Yamaha DM 2000 Owner's Manual page 180

166
Chapter 17—Automix
TO END
At the point at which recording is stopped, the fader
returns to the position specified by the existing fader
data, at the speed specified by the Time parameter on
the Fader Edit pages.
OFF
At the point at which recording is stopped, the fader
returns to the position specified by the existing fader
data, at the speed specified by the Time parameter,
and all subsequent events are erased so that the fader
remains at that position right through to the end of
the Automix.
ON
EDIT OUT: These buttons are used to set the Edit Out mode: Off, Takeover, or Return. The
Edit Out mode determines how rerecorded fader moves align with existing fader data at the
punch out point. Fader data includes Input Channel levels, Bus Out master levels, Aux Send
master levels, Matrix Send master levels, the Stereo Out level, and User Defined Remote
Layer faders. The Edit Out modes are explained in the following table. The Edit Out mode
can also be set by using the AUTOMIX [RETURN] button. The Return Time is specified on
the Fader Edit page (see page 171).
Off
At the punch out point, the fader
remains at the same position until the
next Fader event in the existing data
occurs.
Existing data
Fader edit
Punch in Punch out
DM2000—Owner's Manual
Return
Existing data
Return time
Fader edit
Time
Punch in Stop recording
Existing data
Return time
Fader edit
Time
Punch in Stop recording
Return
At the punch out point, the fader returns
to the position specified by the existing
fader data, at the speed specified by the
Time parameter on the Fader Edit pages.
Existing data
Fader edit
Time
Punch in
Takeover or Off
At the point at which recording is stopped, the fader
remains at the same position until the next Fader
event in the existing data occurs.
Existing data
Punch in
At the point at which recording is stopped, all subse-
quent events are erased so that the fader remains at
that position right through to the end of the Automix.
Existing data
Punch in
At the punch out point, recording con-
tinues until the fader position intersects
the existing fader data. If you are still
touching the fader knob at the actual
punch out point, the fader is disabled
until you release it.
Return time
Time
Punch out
Punch in
In this example, punch out was per-
formed by pressing the [AUTO] button,
and the fader was moved manually
between the punch out and actual
punch out points.
Fader edit
Time
Stop recording
Fader edit
Time
Stop recording
Takeover
Existing data
Fader edit
Time
Punch out
Actual punch out