JBL 4671 Instruction Manual
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Motion Picture Loudspeaker Systems:
A Guide To Proper Selection And installation
A. Introduction:
In recent years, JBL has emerged as the predomi-
nant manufacturer of loudspeaker systems for the mo-
tion picture theater. Our products are to be found in the
most prestigious screening rooms and dubbing theaters
in Hollywood, including Warner Hollywood Studios, Glen
Glenn Sound, The Burbank Studios, Universal Studios,
and Todd-AO. The recent installation of a JBL system in
the Goldwyn Theater of the Academy of Motion Picture
Arts and Sciences represents a benchmark for our com-
pany. Our components have also been selected by
Lucasfilm, Ltd., for their THX theater system.
There are several reasons for JBL's success in mo-
tion picture sound. Foremost here is our concept of flat
power response, which results in an order of improve-
ment in sound coverage in the theater. Second, our
components are of proven reliability and have extended,
inherently smooth response. In addition, we manufac-
ture components for all aspects of theater sound. JBL's
systems are very cost effective when compared to the
vented horn/multicell designs of earlier years.
This manual is intended for both theater dealers and
prospective purchasers of theater systems. It will be use-
ful as a guide to the selection and installation of systems,
and it will provide considerable theoretical background
for the specifying engineer.
Instruction Manual
B. Systems for Smaller Houses:

1. A Summary of House Types:

By far, most of the theaters constructed today are
relatively small rectangular rooms. They are usually built
in groups known as multiplex theaters for economic rea-
sons. Most of these theaters are monophonic, with a sin-
gle loudspeaker behind the screen, and seating capacity
ranges from 200 up to 500.

2. General Acoustical Characteristics:

Motion picture theaters are generally acoustically
"dead" rooms, with reverberation time, even in the larg-
est houses, not exceeding 1.25 seconds. In most multi-
plex theaters, reverberation times are on the order of 0.5
seconds. The short reverberation time ensures clear dia-
log throughout the house.
The most common interior treatment of theaters is
double-fold velour, which may be placed on the side and
rear walls. This will provide freedom from unwanted re-
flections, but it does nothing to isolate one multiplex
space from the adjacent one. Here, the architect must
rely on solid block walls for good isolation.
Any unusual acoustical problems should be referred
to a qualified acoustical consultant.

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Summary of Contents for JBL 4671

  • Page 1 Glenn Sound, The Burbank Studios, Universal Studios, in groups known as multiplex theaters for economic rea- and Todd-AO. The recent installation of a JBL system in sons. Most of these theaters are monophonic, with a sin- the Goldwyn Theater of the Academy of Motion Picture...
  • Page 2 Power needed for 100 dB: 30 watts designed into the system. Recommended power amplifier: Single section of JBL 6230 (75 watts into 4 ohms, the impedance of the low-frequency section of the 4670B system.) The following factors have been taken into account...
  • Page 3 FIGURE 1. SYSTEMS FOR SMALLER HOUSES FIGURE 1A. LINE DRAWINGS 4672A 4674A 4670B 4673 4671 PlVlAX = PMAX = PMAX = PMAX = PMAX = 150 W 150 W 150 W 300 W 150 W SENSITIVITY: SENSITIVITY: SENSITIVITY: SENSITIVITY: SENSITIVITY:...
  • Page 4 4648 (consisting of 4508 loaded with 2- 2225H) S T A N D NECESSARY Further, the 4671 OK is a factory preassembled ver- sion of the utility system with an oak vinyl enclosure and brown grille cloth. MOUNTING OF SCREEN LOUDSPEAKER B.
  • Page 5 Figure 3 shows details of mounting the components in the various systems. Note that the high-frequency horns are aimed straight out into the theater. JBL has found that this mounting will be best for most installa- tions for the reasons shown in Figure 4A. Since the off-...
  • Page 6 FIGURE 3, Cont'd HORN/DRIVER SCREWED IN PLACE C. 4 WOOD SCREWS* INTO FRONT EDGES PANEL REMOVED O F LF ENCLOSURE "Use # 1 0 x 2 flat-head Philips wood screw; pre-drill holes with Va" bit. D. MOUNTING LF TRANSDUCERS IN 4507, 4508, E.
  • Page 7 FIGURE 3, Cont'd INCLUDED W I T H NETWORK INSERT T-NUTS SCREWS T E R M I N A L BOARD PLATE REMOVED FROM INSIDE For4670B: For 4671,4672A, 4673, 4674A: 3115A 311 OA H. (See note in text concerning polarity)
  • Page 8 FIGURE 4. PROPER AIMING OF HIGH-FREQUENCY HORNS A. INVERSE SQUARE, OFF-AXIS TRADE-OFF 0° (Maximum output) FIGURE 4B. CADP DISPLAY; HF HORN AIMED STRAIGHT AHEAD Screen! HF Horn 10' high 2kHz...
  • Page 9 0.5 dB. For most applications in smaller houses, AWG # 1 2 (2.053 mm) copper wire All JBL network and transducer terminals are color will be sufficient. The table shown in Figure 5 shows the coded so that consistent polarity (phase) of all systems wire resistance for various double runs of copper at var- is assured.
  • Page 10 The models 4670B and 4675A have 4-ohm low- Characteristics: Broad-band sensitivity 100 dB- frequency sections, and the total wire resistance should SPL, one watt at one meter; JBL's most power-flat and accurate system; uses large Bi-Radial horn for precise not exceed 0.276 ohms.
  • Page 11 FIGURE 6. SYSTEMS FOR LARGE THEATERS LINE DRAWINGS 4676B-1 4676B-2 4675A 4675A-2 P M A X P M A X = P M A X = PMAX = 300 W 300 W 300 W 300 W SENSITIVITY: SENSITIVITY: SENSITIVITY: SENSITIVITY: 109 dB, 100 dB, 106 dB,...
  • Page 12 FIGURE 6C. 0N-AX1S RESPONSE OF 4676B-1 (2ir LOADING); HIGH-FREQUENCY POWER RESPONSE CORRECTION ADDED. Horn Loading Reflex Loading Frequency in Hz The LF sections of these systems are four ohms in FIGURE 7. WIRING DIAGRAMS FOR impedance, and that consideration should, as in the pre- LARGER SYSTEMS vious section, dictate the choice of wire gauge for hook- FIGURE 7 A .
  • Page 13 / 2 ° total splay is 45°) FIGURE 7C. Biamplification H F AMPLIFIER with the 5234A, DC BLOCKING JBL 5234A Use plug-in 500-Hz CAPACITOR card 52-5222 with high-frequency power response LF O U T ' equalization H F OUT...
  • Page 14 B. Physical considerations: High-frequency components should be mounted as shown in Figure 8. FIGURE 8. MOUNTING THE 2360 HIGH-FREQUENCY HORN BI-RADIAL HORN 2506 ADAPTER HF DRIVER LF ENCLOSURE A L I G N REAR O F 2506 W I T H REAR O F L F E N C L O S U R E the screen is curved, as shown at B, the loudspeakers As indicated in the previous section, the loudspeak-...
  • Page 15 B. CURVED SCREEN VIEW FROM A B O V E The best possible acoustical loading of the system The baffle should not be interrupted, and it should to the room is obtained when the loudspeakers are extend the entire width of the loudspeaker array. mounted in a large flat baffle, as shown in Figure 10.
  • Page 16 FIGURE 11. DETAILS OF LARGE FLAT BAFFLE 4' BY 8' 1" THICK PARTICLE BOARD 2 ' by 4 ' STIFFEN- PANELS BOLTED T O ERS MOUNTED AS EACH OTHER AND SHOWN ON BACK- T O 4508 ENCLO- SIDE OF BAFFLES SURES, AS SHOWN.
  • Page 17 There are arrayed horizontally along the walls. The JBL model probably not many surround systems which 8140 Co-Motional driver is ideal for this application...
  • Page 18 Most amplifiers today have a 4-ohm rating, and load impedances anywhere in JBL manufactures the 4645 subwoofer system for the 4 to 8-ohm range are acceptable. motion picture applications. This system, shown in Fig-...
  • Page 19 The following table indicates the acoustical power output which can be expected in two sizes of theaters. S O U N D LEVELS MAXIMUM ACOUSTIC EFFICIENCY ELECTRICAL 500- 1000- NUMBER O F MODULES POWER POWER INPUT 1000 SEATS 2000 SEATS 300 WATTS 6 WATTS 101 d B...
  • Page 20 and typical high-frequency screen losses are shown at Another consequence of using loudspeakers with flat power response is that little system equalization will C. When we add all of these losses, we get the response be required. Figure 15 illustrates this. At A, we see the shown at D, and this is exactly the acoustical response boundary absorption in a typical well-designed theater.
  • Page 21 Figure 15 G. Model 3152A Field Network Modification: correcting the normal power response roll-off of the compression driver. JBL recommends that the boost be used in all theater systems. The model 3152A network has been replaced by the 3160. There are two important differences between the There are, however, quite a few of the older 3152A old and new models.
  • Page 22 Locking type controls on compression driver diaphragm may simply give in to amplifiers will discourage tampering. The JBL models metal fatigue. Our current titanium diaphragms are much 6230, 6260, and 6290 amplifiers are available with such less susceptible to this than were older aluminum ones.
  • Page 23 I. JBL THEATER SYSTEMS COMPONENTS 1-4507 L o w F r e q u e n c y E n c l o s u r e A. 4 6 7 1 : 1-2225H L o w F r e q u e n c y T r a n s d u c e r...
  • Page 24 JBL Professional, 8500 Balboa Boulevard, P.O. Box 2200, Northridge, California 91329 U.S.A.

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