Dynamic Modulation (Dmod) - Korg KROSS Operation Manual

Synthesizer workstation
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Using Effects
7. The Level parameter specifies the level of the external
audio signal that's being input. Normally you'll leave
this at 127.
8. The FX Control Bus sends the audio input to the FX
Control bus. Use this when you want to use another
sound to control the effect input. You can use two
separate FX Control buses to control the effects with a
great deal of flexibility. (see "FX Control Bus" on
page 209 of the Parameter Guide)
If you want the edited settings to be saved in the
KROSS, be sure to execute the Write function. Do this
using the PAGE+ (WRITE G-SET) button in the
AUDIO IN -QUICK SETTING- dialog box.
The input gain (Gain) setting will be saved in Global/
Media mode. Although you can edit this in the AUDIO
IN page or the QUICK SETTING dialog box of each
mode, you can't save it individually for a program, etc.
9. If you want the Input settings of Global/Media mode
to be used in the other modes, check G-SET in the
"AUDIO IN" page of each mode. If you want to use
individual input settings in Program, Combination,
and Song modes, clear this check mark.
72

Dynamic modulation (Dmod)

Dynamic modulation (Dmod) lets you use MIDI messages
or the KROSS's controllers for realtime control of specific
effect parameters.
Another way to control effect parameters is to use MIDI/
Tempo Sync, which allows the LFO speed of a modulation
effect or the delay time of a delay effect to be synchronized
to the tempo of the arpeggiator or sequencer.
(see "Dynamic modulation (Dmod) and Tempo
Synchronization" on page 208 of the Parameter Guide)

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