Download Print this page

Korg 770 Owner's Manual page 6

Hide thumbs Also See for 770:

Advertisement

m
m
/\
BM3&
n_
w&m
f$&{§t£
**•£
4
it
-c
£ £
s* fc
^
.
ffliY*
ilS+
a
ffimm
flatted* s
#*&&*,
a**^
tit
J to
ffi,
f, $?£&%
*wflfeAJ»
n./<;uxjg[
CHORUS
3
y X
2
oo*SS
|pJli#l-P.ft
& L
fc
ft
i
-4-3»*
Tz?><r)\z-
HSliLFOxf-
K«o-^
i^T'fTi-^ii".
T
3
-fit
>
4
if
<7)
EXT.
INPUT
x-9
7,9-
+
K<
>
,
ffcw
x >
-fe-t.'f
t-^ ««&
L
xm
m-t
&
t §
fc I*
-
W
tf
S*
x
a
>-l:L
TT
$V\,
(fflL,
VCO
I-
t'7f,
**
>-7i
VCO MODULATOR-
-o
K
WAVE
FORMS
/\Triangle
[TSquare
A
Saw-Tooth
O-Pulse
CHORUS
EXT.INPUT
The
fundamental
component
of
harmonics
is
rich
and provide
a
pure and
clear sound.
Most
appropriate
for
creating
sounds
in
the
flute
family
or
a
clear
sound
color
similar
to
a
tuning
fork.
Since there are
few harmonics,
the
Traveler
Control
effective
direction
is
not particularly
ex-
treme.
Provides
closed-pipe
sounds
(cla-
rinet,
etc.)
by
removing
even-num-
bered
harmonics.
Since
this
basic
tone contains
many
harmonics
and
is
sufficient-
ly
large,
it
is
suitable for creat-
ing
a
wide range
of
tone
colors.
Its versatility
can
be expanded
by combining the
Traveler
Cont-
rol
to
create
string,
wind, picked
string
and
human
voice
effects,
plus
many
others.
Higher harmonic elements abound
in
this
waveform, making
use
of
the
Traveler
Control
highly
effec-
tive,
especially for creating
reed
sounds or
all
new
synthetic tone
colors.
The
effect
produced when
two
in-
struments are
played
simultane-
ously
can
be
obtained.
Using
the
LFO
speed knob
adjust
the
beat
to
obtain the difference
in
pitch
of
two
tones.
Accordion
and
simi-
lar
sounds
can
then be
easily
produced.
Use
this position
when
an
electric
guitar,
an
electric
piano or
an-
other synthesizer,
etc.
is
connect-
ed
to
the external
input jack at
the rear.
Dvco
n
M
**-*>
a
4
»/
+
£
VCO
1
*>(,
vco
ik-^x.
-CTS^.
StSg^ffti
VCO
nǤ4'Lit. %
\z.
t'/fp-x
(COARSE)
oiAfcBIL-CT*
£»
e-yf-«ortJli;fc;£
<
4
*
9
9-~r^i]'<-L
ft
a
fiMHSH±-7T
4
>
(FINEJoi^-CfToTT^^.
,
>RING
MODULATOR
I
»
II
i)
^tfi
W--7-IJVC0
I
t
VCO
IKOigf-fc
2
o
(7)
m%i&*)wm
xn&*<±
#
<
ant
l j
i-
^
x
VCO
1
«t;;-7ojAtVCO
II«f7-fo
>?*r* v-?-
i
ii=gfPtt.
ixm+tttu
n
2)
vco n
IChange
the position
of
the
MIXER
switch from
VCO
I
to
VCO
II
and
depress
a
key.
The
sound
of
VCO
II
will
then
be
produced.
Next,
turn the
PITCH
COARSE
knob,
and the
synthe-
sizer
will
cover
a
wide
pitch
range
of
4 octaves.
Make
fine
adjustment with
the
FINE
knob.
IRING
MODULATOR
I
and
II
Device
for
combining
electrically
the sounds
of
VCO
I
and
VCO
II.
Particularly
in
relation to
two
frequencies
the variations
and
changes
in
tone color can be
demonstrated
using the
OCTAVE
knob
of
VCO
I
and the
PITCH
knob
of
VCO
II.
Using
R.
MODULATOR
1
,
continuous tone
steps,

Advertisement

loading