Yamaha Portable Grand DGX-205 Owner's Manual page 54

Reference
■ Recognized Standard Chords
All chords in the chart are "C-root" chords.
Chord Name/[Abbreviation]
Major [M]
Add ninth [(9)]
Sixth [6]
Sixth ninth [6(9)]
Major seventh [M7]
Major seventh ninth [M7(9)]
Major seventh add sharp eleventh [M7(#11)]
Flatted fifth [(b5)]
Major seventh flatted fifth [M7b5]
Suspended fourth [sus4]
Augmented [aug]
Major seventh augmented [M7aug]
Minor [m]
Minor add ninth [m(9)]
Minor sixth [m6]
Minor seventh [m7]
Minor seventh ninth [m7(9)]
Minor seventh add eleventh [m7(11)]
Minor major seventh [mM7]
Minor major seventh ninth [mM7(9)]
Minor seventh flatted fifth [m7b5]
Minor major seventh flatted fifth [mM7b5]
Diminished [dim]
Diminished seventh [dim7]
Seventh [7]
Seventh flatted ninth [7(b9)]
Seventh add flatted thirteenth [7(b13)]
Seventh ninth [7(9)]
Seventh add sharp eleventh [7(#11)]
Seventh add thirteenth [7(13)]
Seventh sharp ninth [7(#9)]
Seventh flatted fifth [7b5]
Seventh augmented [7aug]
Seventh suspended fourth [7sus4]
One plus two plus five [1+2+5]
NOTE
• Notes in parentheses can be omitted.
• Playing two same root keys in the adjacent octaves produces accompa-
niment based only on the root.
• A perfect fifth (1 + 5) produces accompaniment based only on the root
and fifth which can be used with both major and minor chords.
• The chord fingerings listed are all in "root" position, but other inversions
can be used — with the following exceptions: m7, m7 b 5, 6, m6, sus4,
aug, dim7, 7 b 5, 6(9), 1+2+5.
54
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Style (Auto-accompaniment) Functions
Normal Voicing
1 - 3 - 5
1 - 2 - 3 - 5
1 - (3) - 5 - 6
1 - 2 - 3 - (5) - 6
1 - 3 - (5) - 7 or
1 - (3) - 5 - 7
1 - 2 - 3 - (5) - 7
1 - (2) - 3 - #4 - 5 - 7 or
1 - 2 - 3 - #4 - (5) - 7
1 - 3 - b5
1 - 3 - b5 - 7
1 - 4 - 5
1 - 3 - #5
1 - (3) - #5 - 7
1 - b3 - 5
1 - 2 - b3 - 5
1 - b3 - 5 - 6
1 - b3 - (5) - b7
1 - 2 - b3 - (5) - b7
1 - (2) - b3 - 4 - 5 - (b7)
1 - b3 - (5) - 7
1 - 2 - b3 - (5) - 7
1 - b3 - b5 - b7
1 - b3 - b5 - 7
1 - b3 - b5
1 - b3 - b5 - 6
1 - 3 - (5) - b7 or
1 - (3) - 5 - b7
1 - b2 - 3 - (5) - b7
1 - 3 - 5 - b6 - b7
1 - 2 - 3 - (5) - b7
1 - (2) - 3 - #4 - 5 - b7 or
1 - 2 - 3 - #4 - (5) - b7
1 - 3 - (5) - 6 - b7
1 - #2 - 3 - (5) - b7
1 - 3 - b5 - b7
1 - 3 - #5 - b7
1 - 4 - (5) - b7
1 - 2 - 5
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Chord (C)
C
( 9 )
C
C
6
( )
9
C
6
C
M7
( )
9
C
M7
( #11 )
C
M7
( b5 )
C
( b5 )
C
M7
C
sus4
C
aug
C
M7aug
C
m
( 9 )
C
m
C
m6
C
m7
( 9 )
C
m7
( )
11
C
m7
C
mM7
( 9 )
C
mM7
( b5 )
C
m7
( b5 )
C
mM7
C
dim
C
dim7
C
7
( b9 )
C
7
( b13 )
C
7
( )
9
C
7
( #11 )
C
7
( )
13
C
7
( #9 )
C
7
C
7b5
C
7aug
C
7sus4
C
1+2+5
* These chords are not shown in the Dictionary function.
NOTE
• Inversion of the 7sus4 and m7(11) chords are not recognized if the
notes shown in parentheses are omitted.
• The auto accompaniment will sometimes not change when related
chords are played in sequence (e.g. some minor chords followed by the
minor seventh).
• Two-note fingerings will produce a chord based on the previously played
chord.
Display
C
(9)
C
C
6
6 (9)
C *
C
M7
M7 (9)
C *
M7 (#11)
C *
b5
C *
M7 b5
C *
C
sus4
C
aug
C *
M7aug
C
m
C (9)
m
C
m6
C
m7
m7 (9)
C
m7 (11)
C *
C
mM7
mM7 (9)
C *
m7 b5
C
mM7 b5
C *
C
dim
C
dim7
C
7
7 (b9)
C
7 (b13)
C
7 (9)
C
7 (#11)
C
7 (13)
C
7 (#9)
C
7 b5
C *
C
7aug
C
7sus4
C *