Selecting & Playing Voices; Selecting Voices - Yamaha Clavinova CLP-320 Owner's Manual

Selecting & Playing Voices
Selecting & Playing Voices

Selecting Voices

Procedure
Press and release the
Press and release the
ferent voice.
If you wish to select a particular voice directly, press and hold down the
button, then press one of the C1–A1 keys.
VOICE]
Turn the
[MASTER VOLUME]
board.
Key Voice Name
C1 Grand Piano 1
C 1 Grand Piano 2
D1 E.Piano 1
D 1 E.Piano 2
E1 Harpsichord 1
F1 Harpsichord 2
F 1 Vibraphone
G1 Church Organ 1
G 1 Church Organ 2
A1 Strings
18 Owner's Manual
CLP-320
button to select the Grand Piano 1 voice.
[PIANO/VOICE]
[PIANO/VOICE] button, press the
control to adjust the volume level while playing the key-
C 1 D 1 F 1 G 1
The lowest key
C1 D1 E1 F1 G1 A1
Recorded samples from a full concert grand piano. Perfect for classical
compositions as well as any other style that requires acoustic piano.
Spacious and clear piano with bright reverb. Good for popular music.
An electronic piano sound created by FM synthesis. Good for popular music.
The sound of an electric piano using hammer-struck metallic "tines." Soft
tone when played lightly, and an aggressive tone when played hard.
The definitive instrument for baroque music. Since the strings of a harpsi-
chord are plucked, there is no touch response.
Mixes the same voice an octave higher for a more brilliant tone.
The sound of a vibraphone played with relatively soft mallets.
This is a typical pipe organ sound (8 feet + 4 feet + 2 feet). Good for
sacred music from the Baroque period.
This is the organ's full coupler sound, often associated with Bach's "Toc-
cata and Fugue".
Spacious and large-scale string ensemble. Try combining this voice with
piano in DUAL mode.
[+] or [–] button to select a dif-
[PIANO/
Description
To understand the characteris-
tics of various voices, listen to
demo songs for each voice
(page 15).
Voice:
On this instrument, a voice
means a "tone" or "tonal
color."
Selecting a voice automatically
engages the best-suited reverb
type and depth (page 20) for
that particular voice.