Release
Release
Attack
Attack
Decay
Decay
EG 2
Sustain
Sustain
Release
Release
Wave
Wave
LFO 1
Frequency
Frequency
Wave
Wave
LFO 2
Frequency
Frequency
PATCH 1 Intensity
– – – – – – – – – – –
PATCH 2 Intensity
– – – – – – – – – – –
PATCH 3 Intensity
– – – – – – – – – – –
PATCH 4 Intensity
– – – – – – – – – – –
SEQ
ON/OFF
– – – – – – – – – – –
LFO Speed
LFO Speed
MOD FX
Depth
Depth
Delay Time
Delay Time
DELAY FX
Depth
Depth
Different parameters are assigned to synth parameters and vocoder parameters.
For programs whose voice mode is Split/Dual, this will apply only to the timbre selected by the TIMBRE SELECT
[SELECT] key if the timbre MIDI channel (LCD Edit mode Page 03B: VOICE "MIDI ch") is GLB.
Effect parameters are transmitted and received on the global MIDI channel, regardless of the timbre MIDI channel.
If you are using two MS2000/MS2000R units to transmit and receive these parameters, you must set the transmitting
and receiving programs to the same settings.
Initial
Value (transmitted)
CC#05 0...127
0: Saw, 18: Pulse, 36: Tri, 54: Sin, 72: Vox Wave
CC#77
90: DWGS, 108: Noise, 126: Audio In
CC#14 0...127
CC#15 0...127 * OSC 1 Wave=DWGS; see p.66
Synth; see p.66
CC#18
Vocoder; 0... 127
Synth; 0 / 1: –63, 2: –62...63: –1, 64: 0, 65: +1...127:
CC#19
+63
CC#20 0...127
CC#21 0...127
CC#22 0...127
Synth; 0: 24LPF, 43: 12LPF, 85: 12BPF, 127: 12HPF
CC#83
Vocoder; 0: 0, 32: +1, 63: +2, 95: –1, 127: –2
Synth; 0...127
CC#74
Vocoder; 0 / 1: –63, 2: –62...63: –1, 64: 0, 65: +1...127: +63
CC#71 0...127
CC#79 0 / 1: –63, 2: –62...63: –1, 64: 0, 65: +1...127: +63
Synth; 0 / 1: –63, 2: –62...63: –1, 64: 0, 65: +1...127:
CC#85
+63
CC#07 0...127
Synth; 0 / 1: L63, 2: L62...63: L01, 64: CNT, 65: R01...127: R63
CC#10
Vocoder; 0...127
CC#92 0: OFF, 127: ON
CC#23 0...127
CC#24 0...127
CC#25 0...127
CC#26 0...127
CC#73 0...127
CC#75 0...127
CC#70 0...127
CC#72 0...127
CC#87 0: Saw, 43: Squ, 85: Tri, 127: S/H
CC#27 0...127, Tempo Sync=ON; see p.66
CC#88 0: Saw, 43: Squ(+), 85: Sin, 127: S/H
CC#76 0...127
CC#28 0 / 1: –63, 2: –62...63: –1, 64: 0, 65: +1...127: +63
CC#29 0 / 1: –63, 2: –62...63: –1, 64: 0, 65: +1...127: +63
CC#30 0 / 1: –63, 2: –62...63: –1, 64: 0, 65: +1...127: +63
CC#31 0 / 1: –63, 2: –62...63: –1, 64: 0, 65: +1...127: +63
CC#89
0: OFF, 127: ON
CC#12 0...127
CC#93 0...127
CC#13 0...127, Tempo Sync=ON; see p.66
CC#94 0...127
Appendices
Value (received)
0...127
0...15: Saw, 16...31: Pulse, 32...47: Tri, 48...63: Sin, 64...79: Vox
Wave, 80...95: DWGS, 96...111: Noise, 112...127: Audio In
0...127
0...127 * OSC 1 Wave=DWGS; see p.66
0...42: Saw, 43...85: Squ, 86...127: Tri
0...31: OFF, 32...63: Ring, 64...95: Sync, 96...127: RingSync
Synth; see p.66
Vocoder; 0... 127
Synth; 0 / 1: –63, 2: –62...63: –1, 64: 0, 65: +1...127:
+63
0...127
0...127
0...127
Synth; 0...31: 24LPF, 32...63: 12LPF, 64...95: 12BPF, 96...127: 12HPF
Vocoder; 0...25: 0, 26...51: +1, 52...76: +2, 77..102: –1, 103...127: –2
Synth; 0...127
Vocoder; 0 / 1: –63, 2: –62...63: –1, 64: 0, 65: +1...127: +63
0...127
0 / 1: –63, 2: –62...63: –1, 64: 0, 65: +1...127: +63
Synth; 0 / 1: –63, 2: –62...63: –1, 64: 0, 65: +1...127: +63
Vocoder; 0...127
0...127
Synth; 0 / 1: L63, 2: L62...63: L01, 64: CNT, 65: R01...127: R63
Vocoder; 0...127
0...63: EG2, 64...127: GATE
0...63: OFF, 64...127: ON
0...127
0...127
0...127
0...127
0...127
0...127
0...127
0...127
0...31: Saw, 32...63: Squ, 64...95: Tri, 96...127: S/H
0...127, Tempo Sync=ON; see p.66
0...31: Saw, 32...63: Squ(+), 64...95: Sin, 96...127: S/H
0...127
0 / 1: –63, 2: –62...63: –1, 64: 0, 65: +1...127: +63
0 / 1: –63, 2: –62...63: –1, 64: 0, 65: +1...127: +63
0 / 1: –63, 2: –62...63: –1, 64: 0, 65: +1...127: +63
0 / 1: –63, 2: –62...63: –1, 64: 0, 65: +1...127: +63
0...63: OFF, 64...127: ON
0...127
0...127
0...127, Tempo Sync=ON; see p.66
0...127
65

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