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Information in this manual is subject to change without notice and does not represent a commitment on the part of the vendor. Soundcraft shall not be liable for any loss or damage whatsoever arising from the use of information or any error contained in this manual.
Introduction With a wide variety of choices in both inputs and outputs, the D-MIX500 delivers class-leading flexibility in a cost effective package. A total of seven input channels, four main stereo, one auxiliary stereo and two mono, each with two inputs, will handle up to ten stereo input sources.
Equipment has been properly installed in accordance with instructions contained in Soundcraft’s manual; and b) the End User has notified Soundcraft or the Dealer within 14 days of the defect appearing; and c) no persons other than authorised representatives of Soundcraft or the Dealer have effected any replacement of parts maintenance adjustments or repairs to the Equipment;...
Installation D-MIX500 Installation The D-MIX500 is designed for reliability and high performance, and is built to the highest standards. Whilst great care has been taken to ensure that installations are made as troublefree as possible, care taken at this stage, followed by correct setting up will be rewarded by a long life and reliable operation.
Precautions and Safety Instructions General Precautions Avoid storing or using the mixing console in conditions of excessive heat or cold,or in positions where it is likely to be subject to vibration, dust or moisture. Do not use any liquids to clean the fascia of the unit: a soft dry brush is ideal. Solvents may cause damage to paint or plastic parts.
Signal Levels D-MIX500 Installation It is important to supply the correct input levels to the console, otherwise signal to noise ratio or distortion performance may be degraded; and in extreme cases, damage to the internal circuitry may result. Likewise, on all balanced inputs avoid sources with large common-mode DC, AC or RF voltages, as these will reduce the available signal range on the inputs.
Connecting The Inputs - Examples Example 1 In this example, 2 CD players are connected: one each to channels 1 and 7. There is also a turntable connected to channel 5. The DJ’s mic would normally be plugged into mic 1 (channel 3) via the front panel, and is therefore not shown in this diagram;...
Connecting The Outputs - An Example In the example below, a 2-channel graphic equaliser is connected to the main outputs’ insert points. The main outputs are driving power amps, with speakers on the main dance floor. A secondary dance floor is served by power amps and speakers which are driven by the stereo 2 outputs.
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Connecting the DJ System Outputs - An Example In the example below, the DJ booth amps and speakers are shown fed from the Booth outputs. There is also a tape recorder to record the console’s output, this is connected to the record sockets. Finally, a lighting controller is fed from the lights output.
Connections 2. Hot(+ve) 3. Cold(-ve) 1. Screen Balanced Input 2. Hot(+ve) Link 3 to 1 1. Screen Unbalanced Input Balanced Unbalanced Hot (+ve) Signal Cold (-ve) Gnd/Screen Gnd/Screen Gnd/Screen Ring Sleeve D-MIX500 Installation Wiring conventions The D-MIX500 uses various different types of audio connector: 3-pin XLR , jacks and RCA phono connectors.
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If the amplifier (or other equipment) which you are using has an unbalanced input, you should wire the output from the D-MIX500 as shown in the ’Balanced To Unbalanced’ diagram below. Balanced To Balanced Signal + D-MIX 500 Balanced Output Screen Chassis Earth Mains Earth...
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FX Insert Send, Main Output Insert Send Left, Main Output Insert Send Right, Stereo 2 Left, Stereo 2 Right, Mono1, Mono2, Booth Left, Booth Right and Sound-to-Light. Impedance Balanced To Balanced Signal + D-MIX 500 Impedance Balanced Output Screen Chassis Earth...
Stereo Input Channels 1 & 7 - CD/AV Input Stage (1) The input switch selects the Input source. When this switch is pressed AV 1(2) has been selected and the LED to the right of the switch lights up orange. When the switch is released a green LED will illuminate thus meaning the CD 1(2) Input source has been selected.
Stereo Input Channels 2 & 6 - VINYL/CD Input Stage (1) The input switch selects the Input source. When this switch is pressed CD 4(3) has been selected and the LED to the right of the switch lights up orange. When the switch is released a green LED will illuminate thus meaning the VINYL 1(2) input source has been selected.
Mono Input Channels 3 & 4 - MIC/LINE Input Input Stage (1) The input switch selects the input source. When this switch is pressed INPUT A(B) has been selected and the LED to the right of the switch lights up orange. When the switch is released a green LED will illuminate thus meaning the MIC 1(2) input source has been selected.
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Stereo Input Channel 5 - VINYL 3/INPUT C Input Stage (9) The input switch selects the input source. When this switch is pressed INPUT C has been selected and the LED to the right of the switch lights up orange. When the switch is released a green LED will illuminate thus meaning the VINYL 3 Input source has been selected.
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Master Section Outputs (1) The Super Bass pot controls the amount of bass sent to the main outputs. This rotary fader injects up to +12dB at 63 Hz. (2) The Balance pot provides a level of adjustment left or right, for the signal feeding the main outputs.
Master Section Monitoring (18) This sends the Record signal directly to the headphones for monitoring. (20) The level of the DJ’s headphones is set by this rotary fader. (21) When Split Cue is pressed, instead of the normal Headphones output being replaced completely by an active Cue signal, the Cue feed appears in the right earphone and a mono mix of the music feed is heard in the left earphone, giving the DJ continuous monitoring of the mixer output if required.
Typical Specifications Input levels Input C Vinyl AV & Input A / B Insert return Record monitor Input impedances CD & Input C Vinyl AV & Input A / B Main insert return FX insert return Record monitor Output levels Main output Insert sends Record...