Yamaha 02R96 Owner's Manual page 257

Yamaha digital mixing console owner's manual
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244
Appendix A: Parameter Lists
FREEZE
One input, one output basic sampler.
Parameter
REC MODE
REC DLY
TRG LVL
TRG MASK
PLAY
MODE
START
END
LOOP
LOOP NUM
START
[SAMPLE]
END
[SAMPLE]
LOOP
[SAMPLE]
PITCH
FINE
MIDI TRG
1. 0.0–5941.0 ms (fs=44.1 kHz), 0.0 ms–5458.3 ms (fs=48 kHz), 0.0–2970.5 ms (fs=88.2 kHz),
0.0 ms–2729.1 ms (fs=96 kHz)
ST REVERB
Two input, two output stereo reverb.
Parameter
REV TIME
REV TYPE
INI. DLY
HI. RATIO
LO. RATIO
DIFF.
DENSITY
HPF
LPF
E/R BAL.
02R96—Owner's Manual
Range
Description
In MANUAL mode, recording is started by pressing the REC
and PLAY buttons. In INPUT mode, Record-Ready mode is
MANUAL, INPUT
engaged by pressing the REC button, and actual recording is
triggered by the input signal.
Recording delay. For plus values, recording starts after the
–1000 to +1000 ms
trigger is received. For minus values, recording starts before
the trigger is received.
Input trigger level (i.e., the signal level required to trigger
–60 to 0 dB
recording or playback)
Once playback has been triggered, subsequent triggers are
0–1000 ms
ignored for the duration of the TRG MASK time.
In MOMENT mode, the sample plays only while the that the
PLAY button is pressed. In CONT mode, playback continues
MOMENT, CONT.,
once the PLAY button has been pressed. The number of
INPUT
times the sample plays is set using the LOOP NUM parame-
ter. In INPUT mode, playback is triggered by the input signal.
1
Playback start point in milliseconds
Playback end point in milliseconds
1
Loop start point in milliseconds
1
0–100
Number of times the sample plays
0–262000
Playback start point in samples
0–262000
Playback end point in samples
0–262000
Loop start point in samples
–12 to +12 semitones
Playback pitch shift
–50 to +50 cents
Playback pitch shift fine
PLAY button can be triggered by using MIDI Note on/off
OFF, C1–C6, ALL
messages.
Range
Description
0.3–99.0 s
Reverb time
Hall, Room, Stage, Plate
Reverb type
0.0–100.0 ms
Initial delay before reverb begins
0.1–1.0
High-frequency reverb time ratio
0.1–2.4
Low-frequency reverb time ratio
0.0–1.0
Reverb diffusion (left–right reverb spread)
0–100%
Reverb density
THRU, 21.2 Hz–8.00
High-pass filter cutoff frequency
kHz
50.0 Hz–16.0 kHz,
Low-pass filter cutoff frequency
THRU
Balance of early reflections and reverb
0–100%
(0% = all reverb, 100% = all early reflections)

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