Page 1 Owner’s manual should be read in its entirety. The manual should be saved and kept on hand as a convenient reference. Copyright © 2011 ROLAND CORPORATION All rights reserved. No part of this publication may be reproduced in any form without the written permission of ROLAND CORPORATION.
Page 2: Important Safety Instructions
WARNING: To reduce the risk of fire or electric shock, do not expose this apparatus to r ain or moisture. The lightning flash with arrowhead symbol, within an CAUTION equilateral triangle, is intended to alert the user to the RISK OF ELECTRIC SHOCK presence of uninsulated “dangerous voltage”...
Page 3: Using The Unit Safely
Refer all servicing Damaged cords are fire and shock hazards! to your retailer, the nearest Roland Service Center, or an ..........................authorized Roland distributor, as listed on the “Information”...
Page 4 Roland Service Center, ● Before cleaning the unit, turn off the power and or an authorized Roland distributor, as listed on the unplug the power cord from the outlet ( p. 17). “Information” page..........................
Page 5 118c ● Keep the REAC caps, the lithium battery, the grounding terminal screw, the USB memory cover, the battery cover, and the battery cover screws you may remove and the included the ferrite cores, and the REAC connector covers in a safe place out of children’s reach, so there is no chance of them being swallowed accidentally.
Page 6: Important Notes
However, in certain cases (such as when circuitry related to memory itself is out of order), we regret that it may not be possible to restore the data, and Roland assumes no liability concerning such loss of data.
Page 7: Memory Backup
Roland Corporation assumes no liability concerning such loss of data. ● Before using USB memory for the M-480, please format the memory on the M-480. ● Use a reasonable amount of care when using the unit’s For details, please refer to “Formatting USB memory”(p.177).
Page 8 Microsoft, and Windows are either registered trademarks or ● When multiple REAC products are connected to either REAC A trademarks of Microsoft Corporation. or REAC B on the M-480 via REAC splitter or switching hub, T-07 ● Windows is known officially as: ÅgMicrosoft Windows please set the REAC mode on each product correctly.
Page 9: Table Of Contents
Contents USING THE UNIT SAFELY ............... 3 IMPORTANT NOTES................6 Contents ....................9 Introduction ..................13 Check the included items ..............................13 Conventions used in this manual ............................13 Basic knowledge about REAC .............................13 Placement....................................15 Turning the power on/off..............................17 About the internal lithium battery............................18 À...
Page 10 4-band EQ ..................... 82 4-band EQ operations................................82 AUX send/MTX send ................84 AUX/MTX send operations (CH1–48, RTN1–6)......................84 MTX send operations (AUX1–16, MAIN L/R/C)......................85 Input/output patchbay................ 86 Default setting of the input/output patchbay......................86 Patchbay operations ................................87 Input patchbay operations ..............................88 Output patchbay operations...............................90 Cascade connection ................................91 Setting up Cascade connection ............................92 Metering ....................
Page 11 What is the M-48 live personal mixer? .......................... 170 Connecting M-48 units to the M-480 ..........................171 Editing and managing M-48 units..........................172 Specifying the outputs from the M-480 to the M-48 unit ..................173 Viewing the connected M-48 units..........................174 Making settings for an M-48 unit............................ 176 Source Level/Pan settings ..............................
Page 12 Effect types ..................201 Reverb....................................... 201 Delay......................................205 Modulation ..................................... 209 Channel strip ..................................211 Pitch shift....................................213 GEQ ......................................214 Roland vintage effects ................................ 215 Index ....................220 Screen index ..................224...
Page 13: Introduction
S-0808 to power via the DC IN port. Note, however, that at each end of the cable. when the connection on the M-480 is made via an S-4000M or S- 4000D, the S-0808 is powered by the S-4000M or S-4000D, and •...
Page 14: Reac Connections
REAC slave. causing damage to your speakers or other equipment In this system, the M-480 is normally set to be the master (FOH connected to the audio outputs, please observe the setting), while the input/output units are set to be slaves.
Page 15: Placement
About the REAC caps Before using the M-480, you must attach the ferrite cores to the When the M-480 is shipped from the factory, REAC caps are Ethernet cable or coaxial cable. This is for the purpose of attached to the REAC ports. In order to use REAC port, you’ll need preventing electromagnetic noise;...
Page 16: Ac Power Connections
As shown in the illustration, fix the power cord hook over AC outlet, and the other end to the AC INPUT connector to the AC power cord. provide power for the M-480’s internal power supply. fig.cord-hook1.eps Use only the supplied power cords to prevent damage to the...
Page 17: Turning The Power On/Off
Audio feedback could be produced depending on the location of microphones relative to speakers. This can be Before you turn off the power of the M-480, make sure that it remedied by: is not reading/writing USB memory or reading/writing scene 1.
Page 18: About The Internal Lithium Battery
À propos de la pile battery interne au lithium The M-480 has an internal lithium battery that backs up the clock Le M-480 est équipé d’une pile au lithium qui fait fonctionner function and the mixer settings. If this battery runs down, the l’horloge et préserve les réglages du mélangeur.
Page 19: About Usb Memory
Introduction About USB memory The M-480 can use USB memory to store and read a variety of data. • Record and play WAV files using the USB Memory Recorder • Save and load user settings files • Back up and recover internal mixer data Carefully insert the USB memory all the way in—until it is...
Page 20: Explanation Of The Panels
Explanation of the panels Top panel/Front panel fig.TopPanelGuide.eps Fader module section p. 21 Layer section p. 21 MAIN fader module p. 22 CHANNEL EDIT section p. 22 Display p. 25 Function button section p. 25 [EFFECTS] button p. 25 [METER] button p.
Page 21: Fader Module Section
Explanation of the panels Fader module section LAYER section fig.FaderModSectGuide.eps fig.LayerSectGuide.eps This section lets you select the channel layer that will be assigned to the fader module section. The button of the currently assigned channel layer will be lit. [USER] layer button This switches the USER layer mode on/off.
Page 22: Main Fader Module
Explanation of the panels MAIN fader module CHANNEL EDIT section fig.MainFaderModGuide.eps fig.ChEditSectGuide.eps In this section you can operate the main parameters of the currently selected channel. [TOUCH SELECT] button This button turns the Touch Select function on/off. It will light if the Touch Select function is on. The Touch Select function lets you select a channel by touching its fader.
Page 23 Explanation of the panels PREAMP area fig.ChEdtPreamp.eps This control is invalid for the following channels: • AUX1–16 • MTX1–8 • MAIN L/R/C COMP area fig.ChEdtComp.eps • [+48V] button This turns the +48V phantom power on/off. • [PAD] button In this area you can operate the compressor that is provided on This switches the pad on/off.
Page 24 Explanation of the panels EQUALIZER area AUX/MTX SENDS area fig.ChEdtEQ.eps fig.ChEdtAux.eps In this area you can operate the 4-band EQ that is provided on In this area you can adjust the send level to the AUX/MTX buses. CH1–48, AUX1–16, 1–8, and MAIN L/R/C. •...
Page 25: Display
Explanation of the panels Display Screen controller section fig.DisplayGuide.eps fig.GenCtrlSectGuide.eps This area shows mixer parameters, system settings, and meters. You can use the CHANNEL EDIT section, the function button section, and the screen controller section to perform operations in the display. Cursor buttons / Value dial Function button section •...
Page 26: Usb Memory Recorder Section
Explanation of the panels USB MEMORY RECORDER section SETUP section fig.RecorderSectGuide.eps fig.SetupSectGuide.eps [PATCHBAY] button ] / [ ] button This button accesses the PATCHBAY screen where you can make settings for the input/output patchbay. It will light red Here you can select the song to play, and rewind or fast- while the screen is shown.
Page 27: Scene Memory Section
Explanation of the panels SCENE MEMORY section USER section fig.UserSectGuide.eps fig.SceneMemSectGuide.eps [DISP] button This button accesses the SCENE screen where you can manage the scene list and make scene settings. It will light red when the screen is shown. Holding down [SHIFT] and pressing [DISP] displays the SCENE QUICKVIEW popup (p.
Page 28: Talkback/Osc Section
Explanation of the panels TALKBACK/OSC (talkback/oscillator) section MONITOR section fig.TalkbackOscSectGuide.eps fig.MonitorSectGuide.eps MIC LEVEL knob LEVEL knob This adjusts the preamp gain of the TALKBACK MIC input This adjusts the monitor output level in a range of -Inf dB – over a range of -10 dBu– -50 dBu. +10.0 dB.
Page 29: Rear Panel
Explanation of the panels Rear panel fig.RearPanelGuide.eps 17 18 CONSOLE INPUT jacks p. 30 CONSOLE OUTPUT jacks p. 30 REAC ports p. 30 USB connector p. 31 LAMP connector p. 31 MIDI connectors p. 31 RS-232C/MIDI select switch p. 31 RS-232C connector p.
Page 30: Console Input Jacks
These connectors support Cat5e Ethernet cables up to 100 fig.XLRJackInput.eps meters long. If you need a longer connection, we recommend that you use the optional S-OPT. The default input/output patching between the M-480 and +PHANTOM [+48V/14mA] input/output units connected to REAC ports A/B is as follows:...
Page 31: Usb Connector
These are RCA phono jacks for inputting analog audio signals On the M-480 you can use either the MIDI connectors or the RS- from line level equipment. By default they are patched to CH47 232C connector. This switch selects the connector(s) you will use.
Page 32: Power Switch
Center, or an authorized Roland distributor, as listed on the “Information” page. AC INPUT connector fig.ACInletGuide.eps Connect the included power cord to the AC INPUT connector. Do not connect any power cord to the M-480 other than the included one.
Page 33: Front Panel
Explanation of the panels Front Panel PHONES jack You can connect a set of headphones to this jack, and use it to monitor the MONITOR L/R audio signal. PHONES LEVEL knob This adjusts the output level to the headphones connected to the PHONES jack.
Page 34: Basic Operation
Basic operation Basic panel operations fig.PanelOperationGuide.eps CHANNEL EDIT section [SEL] LAYER section Fader module section Selecting the channel layer You can make adjustments in finer increments by holding down [SHIFT] while you operate the CHANNEL EDIT section’s knobs or the Use the Layer section buttons to select the channel layer value dial.
Page 35: Home Screen
Basic operation Accessing a screen When you press a screen select button that’s lit in green, or a screen select button that has a blue border, the corresponding screen or popup will appear, and the button will light in red. The following illustration shows the name of the screen or popup that appears for each button: fig.DispBtnGuide.eps RECORDER screen...
Page 36: Screen Operations
Basic operation Screen operations About the screen display fig.ScrGuide.eps Top display area REAC indications fig.ScrTBScrDisp.eps These indicate the status of the REAC A/B: Display Description Unlighted No REAC device connected Flashing Establishing connection with REAC device. This area is always shown in the upper part of the screen. Lighted Normal connection with REAC device Screen name...
Page 37: Main Level Indication
Basic operation Main level indication Popup Indication fig.ScrMainMeter.eps These are popups that are shown overlaid on the main display area. They provide a cursor and function buttons for performing operations in the screen. fig.Popups.eps While a popup is displayed, cursor and function button operations are valid only for the popup.
Page 38: Fader Operations
Basic operation Button operations Knob operations fig.Cursor.eps Buttons in the screen are used to turn a function on/off, to execute a command, or to access a screen. To operate a button, move the cursor to the desired button and press [ENTER]. ●...
Page 39: Editing A Name
Basic operation Editing a name Library operations You’ll use the NAME EDIT popup to edit names. Library operations are performed in the following popups: Here we’ll explain operations that are common to the NAME EDIT CHANNEL LIBRARY p. 54 popup. AUX/MTX/MAIN LIBRARY p.
Page 40 Basic operation Storing data to a library Recalling data from a library Access the desired LIBRARY popup. Access the desired LIBRARY popup. fig.ScrChLib.eps fig.ScrChLib.eps Verify that the desired channel or effect is shown as the Make sure that the applicable channel/effect indication object of the store operation.
Page 41: Message Operations
Basic operation Editing the name of library data Message operations You can assign a name of up to twelve characters to user data. ● Use the NAME EDIT popup to edit the name. CONFIRMATION message fig.Confirm.eps Access the desired LIBRARY popup. fig.ScrChLib.eps This message asks you to confirm an operation.
Page 42: Input Channel Operations
Input channel operations About the input channels The input channels process the audio signals from the input jacks and internal ports, and send them to the MAIN bus and AUX/MTX buses. fig.InBlkDia.eps INPUT MAIN SOLO PATCHBAY CH 1–48 PREAMP Post ATT Post HPF Post GATE Post COMP...
Page 43: Operations Using The Channel Edit Section
Input channel operations Operations using the CHANNEL EDIT section Most input channel operations can be performed in the CHANNEL EDIT section. Here we will explain input channel operations using the CHANNEL EDIT section. fig.ChEditSection.eps CHANNEL EDIT section [SEL] LAYER section Fader module section Selecting the channel If you clear the check mark for the CHANNEL SELECT item...
Page 44: Compressor Operations
Input channel operations Preamp gain adjustments (High-pass filter) operations Use the PREAMP area to adjust the preamp gain. Use the area of the CHANNEL EDIT section to operate the fig.ChEdtPreamp.eps filter. fig.ChEdtFilter.eps Press [ON] to turn the on/off. Use the FREQ knob to adjust the cutoff frequency of the HPF.
Page 45 Input channel operations 4-band EQ operations Sending to the AUX/MTX buses Use the EQUALIZER area to operate the 4-band Use the AUX/MTX SENDS area to perform these operations. fig.ChEdtEQ.eps fig.ChEdtAux.eps Using the SEND LEVEL knob Press [AUX1]–[AUX16] to select the send-destination Press [ON] to turn the 4-band EQ on/off.
Page 46: Operations In The Channel Display Screen
Input channel operations Operations in the CHANNEL DISPLAY screen The principal parameters of an input channel can be operated in the CHANNEL DISPLAY screen. CHANNEL DISPLAY screen fig.ScrChDispGuide.epsz Preamp Since noise will be produced when you switch the pad setting, fig.ScrChPreamp.eps the output of the channel whose setting you change will be briefly muted.
Page 47 Input channel operations ATT (Attenuator) Gate/expander fig.ScrChATT.eps fig.ScrChGate.eps GATE button OL (Overload) indicator This turns the gate/expander on/off. This will light red when the output of the attenuator exceeds the OVER Lev setting specified in the METER SETUP popup IN meter (p.
Page 48 Input channel operations Insert indication 4-band EQ fig.ScrChIns.eps fig.ScrChEQ.eps FX INS FX1–FX6 are inserted, the number of the inserted FX is shown here. If the number is shown in white, the effect insertion is enabled. If it is shown in gray, effect insertion is bypassed. By moving the cursor to FX INS and press [ENTER], you can access the FX 1–6 tab of the EFFECTS screen will appear.
Page 49 Input channel operations AUX SENDS, MTX SENDS DIRECT OUT point fig.ScrChSends.eps fig.ScrChDirGuide.eps You can choose one of the following as the position from which the channel’s signal is taken as the direct out signal: PRE PHASE Take the pre-phase signal. PRE EQ Take the pre-EQ signal PRE FADER...
Page 50 You can make settings in finer increments by operating the The [F7 (ATT Ctrl)] setting is stored in the M-480 as a system value dial while you hold down [SHIFT]. parameter. It is not saved in scene memory.
Page 51: Stereo-Linking Channels
Input channel operations Accessing the CHANNEL DISPLAY screen Stereo-linking channels In the fader module section, press [SEL] to select a Adjacent odd-numbered and even-numbered channels can be channel. stereo-linked so that their parameters will have the same fig.ScrChDisp.eps settings. This is convenient when you’re dealing with stereo sources.
Page 52: Specifying A Channel Name And Color Label
Input channel operations The function buttons have the following operations: Specifying a channel name and [F1 (Recall Enters the name selected in the TEMPLATE list color label Template)] into the name edit field. [F2 (HISTORY)] Successively recalls the channel names that You can specify a channel name and color label for each input have been entered since power-up, starting channel.
Page 53: Copying Channel Settings To Another Channel
Input channel operations Press [F3 (COPY)] to access the CHANNEL COPY popup. Using the template to enter a channel fig.ScrChCopyGuide.eps name Access the NAME EDIT popup for the desired channel. fig.ScrChNameEdit.eps Copy-source channel Move the cursor to the CATEGORY list in the TEMPLATE This indicates the copy-source channel.
Page 54: Using The Channel Library
Input channel operations Press [F3 (PASTE)]. Recall parameter select buttons COPYCHConf1.eps Use these to select the parameters that will be recalled. You can select the following parameters: Phase Phase Attenuator HPF (high-pass filter) A confirmation message will appear, asking you to confirm Gate Gate/expander the Copy operation.
Page 55: Assigning Channels To Dca Groups And Mute Groups
Input channel operations Assigning channels to DCA Assigning a channel to a DCA group groups and MUTE groups Access the DCA/MUTE GROUP ASSIGN popup for the desired channel. fig.ScrChGroupAssign.eps Input channels can be assigned to DCA groups and mute groups. Assignments to DCA groups and mute groups are made in the DCA/MUTE GROUP ASSIGN popup.
Page 56: Aux, Mtx, Main Operations
AUX, MTX, MAIN operations About AUX, MTX, MAIN The AUX and MAIN process the mixed audio signals from the input channels, and send them to the output ports. MTX (MATRIX) process a mix of the audio signals from input channels, AUX, and MAIN, and send them to an output ports. fig.OutBlkDia.eps OUTPUT MAIN...
Page 57: Operations Using The Channel Edit Section
AUX, MTX, MAIN operations Operations using the CHANNEL EDIT section Most operations for the AUX, MTX, and MAIN can be performed in the CHANNEL EDIT section. Here we will explain channel operations using the CHANNEL EDIT section. fig.ChEditSection.eps CHANNEL EDIT section [SEL] LAYER section Fader module section...
Page 58: Limiter Operations
AUX, MTX, MAIN operations ATT (Attenuator) adjustments 4-band EQ operations Use the PREAMP area to adjust the attenuator. Use the EQUALIZER area to operate the EQ. fig.ChEdtEQ.eps Use the GAIN dial to adjust the attenuator. fig.ChEdtPreamp.eps Limiter operations Use the COMP area to operate the limiter. fig.ChEdtComp.eps Press [ON] to turn the 4-band EQ on/off.
Page 59 AUX, MTX, MAIN operations Operating on MTX Sending to the MTX buses Press [SEL] of the MTX to select the send-destination MTX This operation is performed in the AUX/MTX SENDS area. bus. You can adjust the send level in either of two ways: operating on Press [AUX1]–[AUX16] on the AUX/MTX SENDS area to AUX/MAIN, or operating MTX.
Page 60: Operations In The Channel Display Screen
AUX, MTX, MAIN operations Operations in the CHANNEL DISPLAY screen The principal parameters of the AUX, MTX, and MAIN can be operated in the CHANNEL DISPLAY screen. CHANNEL DISPLAY screen fig.ScrChMainGuide.eps ATT (Attenuator) Limiter fig.ScrMtxAttGuide.eps fig.ScrChLim.eps OL (Overload) indicator LIM button This will light red when the output of the attenuator exceeds This turns the limiter on/off.
Page 61 AUX, MTX, MAIN operations 4-band EQ For details, refer to “Limiter operations” (p. 80). fig.ScrChEQ.eps Insert indication fig.ScrChInsOut.eps FX INS FX1–6 are inserted, the number of the inserted FX is shown here. If the number is shown in white, the effect insertion is enabled.
Page 62 AUX, MTX, MAIN operations MTX SENDS (AUX, MAIN only) TO MAIN (AUX only) fig.ScrMtxSends.eps fig.ScrChMainSend.eps These specify the send level from the AUX to MAIN. Here you can adjust the sends from the AUX or MAIN to the MAIN button MTX.
Page 63 AUX, MTX, MAIN operations Balance fig.ScrChBal.eps • When LCR button is off This adjusts the left/right panning of the audio signal sent to the MAIN L/R buses in a range of L63–R63. • When LCR button is on This adjusts the left/center/right panning of the audio signal sent to the MAIN L/R/C buses in a range of L63–R63.
Page 64 AUX, MTX, MAIN operations The function button specific to the MAIN C has the following DELAY operation: fig.ScrChDelay.eps [F1 (LINK to MAIN L/R)] If you turn this on, you’ll be able to use the MAIN fader to control MAIN L/R and MAIN C while maintaining the fader balance between MAIN L/R and MAIN C 66).
Page 65: Stereo-Linking Aux/Mtx
AUX, MTX, MAIN operations Press [F1 (LINK)]. Accessing the CHANNEL DISPLAY screen fig.ScrAuxLinkConf.eps In the fader module section, press [SEL] to select a channel. fig.ScrChAux.eps A confirmation message will appear, asking you to confirm the stereo-link operation. The function buttons have the following operations: [F6 (CANCEL)] Cancels the stereo-link operation and closes the popup.
Page 66: Linking Main L/R And Main C
AUX, MTX, MAIN operations Linking MAIN L/R and MAIN C Copying channel settings to another channel If you turn [F1 (LINK to MAIN L/R)] on, you’ll be able to use the MAIN fader to control MAIN L/R and MAIN C simultaneously, Channel settings can be copied to another channel.
Page 67: Using The Aux/Mtx/Main Library
AUX, MTX, MAIN operations The function buttons have the following operations: Using the AUX/MTX/MAIN library [F3 (PASTE)] Executes the copy. You can recall channel settings from the library, or store the [F8 (CLOSE)] Closes the popup. settings of the current channel in the library. Move the cursor to the desired copy parameter select AUX/MTX/MAIN library operations are performed in the AUX/ button, and press [ENTER] to select it.
Page 68: Assigning Channels To Dca Groups And Mute Groups
AUX, MTX, MAIN operations Copying the MAIN mix Noise may occur when you preview or recall a library item, (AUX1–16 only) but this is not a malfunction. Access the CHANNEL DISPLAY screen for the AUX to The function buttons have the following operations: which you want to copy the MAIN mix.
Page 69: Copying A Mtx Mix To Another Mtx (Mtx1-8)
AUX, MTX, MAIN operations Press [F8 (PASTE)] to copy the mix to the MTX you Copying a MTX mix to another selected in step 3. MTX (MTX1–8) Pressing [F7 (CANCEL)] will cancel the operation. You can copy the mix from one MTX to another MTX. Use the COPY MTX MIX popup to perform this operation.
Page 70: Dynamics
Dynamics Gate/expander operations A gate/expander is provided on CH1–48, and can be used as a gate, an expander, or a ducking processor. A gate applies a user-adjustable level of attenuation (RANGE) to input signals that are lower than the threshold level. fig.GateCurve.eps INPUT SIGNAL OUTPUT SIGNAL...
Page 71 Dynamics Accessing the GATE/EXPANDER popup GATE/EXPANDER popup fig.PopGateGuide.eps In the fader module section, press a [SEL] button to select the desired channel. In the GATE area of the CHANNEL EDIT section, press [DISP]. fig.PopGate.eps KEY-IN meter This indicates the level of the key-in signal. For stereo-linked channels, two meters are shown (L and R).
Page 72 Dynamics Gate Expander fig.PopGateGuide2.eps fig.PopExpGuide.eps THRESH knob THRESH knob This adjusts the threshold level in a range of -80.0 dB–0.0 dB. This adjusts the threshold level in a range of -80.0 dB–0.0 dB. RANGE knob RATIO knob This adjusts the RANGE in a range of -Inf dB–0.0 dB. This adjusts the RATIO in a range of 1.00:1–INF:1 (14 steps).
Page 73 Dynamics Ducking KEY-IN SELECT popup button fig.PopDuckGuide.eps This accesses the KEY-IN SELECT popup where you can select the key-in signal. For stereo-linked channels, there will be two (L and R). The channel currently selected as the key-in signal is shown on the button. KEY-IN FILTER fig.KeyinFliterGuide.eps THRESH knob...
Page 74 If you turn [F7 (KEY-IN SOLO)] on, you can hear the output signal of the key-in filter via the M-480’s monitor output. [F7 (KEY-IN SOLO)] will automatically be cancelled when you The KEY-IN SELECT popup will appear.
Page 75 Dynamics function buttons have the following operations: Listing the GATE/EXPANDER states [F8 (CLOSE)] Closes the popup. Access the GATE EXPANDER popup. fig.PopGate.eps Using the gate/expander library You can recall gate/expander settings from the library, or store the current gate/expander settings in the library. The GATE/EXP LIBRARY popup is used to perform gate/expander library operations.
Page 76: Compressor Operations
Dynamics Compressor operations Compressors are provided on CH1– They apply a user-adjustable ratio of attenuation to input signals that exceed the threshold level. fig.CompCurve.eps INPUT SIGNAL (KNEE=HARD, GAIN=0.0dB, AUTO GAIN=OFF) (RATIO=INF:1) OUTPUT SIGNAL THRESHOLD ATTACK RELEASE RATIO THRESHOLD INPUT LEVEL TIME The COMPRESSOR popup is used to perform compressor operations.
Page 77 Dynamics RATIO knob Filter graph This adjusts the RATIO in a range of 1.00:1–INF:1(14 steps). This indicates the approximate response of the key-in filter. ATTACK knob Filter type select buttons This adjusts the ATTACK time in a range of 0.0 ms–800.0 ms. These buttons select one of the following filter types: This is the time from when the input signal exceeds the BPF (Band-pass filter)
Page 78 If you turn [F7 (KEY-IN SOLO)] on, you can hear the output signal of the key-in filter via the monitor output. M-480’s [F7 (KEY-IN SOLO)] will automatically be cancelled when you The KEY-IN SELECT popup will appear. close the COMPRESSOR popup.
Page 79 Dynamics Listing the COMPRESSOR states Using the compressor library Access the COMPRESSOR popup. You can recall compressor settings from the library, or store the fig.PopComp.eps current compressor settings in the library. The COMP LIBRARY popup is used to perform compressor library operations.
Page 80: Limiter Operations
Dynamics Limiter operations Limiters are provided on each AUX1– , MTX1– , and MAIN L/R/C. They attenuate the signal so that the output does not exceed the threshold level. fig.LimCurve.eps INPUT SIGNAL (KNEE=HARD) OUTPUT SIGNAL THRESHOLD ATTACK RELEASE THRESHOLD INPUT LEVEL TIME The LIMITER popup is used to perform limiter operations.
Page 81 Dynamics KNEE knob Using the limiter library This adjusts the KNEE in a range of HARD to SOFT1–SOFT9 You can recall limiter settings from the library, or store the (ten steps). The way in which the limiter applies to the region near the threshold level can be adjusted between steep current limiter settings in the library.
Page 82: 4-Band Eq
4-band EQ 4-band EQ operations 4-band EQ is provided on CH1–48, AUX 1–16, MTX 1–8, and MAIN L/R/C. The 4-BAND EQ popup is used to perform 4-band EQ operations. 4-band EQ parameters Accessing the 4-BAND EQ popup fig.PopEQPrmGuide.eps In the fader module section, press a [SEL] button of CH1–...
Page 83 4-band EQ fig.HSVCurve.eps operation. HI SHELF Press [F8 (FLAT)]; the gain of the LO, LO-MID, HI-MID, and HI bands will be set to 0.0 dB. fig.LPF1Curve.eps Pressing [F7 (CANCEL)] will cancel the operation. LPF1 (6 dB) Using the 4-band EQ library You can recall 4-band EQ and HPF settings from the library, or fig.LPF2Curve.eps store the current 4-band EQ and HPF settings to the library.
Page 84: Aux Send/Mtx Send
AUX send/MTX send AUX/MTX send operations (CH1–48, RTN1–6) The AUX/MTX sends are used to send audio signals from input fig.PopAuxSendFieldGuide.eps channels to AUX1–16 and MTX1–8. fig.InBlkSends.eps CH 1-48 MUTE Number/Name PRE EQ PRE FADER POST FADER AUX SEND 1–16, MTX SEND 1–8 This indicates the AUX/MTX number and name.
Page 85: Mtx Send Operations (Aux1-16, Main L/R/C)
AUX send/MTX send (ALL CH POINTS) Access the ALL CH SEND POINTS popup. Send point select buttons [F7 ( MTX SENDS)] Switches to the MTX SENDS popup or the AUX These buttons select the send point for AUX1–16 or MTX1–8 [F7 ( AUX SENDS)] SENDS popup.
Page 86: Input/Output Patchbay
Input/output patchbay Default setting of the input/output patchbay Default settings of the input patchbay When the M-480 is in its default state, the input patchbay is set as follows: Input channel Input port CH1–16 REAC A IN1–16 CH17–32 REAC B IN1–16 CH33–40...
Page 87: Patchbay Operations
Allows you to make patchbay settings for the REAC port currently selected by the function buttons, or REAC B input/output jacks. indicates the M-480 itself. [F5 (CONSOLE)] Allows you to make patchbay settings for the Patchbay grid M-480’s rear panel input/output jacks, and for internal ports such as the effect output and the This grid lets you make patchbay settings.
Page 88: Input Patchbay Operations
Input/output patchbay Input patchbay operations Editing the input patching If you attempt to patch a CONSOLE IN that an EXT FX is using, a caution message such as the following will appear: Access the PATCHBAY screen. fig.ScrInPatchExtFx.eps Press [F1 (INPUT)] to access the INPUT tab. fig.ScrPatchIn1608.eps Press [F8 (DISABLE)] to disable the corresponding EXT FX and continue with the patching change.
Page 89 You can setup the preamp gain of the input jacks directly. +48V buttons This turns the +48V phantom power on/off. It is useful when an input jack is not patched to M-480’s input channel, but is a split source used for a multi-channel recording system.
Page 90: Output Patchbay Operations
Input/output patchbay Output patchbay operations Editing the output patching Using the output patchbay library Access the PATCHBAY screen. The output patchbay library lets you store the current output patchbay settings for later recall. Press [F2 (OUTPUT)] to access the OUTPUT tab. The OUTPUT PATCHBAY LIBRARY popup is used to perform fig.ScrPatchOut1608.eps output patchbay library operations.
Page 91: Cascade Connection
Cascade Master Setting up Cascade connection Here we explain how to setup the cascade connection by giving the example of two M-480 cascaded using the REAC B of the Cascade Slave console and the REAC A of the Cascade Master console.
Page 92: Setting Up Cascade Connection
The M-480 will not recall a blank scene (p. 120). Even when the “SCENE STORE” or “SCENE RECALL” item is not allowed in the User settings (p. 137), the M-480 will follow the other M-480’s storing or recalling commands. Press [F4 (REAC B)] to select the REAC B.
Page 93 CASCADE LINK (REAC) select buttons. Press [F8 (CLOSE)] to close the popup. Matching parameter values By sending current parameter values to the other M-480, you can match the parameter values for the Cascade Link function. Press [F2 (REAC CONFIG)].
Page 94: Metering
Metering About the meters Here we will explain the METER screen. The function buttons have the following operations: [F1 (METER)] Accesses the METER tab, which shows the Accessing the METER screen levels of all channels. Press the top panel [METER] button. [F2 (LAYER VIEW)] Accesses the LAYER VIEW tab, which shows the fig.ScrMeter.eps...
Page 95: Viewing The Channel Strip Of The Channel Layer
Metering Viewing the channel strip of the channel layer To view the channel strips, use the LAYER VIEW tab of the METER patched to the channel. If this is on, the input sensitivity of screen. the preamp will be lowered by 20 dB. ø...
Page 96: Editing The Meter Settings
Metering Editing the meter settings In the METER SETUP popup you can change the level detection MAIN METER MODE point of the meter, and make peak hold settings. Use this to select the main meter mode: Accessing the METER SETUP popup PEAK Shows the peak main levels Shows the averaged main levels...
Page 97: Listing The Channel Names And Group Names
If the M-480 and M-480RCS (software that remotely controls Averaging will not be performed. the M-480 from a PC) attempt to display the analyzer Averages evenly by the number specified in the simultaneously, display on the M-480 will take priority. In this AVG TIMES.
Page 98: Effects And Geq
To INPUT P ATCHBAY Same as the above The M-480 contains six internal effects (FX1–6), each of which allows you to select from various effect types including reverb, delay, and 31- band GEQ. You can use effects by inserting them into a channel, or in a send/return configuration using an AUX channel in combination with an input channel as the FX return.
Page 99: Effect Input/Output Settings
Effects and GEQ IN meters LR LINK button These indicate the input level to the effect. This links the parameters between the L and R sides. The following effect types support LR LINK: Effect name indication • GEQ x2 The upper line shows the library name, and the lower line •...
Page 100: Using An Effect Via Send/Return
Effects and GEQ Applicable effect indication Applicable effect indication This indicates the effect to which the FX INSERT/SOURCE This indicates the effect to which the FX DESTINATION SELECT popup applies. SELECT popup applies. Insert-destination/input-source select buttons Current output-destination indication Here you can select the insert-destination channel or the This indicates the current output-destination channel.
Page 101: Editing Effect Parameters
Effects and GEQ Specifying the effect return channel Inserting an effect into a channel Access the EFFECTS screen, and display the FX1–6 tab. Here we will explain the procedure for inserting the L side of FX1 Move the cursor to the FX DESTINATION SELECT popup into CH1.
Page 102 Effects and GEQ Applicable effect indicator Editing effect parameters This indicates the FX to which the FX LIBRARY popup applies. Access the FX EDIT popup for the desired effect. fig.ScrFxEdit.eps MODE select buttons These select the effect mode from the following choices: EFFECT Use as a conventional effect.
Page 103: Setting The Tempo
SLAVE TO MIDI CLOCK select button If this is selected, the tempo will synchronize to MIDI clock messages received from the M-480’s rear panel MIDI connector or USB connector. In this case, you won’t be able to use the TEMPO knob or the tap tempo function using [F1 (TAP)] or a user button.
Page 104: About The Geq
GEQ 12 Same as the above The M-480 provides twelve GEQ processors, GEQ 1–12, that can be used as 31-band GEQ or 8-band parametric EQ. You can insert a GEQ processor into the AUX 1–16, MTX 1–8, or MAIN L/R/C.
Page 105: Inserting The Geq
Effects and GEQ Inserting the GEQ Use the GEQ INSERT SELECT popup to select the destination into Inserting the GEQ to MAIN L/R which you want to insert a GEQ. This section describes the procedure for inserting linked GEQ 1 Accessing the GEQ INSERT SELECT popup and GEQ 2 into the MAIN L/R.
Page 106: Editing The Geq Parameters
Effects and GEQ Editing the GEQ parameters The GEQ EDIT popup is used to edit the GEQ. 31-band GEQ fig.ScrGEQEdit_Guide.eps Accessing the GEQ EDIT popup Access the EFFECTS screen, and display the GEQ 1–6 (GEQ 7–12) tab. Move the cursor to the EDIT button for the desired GEQ, and press [ENTER].
Page 107: Band Geq
Effects and GEQ identical. Using the top panel faders to control the BYP (bypass) button 31-band GEQ This turns the bypass on/off. When this is on, the input signal Access the GEQ EDIT popup for the desired GEQ. will be “thru-ed” to the output. fig.ScrGEQEdit.eps GEQ faders For each frequency band, these adjust the amount of boost...
Page 108: Band Parametric Eq
Effects and GEQ TYPE Using the 8-band parametric EQ This selects one of the following filter types: Access the GEQ EDIT popup for the desired GEQ. Type Function Desc. fig.ScrGEQEdit.eps Low shelving 1 only HPF1 -6 dB/oct high-pass filter HPF2 -12 dB/oct high-pass filter PEAK Peaking...
Page 109 Clears the selected library data. produced from the speakers, set up a measurement mic, patch it to [F7 (LOCK)] Locks/unlocks the selected library data. an input channel of the M-480, and select that channel as the source. [F8 (CLOSE)] Closes the popup.
Page 110: Inserting An External Effects Device
MAIN L, R, C INSERT OUT To MAIN L, R, C INSERT IN TO CONSOLE OUTPUT 1–8 You can use the CONSOLE IN 1–8 and CONSOLE OUT 1–8 jacks located on the M-480’s rear panel to insert up to eight external effects devices into channels.
Page 111: Inserting An External Effects Device Into A Channel
Inserting an external effects device Inserting an external effects device into a channel To insert an external effects device into a channel, connect the The function buttons have the following operations: CONSOLE IN jack and CONSOLE OUT jack to your external effects [F1 (CH 1–48 INSERT)]...
Page 112: Dca Groups
DCA groups About DCA groups DCA grouping is a function that lets you make relative adjustments to the output level of channels so that the level of multiple channels belonging to a group can be controlled together. fig.DCAGuide.eps Faders assigned to DCA DCA Fader -3 dB -3 dB offset to each channel...
Page 113: Assigning A Channel To A Dca Group
DCA groups Assigning a channel to a DCA group The DCA GROUP ASSIGN popup is used to assign a channel to a The function buttons have the following operations: DCA group. [F1 (CH 1–48)] Displays CH1–48 as the channel select buttons. [F2 (RTN 1–6)] Displays RTN1–6 as the channel select buttons.
Page 114: Mute Groups
The function buttons have the following operations: [F1 (MUTE1)]– Turns MUTE group 1–4 on/off. [F4 (MUTE4)] [F6 (MUTE Mutes all outputs of the M-480 and input/ ALL OUT)] output units. [F7 (NAME EDIT)] Accesses the NAME EDIT popup (p. 115).
Page 115: Specifying A Name And Color Label For A Mute Group
Mute groups The function buttons have the following operations: Using mute groups [F1 (CH 1–48)] Displays CH1–48 as the channel select buttons. Access the MUTE GROUP screen. [F2 (RTN 1–6)] Displays RTN1–6 as the channel select buttons. fig.ScrMUTEGroup.eps (AUX/MTX/MAIN)] Displays AUX1–16, MTX1–8, and MAIN L/R/C as the channel select buttons.
Page 116: Talkback/Oscillator
Talkback/Oscillator About talkback and oscillator fig.TB-OSCFlow.eps MAIN SOLO OSCILLATOR 1-2 PINK NOISE LEVEL WHITE NOISE SINE WAVE TO OUTPUT PATCHBAY MULTISINE TALKBACK PHANTOM GAIN TALKBACK TALKBACK TALKBACK +48V LEVEL TO OUTPUT PATCHBAY 1 2 15 16 MAIN SOLO Talkback is a function that sends the input of a mic connected to the TALKBACK MIC IN on the rear panel jack to an AUX, MTX, MAIN L/R/C,...
Page 117: Using The Oscillator
Talkback/Oscillator In the TALKBACK/OSC section, use the MIC LEVEL knob to Meters adjust the input gain of the mic. These indicate the talkback input level, the AUX levels, MTX If you’ve connected a mic that requires +48V phantom levels, and MAIN levels.
Page 118: Monitor/Solo
Monitor/Solo About monitoring fig.MonitorFlow.eps OUTPUT SOLO MONITOR MONITOR SELECT AUX 1–16 OUT MONITOR SOLO MONITOR LOGIC LEVEL MTX 1–8 OUT MONITOR OUT L DELAY MAIN LR OUT MAIN C OUT MONITOR OUT R DELAY MAIN LCR MAIN MONO OUT SOLO LEVEL REC OUT LR PHONES...
Page 119: Using Monitor
Use the MONITOR section’s LEVEL knob or the PHONES LEVEL knob to adjust the monitor output level. Monitor source select buttons These select the monitor source. The M-480’s solo has the following priorities: (High) Key-in solo You can also assign monitor source selections to the USER CH solo buttons (p.
Page 120: Scene Memory
Scene memory is a function that lets you store and recall mixing parameters as “scenes.” The M-480 can store 300 scenes in its internal memory, and you can assign a sixteen-character name to each scene.
Page 121 Scene memory Press [F8 (STORE)]. SCENE MEMORY section fig.SceneMemSectGuide.eps A confirmation message will ask you to confirm the scene storage operation. Press [F8 (STORE)] to execute the Store operation. Pressing [F7 (CANCEL)] will cancel the operation. The top panel SCENE MEMORY section is used to perform scene If the “SCENE/LIB STORE”...
Page 122: Operations In The Scene Screen
Scene memory Operations in the SCENE screen The SCENE screen is used to edit the scene list and make various [F2 (STORE)] This stores the current mixer parameters into scene settings. the currently selected scene number. [F3 (LIST EDIT)] Accesses the SCENE LIST EDIT popup where Accessing the SCENE screen you can edit the scene list (p.
Page 123: Momentarily Displaying The Scene List
Scene memory The RECALL PARAMETERS select buttons consist of the Momentarily displaying the scene list following items: Item Explanation While carrying out other operations, you can temporary display INPUT PATCH Input patchbay setting the scene list and perform scene memory operations. OUTPUT PATCH Output patchbay settings Hold down [SHIFT] and press [DISP] in the SCENE...
Page 124: Editing The Scene List
Scene memory Editing the scene list The SCENE LIST EDIT popup is used to edit the scene list. Editing the name of a scene Accessing the SCENE LIST EDIT popup Access the SCENE LIST EDIT popup. From the scene list, select the scene whose name you Access the SCENE screen.
Page 125: The Global Scope Function
Scene memory • If you press [F5 (INSERT)], a message will ask you to confirm Press [F8 (CUT)] to carry out the Cut operation. The selected the Insert operation. scene will be cut, and the numbers that follow the selected scene number will be renumbered downward by one.
Page 126: Linking Scene Memories To M-48 Memories
[F2 (STORE)]. fig.ScrSceneStore2.eps If desired, M-48 memories can be stored simultaneously when a scene memory is stored on the M-480. The current memory of each M-48 unit will be stored to the specified memory number (except for M-48 units whose MEMORY SAFE function (p.
Page 127 Scene memory In the M-48 MEMORY section, add a check mark to the Memory list STORE button and specify the memory number This indicates the memory number and name. fig.ScrM48MemStore_Guide.eps The memory of the current memory number is shown in green. The function buttons have the following operations: [F1 ( PREV UNIT)] Change the target unit.
Page 128: Usb Memory Recorder
WAV file, or to play back a WAV file from USB able to read or write data with sufficient speed when used memory. with the M-480. To check the speed of USB memory, use the SYSTEM screen USB MEMORY popup (p. 165). About WAV files...
Page 129: Using The Usb Memory Recorder
USB memory recorder Using the USB memory recorder USB memory recorder settings are made in the RECORDER Recorder display screen. fig.ScrRcdrDisp.eps Accessing the RECORDER screen In the USB MEMORY RECORDER section, press [DISP]. fig.ScrRecorderGuide.eps Recorder status This indicates the recording or playback status of the USB memory recorder.
Page 130 USB memory recorder fig.ScrRcdrSrcSelectGuide.eps If more than one output-destination channel are exist, the lowest number channel is shown. The function buttons have the following operations: [F1 ( Selects the previous WAV file. Holding this down during playback rewinds the WAV file being played. [F2 ( Selects the next WAV file.
Page 131: Recording To Usb Memory
USB memory recorder fig.SubDispRcdr.eps Output-destination select buttons Use these to select the output-destination channel for the USB memory recorder. You can select more than one output-destination channel. Pressing and holding [ ] during playback rewinds the playback, and pressing and holding [ ] fast-forwards it.
Page 132: User Settings
The password that will be required in order to use the user settings. On the M-480, one setting is in use at all times. The user setting is User level remembered even when the power is turned off, and the same user settings will be active the next time the power is turned on.
Page 133 User settings Accessing the USER screen Switching user settings Access the USER screen. In the USER section, press [DISP]. fig.ScrUser.eps fig.ScrUserGuide.eps The USER screen will appear. From the user list, select the desired user. Current user indication Press [F1 (CHANGE USER)]. This shows the current user name.
Page 134 User settings If the password you entered was incorrect, the following Creating user settings error message will appear. Press [F8 (OK)] to return to the ENTER PASSWORD popup. You can create user settings if the current user setting has ADMIN fig.ScrUserPwdErr.eps privileges.
Page 135 User settings Saving the current user settings in USB Deleting user settings memory Here’s how to delete user settings from USB memory. Here’s how to save the current user settings in USB memory. This You can delete user settings if the current user setting has ADMIN can be done if the current user setting is other than ADMIN or privileges.
Page 136 User settings If the contents entered in the PASSWORD field and the Changing the password of user settings CONFIRM field do not match, the following error message will appear. You can change the password for ADMIN or USER settings. fig.ScrUserPwdMatchErr.eps If you have specified a password, an ENTER PASSWORD popup will appear when you switch user settings.
Page 137: Limiting The Range Of Possible Operations
User settings Limiting the range of possible operations You can limit the range of operations that are possible by editing Parameter access permission buttons the user levels to correspond to the user settings. These buttons select the parameters that the user will be You edit the user level at the USER LEVEL popup.
Page 138 User settings ● OTHER tab Press [F5 (USER LEVEL)]. fig.ScrUserAccess.eps fig.ScrUserAccessOthGuide.eps Use the ADMIN button to specify whether the user will Other parameter access permission buttons have ADMIN privileges. These buttons select other parameters that the user will be able to operate. The parameters that are selected here will Use [F1 (CH 1–48)] and [F2 (RTN 1–6)] to access the CH 1–...
Page 139: Editing The User Fader Layers
User settings Editing the user fader layers The user fader layers are a function for assigning any channel to Move the cursor to the desired user fader assignment, the top panel fader module section (p. 21). There are three user and press [ENTER].
Page 140: Editing The User Button
User settings Editing the user button The user buttons are a function for assigning desired functions to Move the cursor to the desired user button assignment, the [1] through [8] buttons on the USER section (p. 28). You can and press [ENTER]. make settings for 16 user buttons.
Page 141: Editing Other User Preferences
User settings Editing other user preferences Access the USER screen. SHIFT LOCK select buttons These change the behavior of the SHIFT button. [SHIFT] will From the user list, select the desired user. light if SHIFT is on: Press [F6 (USER PREF)]. SHIFT will be on only while you hold down The USER PREFERENCE popup will appear.
Page 142: Reac Applications And Settings
40ch Caution when using a REAC splitter When the M-480’s REAC is set to MONITOR/BROADCAST (p. 144), the REAC A port operates as the REAC split. In this case, the M-480 For a REAC splitter, you can use the S-4000D or an Ethernet cannot output signals to the REAC A and SPLIT/BACKUP.
Page 143: Reac Connection Examples
REAC applications and settings REAC connection examples Here we show some examples of REAC setups and connections. Monitor/Broadcast console setup For details on REAC settings for the M-480, refer to “REAC settings” (p. 144). Set the M-480’s REAC setting to MONITOR/BROADCAST A (p.
Page 144: Reac Settings
The SETUP tab of the REAC CONFIG popup is used to make REAC Move the cursor to the REAC SETUP select buttons, select settings for the M-480. the desired application, and press [ENTER]. You can choose from the following applications: In the SETUP section, press [SYSTEM] to access the SYSTEM screen.
Page 145 REAC applications and settings • S-4000M Checking the devices connected to REAC You can view the model name and version number of the A and REAC B units connected to the S-4000M’s port 1–4. To view information about the devices connected to REAC A and Note the information for the connected REAC device in REAC B, you can use the REAC A tab and REAC B tab of the REAC the device list and the device information.
Page 146: Editing The S-4000M's Input/Output Settings
The S-4000M input/output setup is saved to internal memory. This part displays how the REAC slave devices are being The S-4000M configuration window loads and displays the setup patched through the M-480. from the connected S-4000M. PORT4 OPTION You can save/load the S-4000M input and output setups to a USB memory as an S-4000M Input/Output Setup file (p.
Page 147 REAC applications and settings Accessing the S-4000M CONFIGURATION Resetting S-4000M Input/Output Setups popup (System Reset) In the SETUP section, press [SYSTEM] to access the You can reset and optimize the merge/output patchbays SYSTEM screen. according to the devices physically connected to REAC ports 1–4. fig.ScrSystem.eps This has the same function as [AUTO MAP SLAVE UNITS] button on S-4000M’s front panel.
Page 148: Merge Patchbay Operations
REAC applications and settings Merge Patchbay Operations Access the S-4000M CONFIGURATION popup. REAC channel indication This indicates the number of the REAC channels being sent to the Press [F1 (MERGE)] to access the MERGE tab. 480. fig.S4M_Config_IN_Guide.eps Input indication This indicates the input numbers of the REAC slave device and the signal level s.
Page 149: Output Patchbay Operations (S-0808)
REAC channel indicator This indicates the number and the signal level of the REAC Press [F2 (OUTPUT)] to access the OUTPUT tab. channels being sent from the M-480. fig.S4M_Config_OUT_Guide.eps The color indicates the signal level as follows: Color Signal Level...
Page 150: Splitting Merged Inputs (S-4000M's Split Function)
By using the S-4000M’s Split Function, you can split the merged Using S-4000M’s split function inputs (being sent to the M-480) to REAC port 4 of the S-4000M. It is very convenient when splitting to a monitor console or a multi- Access the S-4000M CONFIGURATION popup.
Page 151: Saving/Loading The S-4000M's Input/Output Setups
Pressing [F7 (CANCEL)] will cancel the operation. fig.S4M_LoadSave_Guide.eps Do not disconnect the USB memory or switch off the M-480’s power while data is being saved to USB memory. Doing so may destroy the data saved in USB memory. Loading the S-4000M Input/Output Setup file Access the S-4000M LOAD/SAVE popup.
Page 152: Remote
MIDI to remotely control the M-480. device from the M-480. You can use either MIDI or RS-232C, not USB MIDI can transmit and receive the following messages: both. If you want to use MIDI, set the rear panel RS-232C/MIDI select switch to the MIDI position.
Page 153: Remote Settings
Dev ID knob The MIDI tab of the REMOTE popup is used to make MIDI settings. This sets the M-480’s device ID in a range of 1–32. This In the SETUP section, press [SYSTEM] to access the setting is common to the MIDI tab, USB MIDI tab, and V-LINK SYSTEM screen.
Page 154 SOURCE CHANNEL select buttons Dev ID knob These buttons select the channel that will correspond to the This specifies the device ID of the M-480 in a range of 1–32. source. This setting is common to the MIDI tab, the USB MIDI tab, and the V-LINK tab.
Page 155 These buttons select the items that USB MIDI will receive. FADER, MUTE Change (CC) Fader and mute changes (control changes) Always make sure to switch off the M-480’s power before SCENE Change (PC) Scene changes you change the setting of the MIDI/RS-232C select switch.
Page 156: Other Settings And Functions
(p. 162). These buttons select the sampling frequency at which the [F6 (USB MEMORY)] Accesses the USB MEMORY popup, where you M-480 will operate. can manage USB memory (p. 163). CH-MUTE OPTION select buttons [F7 (SYSTEM UPDATE)] Updates the system program.
Page 157 The sampling frequency setting also determines the sampling Move the cursor to the LAMP knob, and use the value frequency of the M-480’s DIGITAL OUT connector and the knob to adjust the brightness of the lamp. sampling frequency for recording and playback on the USB Higher values produce greater brightness.
Page 158 480, fader touch sensitivity may not operate correctly, and the fig.ScrInitConf.eps fader motor may operate incorrectly while you’re operating the fader. If this occurs, use the M-480 with the SENS knob set to 0 so that touch sensitivity is turned off. Initializing the mixer settings A message will ask you to confirm the operation.
Page 159: Saving/Loading Mixer Settings
Other settings and functions Saving/loading mixer settings You can use USB memory to save or load mixer settings as a The function buttons have the following operations: project file. The LOAD/SAVE popup of the SYSTEM screen is used [F1 (LOAD)] Loads the project file that is selected in the list to save or load mixer settings.
Page 160 When saving is completed, the progress indication will Pressing [F7 (CANCEL)] will cancel the operation. close. Do not disconnect the USB memory or switch off the M-480’s Pressing [F7 (CANCEL)] will cancel the operation. power while data is being loaded from USB memory. Doing so may destroy the data saved in USB memory.
Page 161 Other settings and functions Renaming a project file Deleting a project file Access the LOAD/SAVE popup. Access the LOAD/SAVE popup. fig.ScrSysLoadSave.eps fig.ScrSysLoadSave.eps Move the cursor to the project file list, and select the Move the cursor to the project file list, and select the project file that you want to rename.
Page 162: Date&Time Settings
Other settings and functions Date&time settings Use the DATE&TIME popup of the SYSTEM screen to set the date MONTH knob and time. This specifies the month in a range of 1–12. Access the SYSTEM screen. fig.ScrSystem.eps DATE knob This specifies the date in a range of 1–31. The function buttons have the following operations: [F6 (SET)] Finalizes the specified date and time.
Page 163: Managing Usb Memory
If you move the cursor to “..” and Do not disconnect the USB memory or switch off the M-480’s press [ENTER], you’ll move to the level above the current folder. power while USB memory is being formatted.
Page 164 Other settings and functions Creating a folder Renaming a file or folder name Access the USB MEMORY popup. Access the USB MEMORY popup. fig.ScrSysUSBMem.eps In the file list, move the cursor to the desired file or folder. Press [F3 (NAME EDIT)]. fig.ScrNameEdit.eps The NAME EDIT popup will appear.
Page 165: Deleting A File
Other settings and functions Copying a file Deleting a file Access the USB MEMORY popup. Access the USB MEMORY popup. In the file list, move the cursor to the desired file. In the file list, move the cursor to the file you want to delete.
Page 166: Console Lock
Other settings and functions Console Lock You can lock the console to prevent it from being operated. If a Unlocking the console password has been specified for the current user settings, you will need to enter the password in order to unlock the console. When the console is locked, press [ENTER].
Page 167: Help Function
Other settings and functions Help function The Help function explains how to use the M-480. Help shortcuts By holding down [HELP] and pressing a top panel button, you The Help contents are provided only in English. can access the Help content related to that button.
Page 168: Other Settings
Other settings and functions Other settings Initializing the M-480’s internal memory Clearing the ADMIN password The following items will be initialized, returning them to the If you’ve forgotten the ADMIN password, you can use the factory settings: following procedure to clear the ADMIN password.
Page 169: Fader Calibration
We recommend that you adjust all of the above four points for each fader that has drifted out of calibration. Press the function button that corresponds to the location at which you set the fader. M-480 will start up in SYSTEM CONFIG MODE, and the Position Function button SYSTEM CONFIG screen will appear.
Page 170: Management Of The M-48 Live Personal Mixer
Digital Source Line out from REAC Settings by the mixing engineer Phones These settings are made by the mixing engineer from the M-480. Source level/pan settings LIVE PERSONAL MIXER M-48 These settings specify the LEVEL, PAN, and AUX switch settings for sources 1–40 (p. 178).
Page 171: Connecting M-48 Units To The M-480
FOH CONSOLE the M-480. Connect M-48 units to the M-480 (setup as the monitor console) If an M-48 unit is connected to the M-480’s REAC A port, it will M-48 M-48 M-48 not be possible to set or manage the M-48 from the M-480.
Page 172: Editing And Managing M-48 Units
(groups). The following settings are made by the mixing engineer: Setting Page Screen PATCHBAY screen Specifying the outputs from the M-480 to the M-48 unit p. 173 M-48 MANAGER popup Editing the M-48’s unit name p. 175 M-48 PREFERENCES popup Making preference settings for an M-48 unit p.
Page 173: Specifying The Outputs From The M-480 To The M-48 Unit
Management of the M-48 live personal mixer Specifying the outputs from the M-480 to the M-48 unit Use the REAC B output patchbay to specify the outputs from the In addition to input channel direct outs, you can use a variety of M-480 to the M-48.
Page 174: Viewing The Connected M-48 Units
* M-48 UPDATE is for future updates of the system program. For details M-48 list on performing the update, refer to the explanation provided with the This lists the M-48 units that are connected to the M-480’s updater. REAC B port. You can move the cursor to an item in the list and press [ENTER] to edit that item.
Page 175: Editing The M-48'S Unit Name
M-48 list. Edit the name in the name field. Disabling memory operations from the M-480 (MEMORY SAFE function) For details on name editing, refer to “Editing a name” (p. 39). Access the M-48 MANAGER popup. If you turn [F6 (BLINK LEDs)] on, all LEDs of the target M-48 will In the M-48 list, move the cursor to the MEMORY SAFE flash.
Page 176: Making Settings For An M-48 Unit
Management of the M-48 live personal mixer Making settings for an M-48 unit Group name Accessing the M-48 SETUP popup This indicates the group name. If you move the cursor here Access the M-48 MANAGER popup. and press [ENTER], the NAME EDIT popup will appear, fig.ScrM48Manager.eps allowing you to edit the group name.
Page 177 Management of the M-48 live personal mixer LINE OUT SOURCE select buttons Making preference settings for an M-48 These buttons select one of the following as the LINE OUT unit source: Access the desired M-48 SETUP popup. MAIN BUS Output the signal of the MAIN BUS. fig.ScrM48Setup.eps AUX BUS Output the signal of the AUX bus (the mix of the...
Page 178: Source Level/Pan Settings
Pressing [F7 (CANCEL)] will cancel the operation. Pressing [F7 (CANCEL)] will cancel the operation. Source Level/Pan settings This shows the sources as they are seen from the M-480’s M-48 SOURCE LEV/PAN popup fader module section. This display will change according to the M-480’s fader layer.
Page 179 480’s channel number and name. Press [F3 (SOURCE LEV/PAN)]. fig.ScrM48SrcLev1.eps The M-480’s channel name or output name is used as the source name. In the SOURCE LAYOUT tab, the names of sources for which nothing is being output from the M-480’s...
Page 180 Management of the M-48 live personal mixer Editing the source level/pan settings Copying the M-480’s mix levels to the source levels Access the desired M-48 SOURCE LEV/PAN popup. fig.ScrM48SrcLev1.eps Here’s how you can copy the M-480’s mix levels (the levels from channels to MAIN, AUX, or MTX) to the level of the corresponding source.
Page 181: Source Assign Settings
Management of the M-48 live personal mixer Source Assign settings This assigns source 1 through 40 to group 1 through 16 for where the desired source and group intersect, and press operating the M-48 panel. You make assignments to the groups [ENTER].
Page 182: Checking And Adjusting The Musician's Mix (Group Mix)
Management of the M-48 live personal mixer Setting the source assignments Clearing the source assignments Access the M-48 SOURCE ASSIGN popup. Access the M-48 SOURCE ASSIGN popup. fig.ScrM48SrcAssign.eps Press [F7 (CLEAR ALL)]. fig.ScrM48SrcAssignClr_Conf.eps A message will ask you to confirm the operation. Press [F8 (CLEAR)];...
Page 183: Checking And Adjusting The Group Mix
Management of the M-48 live personal mixer EQ graph [F3 (EDIT EQ)] Turning this on will switch to the EQ setting display. This indicates the approximate response of the group’s EQ. [F5 (REVERB ON)] Turns the reverb on/off. [F6 (SOLO CLEAR)] Clears solo settings for all groups.
Page 184: Using The Engineer's Monitor Function
AMBIENT MIC on the musician’s side. The M-48 unit specified as the Engineer’s Monitor will be registered to the M-480’s system settings, and it can be saved to the M-480’s project file. When you initialize the M-480’s system You cannot use the Engineer’s Monitor function if system settings, the Engineer’s Monitor setting will be cleared.
Page 185: Copying M-48 Settings
Management of the M-48 live personal mixer The following items of the preference settings (p. 177) Releasing the Engineer’s Monitor unit can be edited. • SOLO MODE select buttons Access the M-48 MANAGER popup. • LAYER select clears SOLO button Press [F6 (ENG MON SETUP)].
Page 186: M-48 Memory Operations
Management of the M-48 live personal mixer Verify that the copy-source unit indication shows the fig.ScrM48Copy_Conf.eps desired M-48 unit. If the wrong copy-source unit is selected, press [F8 (CLOSE)] to close the popup, return to step 2, and select the desired copy source.
Page 187 Management of the M-48 live personal mixer The function buttons have the following operations: Recalling a memory to the M-48 [F1 (SELECTED UNIT)] Shows the SELECTED UNIT tab. Access the M-48 MEMORY popup. [F2 (ALL UNITS)] Shows the ALL UNITS tab. Select the desired memory in the memory list.
Page 188: Using The M-48 Library
Using the M-48 library The current settings of the M-48 can be organized in the form of a The function buttons have the following operations: “Library,” and saved on the M-480. [F3 (NAME EDIT)] Accesses the NAME EDIT popup, where you can edit the name of a library item.
Page 189: Saving/Loading Usb Memory
Management of the M-48 live personal mixer Recalling settings from the M-48 library The confirmation message in step 4 will not appear if the user preference CONFIRMATION select button “SCENE/LIB RECALL” is Access the M-48 LIBRARY popup. unchecked. In the library list, select the library item that you want to recall.
Page 190 If you want to save the projects for multiple M-48 units, press Do not disconnect the USB memory or switch off the M-480’s [ENTER] to add or clear the check marks in the appropriate power while data is being saved to USB memory. Doing so MARK fields.
Page 191 When loading is finished, the “Completed” message will appear. Press [F8 (OK)] to close the message. Do not disconnect the USB memory or switch off the M-480’s power while data is being loaded from USB memory. Doing so may damage the data saved on USB memory.
Page 192: Appendix
Appendix User button functions FUNCTION PARAM1 PARAM2 Explanation NONE Unlit SCENE PREV RECALL Lit while held Recalls the scene of the previous number NEXT RECALL Lit while held Recalls the scene of the next number DIRECT RECALL 000–299 Lit while held Recalls the scene of the specified number UNDO RECALL Lit if UNDO is available...
Page 193: Error Message List
Internal battery is low. The internal lithium battery has run down. Internal data were damaged. Data was initialized because the internal memory data was lost when the internal lithium battery was depleted M-480 starts with initialized setting. or was replaced. Invalid USER NAME.
Page 194: Troubleshooting
• MONITOR LEVEL knob noise may be heard. • PHONES LEVEL knob • MAIN, AUX, or MTX channel attenuator In this case, first check the connections between the M-480 the input/output units. ● Output patchbay settings are incorrect. ● Make sure that the input/output units are connected to the ●...
Page 195: External Device
● The cable is broken. ● The MIDI OUT setting is set to THRU. ● The RS-232C baud rate is not set correctly. ● M-480 is not set to transmit messages. Can’t control the M-480 from an external device ●...
Page 196: Pin Configuration Diagrams
Appendix Pin configuration diagrams Requirements for switching hubs Switching hubs used to connect REAC devices must meet the Cat5e Ethernet cables following conditions: • We recommend a switching hub that supports 1000BASE-T (RJ45 EtherCon type connectors) (IEEE 802.3ab, Gigabit Ethernet) •...
Page 197: Main Specifications
Appendix Main specifications M-480 (V): LIVE MIXING CONSOLE Mixing Channels INPUT: 48 channels, 6 stereo returns BUS: MAIN L/C/R, 16 AUX buses, 8 MATRIX buses OUTPUT: 10 ports (Max 90 ports When using REAC devices) AD/DA Conversion Sample Rate: 48.0 kHz or 44.1 kHz...
Page 198 * Sample Rate: 48.0 kHz or 44.1 kHz Network Latency 2.8 mS (typ.) *1 * Total System Latency of audio signal from S-1608 inputs to outputs via M-480's REAC ports (A or B). * Sample Rate: 48.0 kHz * Effects : No insert effects...
Page 199: Power Consumption
Appendix Display 800 x 480 dots Wide VGA backlit TFT color screen Power Supply AC 115 V, AC 117 V, AC 220 V, AC 230 V, AC 240 V (50/60 Hz) Power Consumption 95 W Dimensions 749 (W) x 614 (D) x 229.0 (H) mm 29-1/2(W) x 24-11/16(D) x 9-1/16(H) inches Weight 20 kg...
Page 200: Dimensions
Appendix Dimensions Dimensions are shown in millimeters.
Page 201: Effect Types
Effect types Reverb LO FREQ DAMP FREQ St.REVERB (Stereo Reverb) Frequency at which the low-frequency region of the reverb fig.AlgoStRev.eps sound begins to be attenuated Input L Output L Value: 20 Hz–2.00 kHz HI FREQ DAMP GAIN Stereo 4 Band EQ High-frequency attenuation of the reverb sound Reverb Value:...
Page 202 Appendix Q (LO, LO-MID, HI-MID, HI) REVERB+GATE Steepness of the frequency response curve. (*1) Value: 0.36–16.00 fig.AlgoRevwGate.eps Input L Output L (*1) Depending on the Type setting of each band, there are certain combinations for which the Freq, Gain, and Q values will have no effect, as listed below.
Page 203 Appendix HI CUT FREQ HPF1 (High-Pass Filter 1) Frequency at which the high-frequency region of the reverb Passes the frequency region above FREQ sound will be cut Freq: Valid Gain: — Q: — Value: 200 Hz–20.00 kHz LPF2 (Low-Pass Filter 2) WET (Wet Level) A sharper response curve than LPF1 Freq: Valid...
Page 204 Appendix Types of sound fig.RevExp01.eps early reflections reverberation direct sound source listener The sound you normally hear is divided into three types: “direct sound,” “early reflections,” and “reverberation.” The “direct sound” is the sound that reaches the listener directly from the source. “Early reflections” are sounds that have reflected one to several times from the walls or other surfaces of the room.
Page 205: Delay
DELAY x2 As delay units, you can use msec, Meter, Feet, Frame (24, 25, fig.AlgoDualDelay.eps 29.97, 30fps), or Note. The M-480’s delay is based on msec units, Input A Output A and simply changing the delay unit parameter will not change the delay time in msec units.
Page 206: Long Delay
Appendix WET POSITION FEEDBACK TIME (Feedback time) The wet position specifies how the delay’s wet signal is related Time until the delayed sound is returned to the input of the to the position of the DPF (Damp Filter). delay Value Value: 0.0–2700 ms PRE DAMP:...
Page 207 Appendix Value: 20 Hz–2.00 kHz M.TAP DELAY (Multi Tap Delay) HI FREQ DAMP GAIN fig.AlgoMTPDly.eps Output L High-frequency attenuation of the delay sound Input L Value: -36.0–0.0 dB Pan 1 HI FREQ DAMP FREQ Pan 2 Frequency at which the high-frequency region of the delay sound begins to be attenuated Value: 200 Hz–20.00 kHz...
Page 208 Appendix X.MOD DELAY (Cross-modulation Delay) Cross feedback will feed back the effect sound to the opposite input (left or right). fig.AlgoXModDelay.eps Input L Output L LO FREQ DAMP GAIN PRE DPF POSITION Low-frequency attenuation of the delay sound Delay L POST DPF Value: -36.0–0.0 dB...
Page 209: Modulation
Appendix Modulation St.CHORUS (Stereo Chorus) St.FLANGER (Stereo Flanger) fig.AlgoStCho.eps fig.AlgoStFlang.eps DIR SW DIR SW Input L Output L Input L Output L EFF SW EFF SW Chorus L Flanger L XMIX Chorus R EFF SW Flanger R Input R DIR SW Output R EFF SW This is a stereo-in, stereo-out chorus.
Page 210 Appendix Value: OFF, ON FB (Feedback) Amount of phaser sound that is returned to the input of the EFF SW (Effect switch) phaser Turns the effect sound on/off Value: -100–100 Value: OFF, ON XFB (Cross feedback) Amount of phaser sound that is returned to the opposite-side Feedback means returning the effect sound back into the input of the phaser input.
Page 211: Channel Strip
Appendix Channel strip COMPRESSOR A/B CH STRIP x2 (Channel Strip x2) COMP SW (Compressor switch) fig.AlgoDualChStrip.eps Turns the compressor on/off Input A Enhancer/ Gate Compressor Value: OFF, ON De-esser Output A THRE (Threshold level) 4 Band EQ Delay Threshold level of the compressor Value: -40.0–0.0 dB Input B...
Page 212 Appendix SENS (Enhancer sensitivity) LPF1 (Low-Pass Filter 1) Enhancer sensitivity Passes the frequency region below FREQ Freq: Valid Gain: — Q: — Value: 0–100 HPF1 (High-Pass Filter 1) FREQ (Frequency) Passes the frequency region above FREQ Frequency above which is handled as the high-frequency Freq: Valid Gain: —...
Page 213: Pitch Shift
Appendix HI FREQ DAMP GAIN the damp filter is applied to all of the delay sound. High-frequency attenuation of the delay sound Value: -36.0–0.0 dB WET (Wet Level) Level of the delay sound HI FREQ DAMP FREQ Value: -Inf–+6.0 dB Frequency at which the high-frequency region of the delay sound begins to be attenuated DRY (Dry Level)
Page 214: Geq
Appendix GEQx2 fig.AlgoDualGEQ.eps Input A Output A 31 Band GEQ Input B Output B 31 Band GEQ This is a dual-mono 31-band GEQ. GEQ A/B ATT (Attenuator) Attenuator for the GEQ Value: -42.0–+15.0 dB 20 Hz Gain–20 kHz Gain Gain of each band Value: -15.0–+15.0 dB...
Page 215: Roland Vintage Effects
(only in NON LNR mode) Value: 10–450 ms This is a mono-in, stereo-out reverb that models the Roland SRV- REV SEL (Reverb Select) 2000 MIDI digital reverb. It provides two modes: REVERB mode in Type of reverb (only in REVERB mode)
Page 216: Digital Delay Sde
Frequency response 10 Hz–17 kHz (+0.5 dB/- 3 dB) TIME range 0–3000 ms (when EXP A/B 1.00) This is a delay that models the Roland SDE-3000 digital delay. The Frequency response 10 Hz–8 kHz (+0.5 dB/-3 original unit was mono-in, mono-out, but this modeling provides a dual-mono configuration with two such units in parallel.
Page 217 PAN HEAD SHORT Panning of the short playback head Value: L63–C–R63 This is a delay that models the Roland RE-201 Space Echo. The PAN HEAD MIDDLE original was mono-in, mono-out, but this modeling adds PAN Panning of the middle playback head...
Page 218 SBF-325 (STEREO FLANGER SBF-325) fig.ScrSBF325.eps This is a phase shifter that models the Roland SPH-323 Phase Shifter. The original was mono-in, mono-out, but this modeling is a dual-mono design with two units in parallel. The MOD LINK Sw This is a stereo-in, stereo-out flanger that models the Roland SBF- allows you to use this as a stereo-in, stereo-out effect.
Page 219 Output level Value: 0–100 MOD LINK Sw (Modulation Link Switch) This is a stereo-in, stereo-out chorus that models the Roland SDD- Specifies whether the modulation of the two SPH-323 units will 320 Dimension D. be linked The SDD-320 was released in 1979, and became standard...
Page 220: Index
Index Symbols 4-band EQ operations ........... 58 Sending to the MTX buses .......... 59 Ø (Phase) .................. 46, 63 Check buttons ................38 Numerics Compressor +48V ..................46, 89, 95 Auto gain .................. 77 [+48V] button ................. 23 Compressor Library ............... 79 4-band EQ GR (Gain Reduction) meter ..........
Page 221 REVERBÅ{GATE ..............202 GEQ library ................109 SBF-325 ................... 218 Insert indication ..............61 SDD-320 .................. 219 Inserting ................. 105 SDE-3000 x2 ................216 Linking ..................104 SPH-323 .................. 218 Using analyzer ..............109 Grounding terminal ..............32 SRV-2000 ................215 GROUP section ................
Page 222 Splitting .................. 142 OL (Overload) indicator ........46–48, 60–61 Rear panel ..................29 ON/OFF buttons ................38 RJ45 ....................14 Oscillator ..................116 Roland vintage effects Output channel DIGITAL DELAY SDE-3000 ..........216 Grouping .................. 68 DIGITAL REVERB SRV-2000 ..........215 Copying DIMENSION D SDD-320 ............
Page 223 Splitting Merged Inputs ............ 150 Save/load (M-48) ..............189 Save/load Input/Output Setups ........151 Save/Load (S-4000M) ............151 S-4000S .................... 13 Testing ..................165 SAFE button ................50, 64 USB MEMORY RECORDER section .......... 26 SAMPLING FREQ ................. 156 User settings Save ....................
Page 224: Screen Index
Screen index Numerics GEQ INSERT SELECT popup ........105 GEQ LIBRARY popup ..........109 4-BAND EQ 4-BAND EQ LIBRARY popup ........83 4-BAND EQ popup ............. 82 HELP HELP CONTENTS popup ......... 167 HELP popup ............167 ALL CH SEND POINTS popup .......... 85 ARRANGE UNIT popup ..........
Page 225 OUTPUT PATCHBAY LIBRARY popup ......90 PATCHBAY screen ............87 INPUT tab .............. 88 OUTPUT tab ............ 90, 92 PREAMP EDIT popup ..........89 PROJECT SAVE popup ........... 160 REAC CONFIG popup ............. 145 REAC A tab ............... 145 REAC B tab ..............145 SETUP tab ..............
Page 226 For EU Countries For China For EU Countries This product is intended for use in the following Electromagnetic environments: E1: residential, E2: commercial and light industrial, E3: urban outdoors, E4: controlled EMC environment, ex. recording studio (broadcasting studio) which are specified in EN55103-1 and EN55103-2.
Page 227 Block Diagram MAIN SOLO OUTPUT INPUT PATCHBAY PATCHBAY S-1608 16 INPUTS REAC A INPUT 1–40 CASCADE INPUT INPUT1–16 MAIN L, R, C REAC B INPUT 1–40 PHANTOM GAIN PEAK AUX 1–16 +48V MTX 1–8 SOLO L, R S-0816 8 INPUTS CH 1–48 INPUT1–8 PHANTOM...
Page 228 CAUTION Danger of explosion if battery is Apparatus containing incorrectly replaced. Replace only with the same or Lithium batteries equivalent type recommended by the manufacturer. Discard used batteries according to the manufacturer’s instructions. ADVARSEL! VARNING Lithiumbatteri - Eksplosionsfare ved Explosionsfara vid felaktigt batteribyte. fejlagtig håndtering.
Page 229 M-480 (V) LIVE MIXING CONSOLE...

Roland M-480 Owner's Manual

Using the Unit Safely

Important Notes

Contents

Introduction

Explanation of the Panels

Basic Operation

Input Channel Operations

AUX, MTX, MAIN Operations

Dynamics

4-Band EQ

AUX Send/Mtx Send

Input/Output Patchbay

Metering

Effects and GEQ

Inserting an External Effects Device

DCA Groups

Mute Groups

Talkback/Oscillator

Monitor/Solo

Scene Memory

USB Memory Recorder

User Settings

REAC Applications and Settings

Remote

Other Settings and Functions

Management of the M-48 Live Personal Mixer

Appendix

Effect Types

Index

Screen Index

Quick Links

Related Manuals for Roland M-480

Summary of Contents for Roland M-480