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E N T U RY E R I E S SP TC GT ’ WNER ANUAL...
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Congratulations on your purchase of a Century Series console. All of us at Crest Audio in Paramus, New Jersey, USA, support your decision, knowing your console contains the finest combination of design and manufacture in the industry. While your new Century Series console is one of the most feature-packed available, great effort has been put into making it simple to operate.
Glossary The specific details of console operation are described here. Schematics Lists available schematics for SP/TC/GT Console Modules & Power Supply O N T E N T S Appendix A Appendix B...
SP / TC / GT Feature Overview The SP / TC / GT features listed below are common to all Century Series Consoles. • SSM/PMI High quality preamplifiers on balanced micro- phone/line inputs and on all balanced outputs for uncompro- mised audio quality and reliability.
Wiring Conventions Since the same connectors are used throughout the professional audio industry, it is important to know how the connectors for Crest’s Century SP, TC, and GT consoles are wired. The wiring is as follows. INPUT XLR TIP - POSITIVE...
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Crest Audio’ Century Series makes use of two different power supplies. The model and frame size of your particular console determines which of the two supplies should be used. SP, TC, and GT consoles use power supplies as follows: Consoles with frame sizes of 24 or 32 modules use supply model XCVA04;...
Always connect the console to the power supply before switching on the power supply. Do not run the power supply if it is not connected to the console. Multiple power supplies can be daisy-chained to provide fail- safe protection in the event of a supply failure.
SP / TC / GT System Connections The console is the hub of a sound system and because it controls most of the variables within a system, proper connection and component relationships are vital to assure accurate operation and results. The following diagrams illustrate conventional system connections.
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Clip/Limit Signal Temp/DC Active Ch A Ch B Center From Local Monitor Out ENTURY SP / TC / GT Aux 1-4 out to monitor amplifiers MONO OUT RIGHT OUT LEFT OUT GROUP OUT GROUP OUT GROUP OUT GROUP OUT GROUP OUT...
SP / TC / GT LINE +48V GAIN - 0 + - 0 + - 0 + - 0 + EQ IN 1•3 2•4 3•4 POST AUX SENDS SP Input Module 1•3 The SP input module is the most straightforward of the Century Series.
This jack accepts balanced and unbalanced BAL LINE IN line level inputs and delivers it into the associated input channel. Bal Mic In BAL MIC IN This connector accepts balanced micro- phone inputs for the associated input chan- nel. SP / TC / GT...
SP / TC / GT LINE +48V GAIN Ø - 0 + AUX SENDS - 0 + EQ IN 1•3 2•4 3•4 POST AUX SENDS TC Input Module 1•3 The TC input module is the intermediate input module in the Century Series.
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Used for control of all outputs of the channel except those Aux output sections selected by switch to a pre fader position. (The Insert Output level is not affected by the fader position.) SP / TC / GT Rear Connections Direct Out This jack provides the direct output signal (post fader &...
DIRECT AUX SENDS 1•3 GT Input Module The GT input Module is the most feature-filled within the Century Series. Designed for demanding FOH applications, 2•4 the GT Series retains the simplicity of the whole Crest Console line while offering all the features of a high-end unit.
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This jack accepts balanced and unbalanced BAL LINE IN line level inputs and delivers it into the associated input channel. Bal Mic In BAL MIC IN This connector accepts balanced micro- phone inputs for the associated input chan- nel. SP / TC / GT...
SELECT MONO 1•3 GT Stereo Input Module The GT Stereo Input Module is essentially two GT Input Modules fit into one module space. This module is very use- 2•4 ful for accepting remote feeds, effects inputs and other sig- nals that require stereo handling.
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BAL LINE IN R Bal Mic In This connector accepts balanced microphone inputs for the associated input channel. BAL MIC IN L BAL MIC IN R SP / TC / GT...
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SP / TC / GT GROUP 2•4 3•4 POST LEVEL MUTE GAIN PEAK EFX RETURN - 0 + - 0 + MUTE MONO L - R MONO L - R 1 - 2 3 - 4 5 - 6 7 - 8 1•3...
-10 dB level and delivers the signal to the EFX return section. The female XLR connector accepts a balanced signal at +4dB EFX RETURN level and delivers the signal to the EFX return section of the group. SP / TC / GT...
MUTE PEAK EFX RETURN GT Group Module The GT group module has many of the same features as the SP/TC group module. Primarily it is the Matrix Section and 2•4 the Scene Mute controls that separate this group module from the SP/TC.
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EFX return section of the group. Bus In This connector accepts a balanced signal at +4dB level, and then sums it with all the other signals assigned to the associated groups. BUS IN SP / TC / GT...
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SP / TC / GT MATRIX GROUPS 1-4 GROUPS 5-8 MATRIX AUX IN MAINS MONO MUTE TB ENB PGM IN LEFT MONO RIGHT PEAK GROUPS 1-4 GROUPS 5-8 ENTURY ERIES...
Aux In 2 This connector accepts a balanced signal at +4dB level, and then sums it with all the other signals in the matrix output. AUX IN 1 AUX IN 2 SP / TC / GT...
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SP / TC / GT LEFT RIGHT LAMP DIM POWER PFL ON AFL1 AFL3 AFL2 AFL4 AFLO N AFLO N AFL5 AFL5 AFL6 AFL6 AFL ON AFL ON MASTERS MASTERS AFL1 AFL2 AFLO N HEADPHONES AFL5 PHONES AFL6 AFL ON...
These eight connec- tions provide the balanced output sig- nals from their respective auxiliary buses. SP / TC / GT RIGHT OUT LEFT OUT RIGHT INSERT LEFT INSERT AUX 3 OUT AUX 1 OUT AUX 4 OUT AUX 2 OUT...
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SP / TC / GT LEFT RIGHT LAMP DIM POWER PFLON MATRIX MATRIX MATRIX GAIN AUX SCENE AUX SCENE ACTIVE ACTIVE - 0 + - 0 + MONO L - R 1•2 3•4 MATRIX MUTES MUTES A - B AFL1...
ENTURY ERIES GT Master Section This master section is the control center for most of the GT’s advanced functions. Left & Right Meters Monitors the post-fader output of the Left & Right channels, and any PFL’d signals, via a ten-segment LED array.
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SP / TC / GT GT Master Section (cont'd) L&R Mono Assignment Switches Assign the Left and Right signals to the Mono output.. L/R/Mono Matrix Post Switches Switches the Left, Right and Mono matrix signals between pre and post fader.
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100mm long throw fader for each of the three master outputs and a com- prehensive talkback system. The power supply shall be housed in a 14 ga. steel chassis that shall occu- py two 19" rack spaces. The power supply shall have the ability to be daisy-chained to additional power supplies to provide a fail-safe operating environment.
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100mm long throw fader for each of the three master outputs and a comprehensive talkback system. The power supply shall be housed in a 14 ga. steel chassis that shall occupy two 19" rack spaces. The power supply shall have the ability to be daisy-chained to additional power supplies to provide a fail-safe operating environment.
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PPENDIX Architect’s & Engineer’s Specifications - GT Console The following text should be used when specifying a Century GT in a bid or proposal. The live sound console shall be constructed in a modular fashion and be housed in a steel frame with molded plastic side panel/carrying handles.
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SP/TC/GT USER-OPTIONS SP, TC, and GT consoles are shipped having standard configuration unless specified at time of order. These are ways that the console configuration may be varied after manufacture. The items listed are internal options selected by gold jumper links.
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MONITOR B RIGHT MONITOR A RIGHT RETURN 2 OSC IN EXT TB IN EXT TB OUT Lower Screw IMPORTANT SP / TC / GT Light Bar DIR OUT BAL OUT BAL OUT LEFT BAL OUT LEFT INSRT SND INSR INSERT SEND...
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Auxiliary Mute Switches The Master Section of the GT consoles have mute switches for each Aux send. When depressed, this switch mutes the corre- sponding Aux Send Master. When the mute is engaged no sig- nal leaves the associated Aux out jack and a red LED illumi- nates to the left of the switch.
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EQ, while the outer knob controls the center frequency adjusted by the inner knob. These center frequencies are printed on the module around the outer knob. The GT input module has the frequency sweep knobs on all four bands, while the TC input module has them only on the mid-frequen- cies.
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Internal Oscillator The GT master section has a 1 kHz internal oscillator. This oscillator can be used as signal source to run tests, diagnostics or calibrations. The oscillator can be assigned to all Groups, Auxes and Matrices via the Talkback assignment switches.
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Dim switch has not been pressed. Talkback Microphone Input Found on the master section (GT) and under the arm rest on the right side, these balanced XLR inputs allow for a micro- phone or other balanced mic-level source to be connected to the talkback system.
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