ZETA Music Systems ZMC-200 User Manual
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ZETA Music Systems ZMC-200 User Manual

Zeta music systems, inc. synthony ii midi controller user manual model zmc-200
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Zeta Music Systems, Inc.
User Manual
SYNTHONY II
MIDI CONTROLLER
Model ZMC-200

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Summary of Contents for ZETA Music Systems ZMC-200

  • Page 1 Zeta Music Systems, Inc. User Manual SYNTHONY II MIDI CONTROLLER Model ZMC-200...

  • Page 2: Table Of Contents

    TABLE OF CONTENTS ZMC-200 FRONT PANEL ZMC-200 REAR PANEL ABOUT THE SYNTHONY II QUICKSTART ...5 BASIC SETTINGS ... 5 CHANGING A PRESET SOUND... 7 ABOUT THE USER INTERFACE INSTRUMENT INTERFACE FEATURES E-SERIES PICKUP SELECTOR SWITCH... 10 ANALOG/DIGITAL BLENDING ... 10 TRACKING ENHANCERS...
  • Page 3 REV ENABLE... 24 CHOR ENABLE ... 24 VAR ENABLE ... 24 CC DEFAULTS…... 24 MIDI MAPPING: ... 25 PRESET MODE ... 26 PRESET PARAMETERS... 26 RECALLING PRESETS ... 26 INSTRUMENT TUNER... 26 PRESET PROGRAMMING ... 27 VOLUME ... 27 TRANSPOSE... 27 QUANTIZE...
  • Page 4 SEQ TEMPO ...39 STACK...39 WHEELCNTL... 39 NRPN/RPN... 40 REV ... 41 CHOR... 41 VAR... 41 CHAIN MODE ... 42 UNDERSTANDING THE DISPLAY... 42 CREATING CHAIN PRESETS ... 43 CHAIN PRESET NAME... 43 PROGRAM ... 43 STEP ... 44 SAVING CHAIN PRESETS... 44 TUTORIAL- SETTING UP A CHAIN UTILITY MODE UTILITY PARAMETERS ...
  • Page 5 APPENDIX ... 54 FACTORY RESET ... 54 PROBLEM SOLVING External MIDI instrument doesn’t play...54 String bending does not function properly...54 Sometimes wrong notes ...55 Varying string volume levels ...55 Dynamic difference between notes is too great ...55 Wrong sounds...55 SYSTEM EXCLUSIVE IMPLEMENTATON... 56 MASTER SOUND BANK –...

  • Page 6: Zmc-200 Front Panel

    2. E-SERIES ON/OFF : This button must be pushed and locked in the “on” position in order for violins equipped with Zeta’s E-Series pickups to function properly with the ZMC-200. Note: The E-Series violin pickups are mono-MIDI capable, and will not access the ZMC-200 multi-channel MIDI features.
  • Page 7 17. POWER ON/OFF: Here is where you turn your Synthony II on and off. When you turn it on, the display shows your last used preset in PRESET mode and is in LOCAL ON mode. ZETA Music Systems, Inc. ZMC-200 Manual Rev2.0...

  • Page 8: Zmc-200 Rear Panel

    MIDI THRU jack: All data that is received on the MIDI IN jack will be echoed unchanged to this port. G. MIDI OUT jack: All MIDI data generated by your ZMC-200 will be sent to this port. If you are using an external MIDI instrument with your ZMC-200, be sure to connect this port with the MIDI IN port on your external instrument.

  • Page 9: About The Synthony Ii

    Converter on the market. The result of years of research and refinement, the SYNTHONY II represents a new generation of MIDI controller from Zeta Music Systems that raises the industry standard to the highest levels ever. The ZETA...

  • Page 10: Quickstart

    3. Press the GLOBAL button. In the display you now see ”BASIC CHANNEL.” If you see a ”1” after the colon, leave it. If not, use the +/- Value buttons to set this value to 1. ZETA Music Systems, Inc. ZMC-200 Manual Rev2.0...
  • Page 11 Set each string to “20”. You have now completed the basic settings and your ZETA SYNTHONY II is ready to be played. The changes you made have been automatically saved in static RAM so that they ZETA Music Systems, Inc. ZMC-200 Manual Rev2.0...

  • Page 12: Changing A Preset Sound

    6. Press the +Parameter button. Set the “Quantize” value to “TRIGGER.” 7. Press the +Parameter button. Set “Vel Sense” to “82.” 8. Press the +Parameter button. Set “Vel Offset” to “+12.” ZETA Music Systems, Inc. ZMC-200 Manual Rev2.0...
  • Page 13 (1-128). Choose, for example, Preset No. 128 (+/- Value buttons). Now when you press the ENTER button, your preset will be copied to slot 128 and saved there. This also now becomes the active preset. ZETA Music Systems, Inc. ZMC-200 Manual Rev2.0...

  • Page 14: About The User Interface

    (…) before you pressed the ENTER button. Also use the EXIT button to get back to the PRESET mode, the standard mode of your ZETA SYNTHONY ZETA Music Systems, Inc. ZMC-200 Manual Rev2.0...

  • Page 15: Instrument Interface Features

    ZMC-200. The E-Series violin pickups are mono-MIDI capable, and will not access the ZMC-200 multi-channel MIDI features. Please note that instruments equipped with Zeta’s Jazz or Strados pickup systems will not function properly if the E-Series button is set in the “On”...

  • Page 16: Tracking Enhancers

    Installation of the gasket set does not need to be permanent, although the gaskets must be installed for proper performance of the Synthony II and it is not recommended to remove or re-install them un-necessarily. ZETA Music Systems, Inc. ZMC-200 Manual Rev2.0...

  • Page 17: Installation Instructions

    Align the bridge foot evenly over the tracking enhancer and put the strings back on the bridge. You may want to re-adjust the action at the bridge, bringing it down 1/16” to compensate for the thickness of the tracking enhancer. ZETA Music Systems, Inc. ZMC-200 Manual Rev2.0...
  • Page 18 ZETA Music Systems, Inc. ZMC-200 Manual Rev2.0...
  • Page 19 ZETA Music Systems, Inc. ZMC-200 Manual Rev2.0...

  • Page 20: The Four Modes Of Operation

    3. Using the VALUE +/- buttons, select the appropriate INSTRUMENT preset, based on the Chart (below). (Violists and Cellists - skip #4 and see VIOLISTS AND CELLISTS section below). 4. Press EXIT twice to return to PRESET mode. VIOLISTS AND CELLISTS ZETA Music Systems, Inc. ZMC-200 Manual Rev2.0...

  • Page 21: Preset Mode

    Here are also functions for loading and saving SYSEX data using MIDI, so that you can, for example, back up all your ZETA SYNTHONY II settings to a floppy or ZETA Music Systems, Inc. ZMC-200 Manual Rev2.0 Pickup System...

  • Page 22: Chain Mode

    You can define chains of presets for use in live performance that are then easily accessible. All of these settings must first be saved in Preset Mode and simply accessed and organized in Chain Mode. ZETA Music Systems, Inc. ZMC-200 Manual Rev2.0...

  • Page 23: Global Mode

    In the same way that the first of four channels was set for the BASIC CHANNEL parameter, so the first of an additional four MIDI channels is set here for Hold effects such as SEPARATE, LAYER, ARPEGGIO. It is ZETA Music Systems, Inc. ZMC-200 Manual Rev2.0...

  • Page 24: Seq Channel

    Preset (sound), set this parameter to ON. In this case your ZETA SYNTHONY II sends the pitchbend range event directly after every program change event. If your MIDI instrument saves pitchbend information in its global area, set this value to OFF. ZETA Music Systems, Inc. ZMC-200 Manual Rev2.0...

  • Page 25: Local Mode

    (piano for example), it is much easier to tune your ZETA SYNTHONY II to their instrument. When you play alone (solo), you should set the tune base value to ”0”. INSTRUMENT NO. Instrument number and instrument-specific settings (1…4) ZETA Music Systems, Inc. ZMC-200 Manual Rev2.0...

  • Page 26: Typ

    MIDI NOTE OFF event will be sent to the MIDI instruments. Smaller values will allow the note to be held longer. In this way you can adjust this value to match your instrument optimally. TRIG. LEVEL Trigger Level (0…9) ZETA Music Systems, Inc. ZMC-200 Manual Rev2.0...

  • Page 27: Sense

    Pay attention to the specific string that the problems seem to be focusing around. Frequently, a player will use a different sensitivity for each string. To make these adjustments, follow the following steps. Turn on Synthony II ZETA Music Systems, Inc. ZMC-200 Manual Rev2.0...

  • Page 28: Pan Enable

    OFF. If this parameter is set to ON, the values will be sent that were set in the Play Area parameters (see PRESET MODE). As will all other controller information, you ZETA SYNTHONY ZETA Music Systems, Inc. ZMC-200 Manual Rev2.0...

  • Page 29: Rev Enable

    Press the ENTER button to get to the submenu. In the first line of the display shows the name and number of the presently selected controller and in the second line, its default value in hexadecimal format. ZETA Music Systems, Inc. ZMC-200 Manual Rev2.0...

  • Page 30: Midi Mapping

    +/- VALUE buttons to change to the appropriate value. Your entry will be immediately saved in the ZETA SYNTHONY II’s internal battery-backed-up memory, and does not have to be saved. Use the EXIT button to leave the submenu. ZETA Music Systems, Inc. ZMC-200 Manual Rev2.0...

  • Page 31: Preset Mode

    ZETA SYNTHONY II to orient itself to the tuning of your instrument, giving you a new standard. In this case the arrow in the middle of the tuning scale represents the new tuning standard. ZETA Music Systems, Inc. ZMC-200 Manual Rev2.0...

  • Page 32: Preset Programming

    NOT sending new note information. Slides, etc. will not be carried out as they ZETA Music Systems, Inc. ZMC-200 Manual Rev2.0...

  • Page 33: Pan Pos

    If your MIDI instrument is equipped with built-in reverb, you can control it with this parameter. The higher the value, the more reverb will be added to the mix in the output signal of your MIDI instrument. CHORUS Chorus Effect (0…127) ZETA Music Systems, Inc. ZMC-200 Manual Rev2.0...

  • Page 34: Variation

    MIDI conversion of continuous volume increase (crescendo) information. Intensity (0…63) Adjusts the crescendo volume level. A value of 0 produces no increase of level. A value of 63 produces the greatest level change ZETA Music Systems, Inc. ZMC-200 Manual Rev2.0...

  • Page 35: Preset Name

    STRING MODE to COM. In the same way, some sequencer software programs only allow recording on one channel at a time. In this case you should set STRING MODE to COM. ZETA Music Systems, Inc. ZMC-200 Manual Rev2.0...

  • Page 36: Sep

    In the sub menu, you can set the following parameters: HOLD PRESET (1…128) Using the +/- Value buttons, choose the sound you want to hear after pressing the hold pedal. ZETA Music Systems, Inc. ZMC-200 Manual Rev2.0...

  • Page 37: Volume

    Now when you press the hold pedal, this sound will be added to your present sound as long as the hold pedal is depressed. After pressing the ENTER button, you can set the following parameters in the sub menu: ZETA Music Systems, Inc. ZMC-200 Manual Rev2.0...

  • Page 38: Layer Preset

    ARPEG function allows you more complex accompaniment structures. When you press the hold pedal, and play a series of notes, these notes are received and then played back in the same ZETA Music Systems, Inc. ZMC-200 Manual Rev2.0...

  • Page 39: Arpeg Preset

    32 notes long. SCAN (ASSIGN, REVERS, RECYCLE, UP, DOWN, UP/DOWN, RANDOM) There are a number of options that determine how an arpeggiator sequence will be played back: ZETA Music Systems, Inc. ZMC-200 Manual Rev2.0...
  • Page 40 Plays back the arpeggiator sequence in staccato quarter notes. 1/4thLg: Quarter notes same as above except legato. 1/2th: Plays back the arpeggiator sequence in quarter note values with quarter rests. 1/8Trpl: Plays back the arpeggiator sequence in 8th note triplets. ZETA Music Systems, Inc. ZMC-200 Manual Rev2.0...
  • Page 41 4th rest Dotted 4th rest character at the cursor position, and displacing all the characters after it one position to the right. The last character (at position 12) will be overwritten. 2th rest Repeat ZETA Music Systems, Inc. ZMC-200 Manual Rev2.0...

  • Page 42: Sync

    OFF. SEQ TRACK (OFF, 1…8) If you own the internal sound board, you can set a complex track sequence to play instead of a pattern (see UTILITY MODE, EDIT SEQUENCE) ZETA Music Systems, Inc. ZMC-200 Manual Rev2.0...

  • Page 43: Editing Hold Presets

    MIDI channel. The pattern will be repeated until you press the hold pedal two times quickly. Choose one drum pattern of 1-32, that you want to play when you press the hold pedal, or set this parameter to OFF. ZETA Music Systems, Inc. ZMC-200 Manual Rev2.0...

  • Page 44: Seq Track

    “————” description. The setting “NO CONTROLLER” means that no MIDI controller at all is assigned to the selected wheel. To do this, set the wheel AIX 101/102 to a Filter Controller (74). ZETA Music Systems, Inc. ZMC-200 Manual Rev2.0...

  • Page 45: Nrpn/Rpn

    Your ZETA SYNTHONY II does NOT do this, because this would drastically increase the amount of MIDI data processed and sent. However, when you change a Preset, or when you edit an NRPN/RPN, these controllers ARE set to NULL. ZETA Music Systems, Inc. ZMC-200 Manual Rev2.0...

  • Page 46: Rev

    If you don’t want to use a variation effect, select NO EFFECT. For more detailed information about the digital effects in the sound module and their programmable options, see the chapter UTILITY MODE. ZETA Music Systems, Inc. ZMC-200 Manual Rev2.0...

  • Page 47: Chain Mode

    Remember, you can only change the Chain by accessing the front of your ZETA SYNTHONY II. The Steps, however may be changed from the Footswitch. When displaying or entering new chains, the initial Chain Display screen lists the following information: Chain Name ZETA Music Systems, Inc. ZMC-200 Manual Rev2.0...

  • Page 48: Creating Chain Presets

    (A…Z, a…z, !…9, space, insert, delete). PROGRAM (1…128) Use the +/- Value buttons to select the desired Preset number for the present step. Press the ENTER button. This moves you to the next step in the chain. ZETA Music Systems, Inc. ZMC-200 Manual Rev2.0...

  • Page 49: Step

    You can, of course, save your changes to a different preset if you may want to save the previous version of the preset for later use. If you don’t want to save your changes at all, simply press the EXIT button again. ZETA Music Systems, Inc. ZMC-200 Manual Rev2.0...

  • Page 50: Tutorial- Setting Up A Chain

    12. Use the Value + or – buttons to scroll to the Preset sound that you wish to be the 4th Step in your Chain. For the purposes of this tutorial, scroll back to Marimba 4. Step in the Chain. ZETA Music Systems, Inc. ZMC-200 Manual Rev2.0...
  • Page 51 Preset sounds. In other words, there will always be 32 Steps in each Chain. You may only choose to use the first 4, as in our tutorial, for your purposes. Those that appear after your Steps are simply meaningless. ZETA Music Systems, Inc. ZMC-200 Manual Rev2.0...
  • Page 52 28. Congratulations! You have programmed your first Chain. Now try to create some more! ZETA Music Systems, Inc. ZMC-200 Manual Rev2.0...

  • Page 53: Utility Mode

    All sound presets (patches) will be displayed in their numeric form in their given MIDI bank. A MIDI bank contains 128 preset numbers. It is possible to split MIDI banks using MSB (most significant byte) and LSB (least ZETA Music Systems, Inc. ZMC-200 Manual Rev2.0...

  • Page 54: Dclic Respns

    Press the ENTER button and use the +/- Parameter buttons to select the area you would like to send. Use the +/- Value buttons to select individual parts. The transfer begins when you press ZETA Music Systems, Inc. ZMC-200 Manual Rev2.0...

  • Page 55: Total Dump

    The data blocks that are received by the ZETA SYNTHONY II will overwrite the same parameters in the ZETA SYNTHONY II. EDIT SEQUENCE Drum Sequence Editing ZETA Music Systems, Inc. ZMC-200 Manual Rev2.0...

  • Page 56: Tempo

    0 (zero). VARIAT SEND Variation Effect (0…127) Set your desired amount of variation effect for drums here. If you don’t want any chorus effect on the drums, set this value to 0 (zero). ZETA Music Systems, Inc. ZMC-200 Manual Rev2.0...

  • Page 57: Mode

    When you are finished, press the EXIT button. You can of course repeat this process for the 3 other instruments you have selected for the pattern. A further press of the EXIT button takes you out of the PATTERN EDITOR. ZETA Music Systems, Inc. ZMC-200 Manual Rev2.0...

  • Page 58: Track

    ZETA SYNTHONY II from the analog string information sent from your instrument. This feature is primarily for diagnostic purposes like detecting which conductor of the cable between instrument interface and ZETA SYNTHONY II may be bad, for example. ZETA Music Systems, Inc. ZMC-200 Manual Rev2.0...

  • Page 59: Appendix

    1. Make sure that the pitchbend range settings in your MIDI instrument correspond to the same settings in your ZETA SYNTHONY II (GLOBAL MODE). 2. Make sure the QUANTIZE value in the preset split (PRESET MODE) is set to AUTO or OFF. ZETA Music Systems, Inc. ZMC-200 Manual Rev2.0...

  • Page 60: Sometimes Wrong Notes

    (PRESET MODE) and then try adding some value to the Velocity Offset parameter. Wrong sounds Description: The sounds that appear in the ZETA SYNTHONY II’s display do not correspond with the sounds I hear from my MIDI instrument. ZETA Music Systems, Inc. ZMC-200 Manual Rev2.0...

  • Page 61: System Exclusive Implementaton

    Patterndump for Arpeggiator (All, 1...16) Total Effectdump (Rev setup, all revs, chor setup, all chors, var setup, all vars) Reverbdump (Rev setup, all reverb programs) Chorusdump (Chor setup, all chorus programs) Variationdump (Var setup, all variation programs) ZETA Music Systems, Inc. ZMC-200 Manual Rev2.0...
  • Page 62 Total Sequencerdump (Seq setup, pattern 1...32, tracks 1...8) Patterndump for Sequencer (All) Trackdump for Sequencer (All) ZETA Music Systems, Inc. ZMC-200 Manual Rev2.0...

  • Page 63: Master Sound Bank - List

    VX El. Piano 1 60’s Elec. Piano Elec. Piano 2 Elec. Piano 2K Chor. EP2 DX Hard DX Legend DX Phase DX+Analog DX Koto EP VX Elec. Piano 2 Harpsichord Harpsichord K Harpsichord 2 ZETA Music Systems, Inc. ZMC-200 Manual Rev2.0...

  • Page 64: Cpercussion

    Perc. Organ 70’s Perc. Organ Det. Perc. Organ Lite Organ Perc. Organ 2 Rock Organ Rotary Organ Slow Rotary Organ Fast Rotary Organ Church Organ Church Organ 3 Church Organ 2 Notre Dam ZETA Music Systems, Inc. ZMC-200 Manual Rev2.0...

  • Page 65: Acoustic Guitar

    Feedback Guitar 2 Guitar Harmonics Guitar Feedback Guitar Harmonics 2 Acoustic Bass Acoustic Bass Jazz Rhythm VX Upright Finger Bass Finger Dark Flange Bass Bass & DistEG Finger Slap Finger Bass 2 Mod Alem ZETA Music Systems, Inc. ZMC-200 Manual Rev2.0...

  • Page 66: Electric Bass

    X Wire Bass Strings Violin Slow Violin Viola Cello Contrabass Tremelo Strings Slow Tremelo Strings Suspended Strings Pizz. Strings Harp Yang Chin Timpani Ensemble Strings 1 Suspended Strings Slow Strings Arco Strings 60’s Strings ZETA Music Systems, Inc. ZMC-200 Manual Rev2.0...

  • Page 67: Brass

    French Horn 2 Horn Orchestra Brass Section Trumpet & Trb. Sec. Brass Section 2 Hi Brass Mello Brass Synth Brass Syn Brass 1 Quack Brass Rezo Syn Brass Poly Brass Syn Brass 3 ZETA Music Systems, Inc. ZMC-200 Manual Rev2.0...

  • Page 68: Reeds

    Square 2 LM Square Hollow Shmoog Mello Solo Sine Sine Lead Saw. Lead Saw 2 Thick Saw DynaSaw DigiSaw Big Lead Heavenly Syn Waspy Syn Pulse Saw Dr. Lead Velocity Lead Seq Ana ZETA Music Systems, Inc. ZMC-200 Manual Rev2.0...

  • Page 69: Synth Pad

    CC Pad Bowed Pad Glacier Glass Pad Metal Pad Tine Pad Pan Pad Halo Pad Sweep Pad Shwimmer Converge Polar Pad Celestial SyEffect Rain Clavi Pad Harmonic Rain African Wind Caribean Sound Track Prologue ZETA Music Systems, Inc. ZMC-200 Manual Rev2.0...

  • Page 70: Ethnic

    Ritual To Heaven Night Glisten Bell Choir Echoes Echo Pad 2 Echo Pad Echo Bell Big Pan Syn Piano Creation Stardust Reso Pan Sci-fi Starz Ethnic Sitar Det. Sitar Sitar 2 Tambra Tamboura ZETA Music Systems, Inc. ZMC-200 Manual Rev2.0...

  • Page 71: Percussion

    Melodic Tom-tom 2 Real Tom-tom Rock Tom-tom Syn Drum Analog Tom-tom Elec. Percussion Reverse Cymbol Sound Effects Fret Noise Breath Noise Sea Shore Tweet Telephone Helicopter Applause Gunshot Cutting Noise Cutting Noise 2 String Slap ZETA Music Systems, Inc. ZMC-200 Manual Rev2.0...

  • Page 72: Drums

    Foot Step Machine Gun Laser Gun Explosion Firework Drums Standard Kit 1 Standard Kit 2 Room Kit Rock Kit Electric Kit Analog Kit Jazz Kit Brush Kit Classical Kit SFX 1 SFX 2 ZETA Music Systems, Inc. ZMC-200 Manual Rev2.0...

  • Page 73: User Presets - 1-128

    Finger Bass Pick Bass Fretless Bass Slap Bass1 Slap Bass2 Synth Bass1 Synth Bass2 Violin Viola Cello ZETA Music Systems, Inc. ZMC-200 Manual Rev2.0 Contrabass Fifth Lead Tremolo Strings Bass & Lead Pizzicato Strings New Age Pad Orchestral Harp Warm Pad...

  • Page 74: Effects Types - List

    WHITE ROOM: A short reverb program followed by a fast delay. TUNNEL: Simulates a tunnel that becomes increasingly wider. BASEMENT: A short delay followed by massive reverb. ZETA Music Systems, Inc. ZMC-200 Manual Rev2.0...

  • Page 75: Chorus

    Variation of FLANGER1-Effect. FLANGER3: Variation of FLANGER1-Effect. VARIATIONS NO EFFECT: Turns variation effects off. HALL1: Simulates reverb in a concert hall. HALL2: Variation of HALL1 Effect. ROOM1: Simulates reverb in a normal room. ZETA Music Systems, Inc. ZMC-200 Manual Rev2.0...
  • Page 76 Only generates the first reverb reflection. EARLYREF2: Variation of EARLY REF1-Effect. GATED REV: Gated Reverb Effect. (made popular by Phil Collins) REV GATE: Reverse Gated Reverb Effect. KARAOKE 1: A Karaoke-typical reverb effect. ZETA Music Systems, Inc. ZMC-200 Manual Rev2.0...
  • Page 77 Variation of CELESTE1-Effect. CELESTE4: LFO with 3 Phase Modulation. FLANGER1: Chorus with Phaseshifting (Jet-Effect FLANGER2: Variation of FLANGER1-Effect. FLANGER3: Variation of FLANGER1-Effect. SYMPHONIC: Multi-Phase-variant of CELESTE1-Effect. ROTARY: Simulation of a Leslie cabinet. TREMOLO: ZETA Music Systems, Inc. ZMC-200 Manual Rev2.0...
  • Page 78 Simulation of overdriving a tube instrument amplifier. INSTRUMENTAMP: Simulation a tube instrument amplifier. 3BANDEQU: A MONO-Equalizer with controls for Lows, Mids, Highs.. 2BANDEQU: A STEREO-Equalizer with controls for Lows, Mids, Highs. AUTOWAH: Automatic Wah-Wah Effect. ZETA Music Systems, Inc. ZMC-200 Manual Rev2.0...
  • Page 79 Synthony II Model ZMC-200 Manufactured Exclusively for ZETA MUSIC SYSTEMS, INC 2230 Livingston Street Oakland, CA 94606 Blue Chip Music GmbH Germany ZETA Music Systems, Inc. ZMC-200 Manual Rev2.0...

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