Plugging In a Mic or Line Source If you are plugging in a microphone, use one of the XLR to TRS adapters that came with the 788 in the box. The 788 can accept a mic or line level input, so the adapter does not need to be an impedance converter.
TRACK CUE section. (This gives you access to the EQ and effect sends of the 788.) To assign the tracks to the main mixer, hold down TRACK (just to the right of the input buttons) and press SELECT for channels 1 and 2.
The three most commonly used edit functions have P 17 buttons accessible right on the front panel of the 788. We'll do a basic COPY function here, so you get the idea. The editing functions on the 788 use the IN, OUT and TO locate points.
Remember too that you can "punch in" on a bounce, since it is recording to a track on the 788 itself. So, if you were almost to the end before you made a bad fader move, try backing up a little bit and punch in on the recording, just as you would a vocal or guitar part.
ROUTING LIBRARY is global to all songs. ROUTING INPUTS & TRACKS On the surface of the 788, there are a row of buttons under the "SOURCE" grouping representing the various inputs of the 788. Directly below that is a list of buttons grouped as "ASSIGN".
INPUT D. The routing is verified by LEDs when you make the selection. Whenever you route an input to a channel, the 788 will automatically disengage both the input and the channel from any previous assignment so that you don't have to worry about double routings.
The low shelf does the same thing, but the shape is inverted. On the 788, the high and low bands are shelf bands, with a sweepable center frequency. Effect & Aux Sends The EFFECT SEND and AUX SEND operate similarly to each other, although they are not identical.
The fader level can only be changed with the physical fader on the 788; this fader level display is only for your information or session notes. The screen at the left shows what the screen will look like if the channels are linked.
ROUTING & SCENE LIBRARIES As easy as the signal routing is on the 788 with the controls on the surface of the recorder, it is sometimes easier to just recall a set-up from a preestablished library.
You don't need to start over. FADER MATCHING Since scenes can be recalled in the 788, the level of the physical fader on the 788 may not match the level the fader is being processed at.
This function is great for learning difficult passages from your favorite tunes. SONG MENU On the 788, each project is stored in its own song file. The song files are all maintained in the SONG MENU. To get to the SONG MENU: 1) Press MENU.
Locate points can be used to directly recall a particular time location in the song, allowing faster and more accurate project navigation than the traditional fast forward and rewind. The 788 can store up to 999 locate points for each song, so you won't run short on memory points.
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To save your new location, press ENTER/YES. If you want to get out of this screen without changing anything, press EXIT/NO. TASCAM 788 Operational Tutorial • 8/2000 Edition (Continued) While 999 locate points will probably mean you won't...
Auto-Punch: . The only difference between them is what the 788 will use for the punch in and punch out points. Aside from that, all other features are identical. - The 788 will punch in and out at the same points as the last recording made.
TO locate point where you want the part to go. COPY AUDIO TASCAM 788 Operational Tutorial • 8/2000 Edition (Continued) When you select the edit function, there will be a prompt for which tracks the edit should apply to. You can edit on a single track, stereo pair, or all 8 tracks at a time.
Recording & Editing Functions (Continued) PITCH CONTROL / SSA The 788 has two different types of speed control: PITCH CONTROL and SSA. PITCH CONTROL simulates a tape machine's pitch adjustment, which will alter the speed and pitch at the same time of up to ±6%. SSA stands...
FORMATTING DRIVES The 788 can record on its internal hard drive, or an external hard drive. The size of the recording space cannot exceed 4GB (4 gigabytes). If you are using drives larger than 4GB, you can break the drive into a series of 4GB or smaller "partitions".
ROUTING EFFECTS Assigning effect routing can be done totally from the surface of the 788. Simply press the button of the effect processor, and the button for the destination. (The source and destination buttons must be pressed simultaneously.) To assign EFFECT 2 as a Stereo Dynamic Processor, Press EFFECT 2 and STEREO simultaneously.
Again, each of the types of processors will have their own libraries, and the 788 will automatically send you to the correct one for the type of processor you are using. So, if you using the multieffect chain, you will be directed to the multieffect library.
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(AUX SEND or EFFECT SEND), then that send will not return to the STEREO BUSS. (AUX SEND will still feed the AUX OUTPUT on the back panel of the 788.) 2) If you want to get both EFFECT SEND and AUX SEND out of the 788 independently, we do have a way of doing that.
THE NAMING PROCEDURE Selecting Items For Naming All items that can be named in the 788 are displayed in lists. For instance, songs names are listed in the SONG LIST. To select the item to be named, highlight it in the list, and press SHIFT and MENU/TITLE.
2) Scroll with the JOG/DATA wheel to press ENTER/YES. 3) Scroll with the JOG/DATA wheel to and press ENTER/YES. 4) Highlight the word you want to change, and press SHIFT + MENU/TITLE. Assigning Names (Continued) Section V TASCAM 788 Operational Tutorial • 8/2000 Edition...
MIDI FUNCTIONS OVERVIEW MIDI IN and OUT ports are provided on the 788 for a variety of control and synchronization functions. The MIDI OUT port can be used to transmit MIDI Clock or MIDI Time Code for synchronizing drum machines, sequencers, or MIDI workstations without using a track or purchasing extra synchronization boxes.
In the MIDI Time Code sync chain, the 788 should probably be the master. Your sequencers and other workstations should chase the 788. Probably the only time you will want the 788 to chase MTC is if you are locking multiple 788s (or similar machines) together. MTC Offset Explained The 788 time readout always starts at a time location of 00:00:00:00.
If is set to TASCAM 788 Operational Tutorial • 8/2000 Edition will only sound when the 788 is recording. If it is set to is recording or playing. The final setting, metronome will sound in your monitor mix. This only applies if you are using the internal metronome sounds;...
I can’t hear the 788’s metronome. There are a couple of settings that affect the metronome: First, check to make sure that the 788 is set to generate MIDI Clock. The metronome timing is generated from the MIDI Clock logic, and will not work in any other setting.
(Pressing SHIFT and SELECT in the monitor section flips the 788 to mono.) To return back to stereo mode, press SELECT in the monitor section again, and the Press SELECT to monitor lights should go solid again.
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Chances are you have different MTC frame rates selected for the two machines, or the machines might be running too fast or too slow. To check the frame rate on the 788, press MENU, select , and choose the frame rate is the same on both your master machine, and your 788.
EFFECT 1 as an insert processor, the first aux send doesn't feed anything. You may want to bring the send out of the 788 so you can process it with an external effect processor. You can set the MONITOR OUTPUT to monitor the EFFECT SEND.
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