Recording Your Performance; Recording A Performance - Roland F-100 Owner's Manual

Recording Your Performance

You can easily record your performances.
A recorded performance can be played back to hear your own playing, or to
add additional parts.
Notes Regarding Recording
• Only one song can be recorded. If you begin recording when a
previously recorded performance exists, the previous performance will
be erased.
• Recorded performances are erased when the power is turned off.
If you want to keep your performance, you can either record it on an
external audio device (p. 29), or use an external MIDI device to save the
performance data on a floppy disk (p. 32).

Recording a Performance

Record only the keyboard performance.
fig.panel4-1
Piano
Reverb E.Piano
1.
Select the tone that you want to play (p. 15).
2.
If necessary, turn on the metronome.
Sound the metronome while you set the tempo and beat of the song (p. 18).
3.
Press the [Rec] button.
The [Rec] button's indicator will light, the [Play] button's indicator will
blink, and you will be in recording-standby mode.
To cancel recording, press the [Rec] button once more.
4.
Recording will start when you either press the [Play] button
or play the keyboard.
The F-100 counts down two measures, then recording starts.
Note that recording will also begin as soon as you play anything on the
keyboard, even if you do not press the [Play] button. There is no count
sound played when you start in this manner.
5.
To stop recording, press the [Play] or [Rec] button.
The indicators for the [Play] and [Rec] buttons will go dark.
Play back the recorded performance
6.
Press the [Play] button.
Once again press the [Play] button, and playback will stop.
Harpsi-
chord Organ Strings Variation
Dual Balance
1
Recorder
Song Play Rec Track
1 2
Key Touch
2 4, 6 3, 5
NOTE
If you layer a newly
recorded performance
without erasing the
recorded song, the song
tempo, beat and the
selected rhythm will be
stored with the settings
that were recorded first.
Please erase the previously
recorded song before you
record a new performance
(p. 25).
21