Boss BR-1200CD Owner's Manual
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Boss BR-1200CD Owner's Manual

Digital recording studio
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Owner's Manual
Thank you, and congratulations on your choice of the BOSS BR-1200CD
Digital Recording Studio.
Before using this unit, carefully read the sections entitled:
"USING THE UNIT SAFELY"(page 2–3)
"IMPORTANT NOTES" (page 4–5)
These sections provide important information concerning the proper
operation of the unit. Additionally, in order to feel assured that you have
gained a good grasp of every feature provided by your new unit, Owner's
manual should be read in its entirety.
The manual should be saved and kept on hand as a convenient reference.
■ Printing conventions in this manual
• Text or numerals enclosed in square brackets [ ] indicate buttons.
[PLAY]
[CURSOR]
Reference such as (p. **) indicate pages in this manual to which you can
•
refer.
Copyright © 2004 BOSS CORPORATION
All rights reserved. No part of this publication may be reproduced in any form without the
written permission of BOSS CORPORATION.
PLAY button
CURSOR button

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  • Page 1 Owner’s Manual Thank you, and congratulations on your choice of the BOSS BR-1200CD Digital Recording Studio. Before using this unit, carefully read the sections entitled: “USING THE UNIT SAFELY”(page 2–3) “IMPORTANT NOTES” (page 4–5) These sections provide important information concerning the proper operation of the unit.

  • Page 2: Using The Unit Safely

    (except when this manual provides damage the cord, producing severed elements specific instructions directing you to do so). Refer and short circuits. Damaged cords are fire and all servicing to your retailer, the nearest Roland shock hazards! Service Center, or an authorized Roland ......................
  • Page 3 Roland Service Center, their proper ventilation. or an authorized Roland distributor, as listed on ......................102c the “Information” sheet when: •...

  • Page 4: Important Notes

    However, in certain cases (such as when circuitry related to memory itself is out of order), we regret that it may not be possible to restore the data, and Roland assumes no • Using the unit near power amplifiers (or other equipment liability concerning such loss of data.

  • Page 5: About The License Agreement

    IMPORTANT NOTES About the License Agreement • Use a cable from Roland to make the connection. If using some other make of connection cable, please note the • The BR-1200CD and its CD-R/RW capability are designed following precautions. to allow you to reproduce material to which you have •...

  • Page 6: Precautions Regarding The Hard Disk

    If the device includes a cooling fan, ensure that the fan and the side panel air vents remain unobstructed. ● Do not block the ventilation holes provided in the case as this can result in the temperature inside the BR-1200CD rising, and this will drastically reduce the hard disk's lifespan.

  • Page 7: Notes When Using Mics

    1200CD, you can easily use the Loop Phrase functions and add the audio to your tracks without using this CD-ROM. However, in case you initialize your hard disk drive in the BR-1200CD, or accidentally erase the User Loop Phrases, you can recover all of the factory-installed Loop Phrases by importing them from this CD-ROM.

  • Page 8: Before Using Cd-R/Rw Discs

    Before Using CD-R/RW Discs ● Two different types of recordable disc can be used with the Do not touch the lens. BR-1200CD—namely, CD-R discs and CD-RW discs. ● When the lens is dirty, clean the lens with a commercial lens blower.
  • Page 9 * As a certain amount of force must be applied for insertion, always confirm that the CD-R/RW disc has been correctly inserted. Failure to properly and fully insert a disc can result in an inability to carry out writing correctly. 5. Press disc tray until it is locked in the BR-1200CD.

  • Page 10: Table Of Contents

    Connecting other devices......34 Precautions Regarding the Hard Disk ... 6 Precautions When Making Connections....35 Notes When Using Mics ........ 7 Turning on/off the BR-1200CD ....36 About the CD-ROM “Discrete Drums” .... 7 Turning on the BR-1200CD........36 Turning off the BR-1200CD ........37 Before Using CD-R/RW Discs ......
  • Page 11 Contents Changing the drum pattern tempo......58 Changing the Final Mastering Track ......80 Set the new tempo Rectifying recording mistakes using the TIME/VALUE dial ........58 (Undo/Redo) ..........81 Setting the tempo using [TAP]......59 Undo ................81 Changing the drum sounds ........60 Redo................81 Adjusting the recording level ...... 62 Mixing audio from various tracks onto a stereo track (Bounce)......82 Setting an audio input’s left-right position...
  • Page 12 Section 3 Using Effects ..115 Disabling Auto Scene ..........95 Setting Auto Scene control of effects and track EQ..........95 Makeup of BR-1200CD effects ....116 Finding the start or end of a section Using insert effects........118 of audio (Scrub/Preview)......97 Effect patches and banks.........118 Using Scrub to find the Modifying insert effect settings......119...
  • Page 13 Contents Section 4 Using Rhythm..153 Setting the application method for backing choruses (Harmony Sequence Edit) ..137 Making More Detailed Backing Chorus Makeup of Drum/Bass/Loop Phrase..154 Settings (Harmony Event Map) ......138 Drums................154 Saving Vocal Tool Box settings Bass ................154 (Patch Write) ..............140 Loop Phrases ..............155 Copying Vocal Tool Box settings (Patch Copy)...............141...
  • Page 14 Contents Creating rhythm arrangements ....199 Creating bass patterns using real-time recording........175 Assembling drum and bass patterns ....199 Practicing before recording (Rehearsal).....176 Erasing All Pattern Assignments Recording in perfect time (Quantize)....176 at One Time..............200 Inserting patterns............200 Creating bass patterns using step recording..........177 Inputting chords ............200 Correcting bass patterns (Microscope) ....179 Changing and moving chords ........201...
  • Page 15 Changing the TIME field display......248 Saving Data on the Hard Disk to CD-R/RW Discs ............228 Synchronizing a MIDI device by recording its tempo changes on the BR-1200CD (Sync Track) ..248 Saving Data to CD-R/RW Discs (User Backup) .....228 Setting the starting time of synchronization (Sync Offset)......250...
  • Page 16 Initializing only one of multiple partitions ..286 Compatible OS............258 Connecting a computer..........259 Section 9 Appendices ..287 Structure of data on the BR-1200CD’s hard disk .......259 Insert effect algorithm list......288 With Windows ......... 260 BANK: GUITAR ............288 Backing up the BR-1200CD’s data......260 1.
  • Page 17 Contents Mastering Tool Kit parameter functions ..315 COSM Comp/Limiter (COSM Compressor/Limiter) .........296 Equalizer..............315 COSM Overdrive/Distortion........297 Bass Cut Filter............316 COSM PreAmp&Speaker ........297 Enhancer ..............316 De-esser ..............299 Input ................316 Defretter ..............300 Expander ..............316 Delay ................300 Compressor ..............317 Distance ..............301 Mixer ................317 Doubling ..............301 Limiter.................317 Enhancer ..............301...

  • Page 18: Introduction To The Br-1200Cd

    CD, you will be able to sound on different speaker systems. With this arsenal at put the BR-1200CD to use as soon as you take it out of your disposal, you will be able to make professional- the box.

  • Page 19: Chromatic Tuner

    ■ Saving of mixer settings The term Scene is used to describe a batch of BR-1200CD “Section 4 Using Rhythm” (p. 153) mixer and effect settings, and up to 100 scenes can be set up and stored for each song.

  • Page 20: Panel Descriptions

    What is AF method (Adaptive Focus method)? These knobs are used to adjust the sensitivity of the Adaptive Focus is a unique Roland/BOSS technology corresponding input jacks. Note that the INPUT SENS 1 that allows the signal noise (S/N) ratios of AD and DA knob also adjusts the sensitivity of the GUITAR/BASS jack.
  • Page 21 Marker box will be deleted when this button is pressed. This is used to prepare the BR-1200CD for recording. In addition, it also allows you to select one of the following 10. AUTO PUNCH IN/OUT...

  • Page 22: Repeat Button

    12. REW button and punch-out. This button’s indicator will turn red and begin to flash when the BR-1200CD is standing by to start The song will rewind while you hold down this button. recording, and this will change to a steady red when recording is actually started.

  • Page 23: Reverb Button

    Flashing red: Press [EDIT] to call up a screen for creating drum and/or bass patterns and editing the relevant parameters. The track has been selected for recording and the BR-1200CD is in standby mode for recording. 30. EZ COMPOSE button Steady red: The track is being recorded to.
  • Page 24 (p. 46). These indicators allow you to confirm the current track types for Tracks 8 and 9/10. • If a track being recorded is muted, the BR-1200CD will Unlit automatically cancel muting when recording has ended.

  • Page 25: Cursor Buttons

    47. HD ACCESS indicator within the song (i.e., to perform fast forward or rewind). This indicator will light up whenever the BR-1200CD is However, it is also used to modify values of the various reading or writing on the hard disk.

  • Page 26: Front Panel

    1. GUITAR/BASS jack This high-impedance input jack is used to directly connect fig.05-02 The BR-1200CD uses this drive unit to read from, write to, guitar or bass. and play CD-R/RW discs. The MIC 1 jack (or XLR connector) and the GUITAR/...

  • Page 27: Display

    30 (non-drop). This represents one type of MIDI Time Code (MTC) specification, and if you want to operate the BR-1200CD and other MIDI devices in synchrony with each other, all must be set to the exact same MTC specification.

  • Page 28: Rear Panel

    10 11 1. POWER switch 6. MIDI IN connector Use this switch to turn the BR-1200CD on and off (p. 36). The BR-1200CD receives MIDI data via this connector. Connect the MIDI OUT connector of external MIDI devices 2. DC IN (AC adaptor) jack such as sequencers to this connector using a MIDI cable.

  • Page 29: Line Out Jacks

    “Information” sheet. and keyboards and other external sound sources, or tape Unsuitable places for connection recorder to make an analog recording of the BR-1200CD’s output. • Water pipes (may result in shock or electrocution) • Gas pipes (may result in fire or explosion) 12.

  • Page 30: Common Operations And Display Items

    Note that different devices use Cursor different MTC specifications. If you want to synchronize the BR-1200CD with another MIDI device using MTC, you will first of all need to set both to the same MTC specification. At the time of purchase, the number of frames per second will initially be set to 30 (non- drop) on the BR-1200CD (p.

  • Page 31: Page Scroll

    When you see a scroll bar at the right of the screen, it means fig.06-08 that the BR-1200CD could not fit all of the relevant content in one screen, and there is additional content hidden at the top or the bottom.

  • Page 32: Time/Value Dial

    Common operations and display items TIME/VALUE dial fig.06-05 The TIME/VALUE dial is used to change the cursor position, values, or characters. In the case of values, these are increased when the dial is turned clockwise, and reduced when the dial is turned counterclockwise. VALUE 1/PAN, VALUE 2, and VALUE 3 knobs These knobs can be used to change the values of parameters fig.06-07...

  • Page 33: Basic Operation

    Basic Basic Operation Operation...

  • Page 34: Connecting Other Devices

    Set the polarity switch Stereo as shown below. Headphones Expression Pedal (Roland EV-5 etc.) Foot Switch (FS-5U etc.) ● This instrument is equipped with balanced (XLR/TRS) type input jacks. Wiring diagrams for these jacks are To prevent malfunction and/or damage to speakers shown below.

  • Page 35: Precautions When Making Connections

    • When a guitar or bass is connected to the GUITAR/BASS jack, the INPUT 1/MIC 1 input jack will be deactivated and will not accept any sound input. • Noise may be generated when the pickup on your guitar or bass is close to the BR-1200CD. Move the BR-1200CD and guitar further apart to eliminate this noise.

  • Page 36: Turning On/Off The Br-1200Cd

    For this reason, make sure that the audio amp is the last piece of equipment that is turned on. • In order to protect the BR-1200CD’s circuits, no operation will be possible for a short period of time after the power is turned on.

  • Page 37: Turning Off The Br-1200Cd

    • Before removing the AC adaptor from the power outlet, be sure to confirm that the BR-1200CD has turned off fully (i.e., the display is not lit). The AC adaptor should not be disconnected while data is being saved as this will result in the loss of recorded audio data and other song contents (i.e., mixer settings, effect patch data, etc.).

  • Page 38: Listening To The Demo Songs And Selecting Songs (Song Select)

    If you wish to work on a different song, you can select that song using the following procedure. Demo songs are stored on the BR-1200CD. Let’s now select one of these songs to listen to. (Refer to the Demo Song List: p. 72.) fig.07-05...

  • Page 39: Basic Operation Of The Recorder

    Using a foot switch With a foot switch (such as the optional BOSS US-5U or Roland DP-2) connected to the FOOT SW jack on the BR- 1200CD’s rear panel, you can use your foot to start and stop performance. Use the following procedure to set the function of the foot switch.

  • Page 40: Adjusting The Volume

    Basic operation of the recorder Adjusting the volume fig.07-09a Move the MASTER fader up and down while Move the Track faders for each track up and the song is being played. down. The overall volume changes in response to the The volume of each track changes in response to the position of this fader.

  • Page 41: Changing The Current Position

    Hold down [STOP] and press [FF]. Moves you to the time location 00:00:00-00.00. After the BR-1200CD has checked the V-Tracks currently selected for each track, the current position will jump to the point in the song at which the last recording was made.

  • Page 42: Using Time/Value Dial

    Basic operation of the recorder Using TIME/VALUE dial A cursor is displayed below the time for the current position on the top screen. Use the TIME/VALUE dial to change the time values and to move the current position. fig.07-09c Move the cursor to the seconds, minutes or Move the cursor to the measures or beats value.

  • Page 43: Using Markers

    Basic operation of the recorder Using markers A number of song markers are set up in the demo songs in advance. These markers can be used to jump to the corresponding positions within the song. fig.07-09D Press MARKER [SEARCH Move the cursor to the value in the Marker box, and then use the TIME/VALUE dial to specify a The current position will jump to the location of one marker number.

  • Page 44: Changing V-Tracks

    V-Track13 V-Track14 V-Track15 any one time. The term “V-Track” is used to refer to V-Track16 the virtual tracks that make up each BR-1200CD track. fig.07-09g Currently selected V-Track (containing recorded audio data) Press [V-TRACK].
  • Page 45 Basic operation of the recorder Move the cursor to the track whose V-Track is Press [EXIT/NO] to return to the top screen. to be changed, and then use the TIME/VALUE dial to select a new V-Track. Press [PLAY] to start playback. The symbol indicating the currently selected V-Track will move to this new V-Track.

  • Page 46: Turning Tracks Off Temporarily (Track Mute)

    When recording a band or the like, it is often necessary to turn off just the vocalist’s track to listen to the combined sound of the instruments. In a situation like this, the BR-1200CD allows you to temporarily turn off the audio from specific tracks (Track Mute).

  • Page 48: Preparing A Song For Recording (Song New)

    Preparing a song for recording (Song New) Preparing a song for recording (Song New) If you are going to record your own performance from scratch, you will first of all have to create a new song free of any recorded audio data. This operation is referred to as “Song New,” and it is carried out as follows. fig.07-15 2,3 2,3 Press [UTILITY].
  • Page 49 Preparing a song for recording (Song New) Use the TIME/VALUE dial to select the song’s initial track type. For example, let’s select USE DRUMS + LOOP PHRASE for this song. Initial Track Types 12 AUDIO TRACKS All tracks from 1 through 11/12 are set up as audio tracks. Track 8 is used as a bass track, and the remaining tracks 1 through 7, USE BASS 9/10, and 11/12 are used as audio tracks.

  • Page 50: Selecting An Input Source For Recording (Input Select)

    Press INPUT SELECT [LINE]. INPUT SELECT [LINE] lights up, LINE IN L/R on the rear panel are selected as the inputs, and the BR-1200CD is enabled for stereo track recording. In addition, at this point the insert effects Stereo bank effects...

  • Page 51: Input Source Volume (Input Sensitivity)

    The output from guitars, bass guitars, microphones, keyboards, and other instruments all enter the BR-1200CD as continuous electrical waves. This type of output is referred to as an analog signal. Inside the BR-1200CD, circuits known as A/D converters are used to convert these analog signals into digital signals. If the volume of an analog signal is too high, unpleasant distortion will occur in the corresponding digital signal;...

  • Page 52: Recording With Effects (Insert Effects)

    Whenever a patch is selected, the effect sound will be muted for a short period of time (i.e., 100 to 400 ms (approx.)) in order to prevent switching noise being output. At the time of purchase, the BR-1200CD’s preset banks and user banks will contain the same effects.

  • Page 53: When You Want To Record The Input Sounds As Is

    Recording with effects (Insert Effects) When you Want to Record the Input Sounds As Is You may want to turn off an Insert Effect in order to record the input source as is. If this is the case, use the following procedure to turn off the effect (Effect Off).

  • Page 54: Selecting Drums To Act As A Guide For Recording

    You can use bass and loop phrase as well as drum as a guide. Please refer to “Section 4 Using Rhythm” (p. 153). Setting up a drum track (Track Type Select) In order to set up the BR-1200CD to play drum sounds, use the following procedure to designate Track 9/10 as the drum & loop phrase track.

  • Page 55: Playing Drum Sounds

    The loop phrase only plays during recording or playback with the recorder. Play the song from the beginning. The BR-1200CD will start playback of the drum track. Press PROGRAMMABLE RHYTHM [ARRANGEMENT/PATTERN] so the PATTERN indicator is lighted. Use the Track 9/10 fader to adjust to the Each time this button is pressed, it toggles between lit appropriate volume.

  • Page 56: Selecting Drum Patterns

    Selecting drums to act as a guide for recording Selecting drum patterns The BR-1200CD features preset drum patterns. Let’s choose one of these patterns to play with. fig.07-07a Press PROGRAMMABLE RHYTHM Move the cursor to the drum pattern number. [ARRANGEMENT/PATTERN] so the fig.07-30d...
  • Page 57 Song (S001–) are provided for you to freely create your own drum patterns, and these patterns are initially empty. If you select “U” or “S” at this time the BR-1200CD will not be able to play back a rhythm track.

  • Page 58: Changing The Drum Pattern Tempo

    Selecting drums to act as a guide for recording Changing the drum pattern tempo Two simple methods are available for changing the tempo of the drum track. ● Set the new tempo using the TIME/VALUE dial ● Tap the new tempo using [TAP] Set the new tempo using the TIME/VALUE dial fig.07-07a Press PROGRAMMABLE RHYTHM...

  • Page 59: Setting The Tempo Using [Tap]

    For more detailed information, refer to “Setting tempos and beats for individual measures (Tempo Map/Beat Map)” (p. 209). And a further method also enables you to control the BR-1200CD’s tempo by synchronizing it with the tempo of an external MIDI sequencer. For more detailed information, refer to “Synchronizing external MIDI sequencers and...

  • Page 60: Changing The Drum Sounds

    Selecting drums to act as a guide for recording Changing the drum sounds Drum patterns can be given a completely new feel by changing the sounds of the drums that they use. fig.07-30g Press PROGRAMMABLE RHYTHM Press [F1] (SETUP). [ARRANGEMENT/PATTERN] so the The Pattern Setup screen will appear.
  • Page 61 Selecting drums to act as a guide for recording A short period of time (i.e., 1 or 2 seconds) is required for the switching of drum kits. Although you will not be able to hear the drum pattern during this period, this is normal and is not the result of a malfunction. Although this section described a playback method where a basic rhythm (Drum Pattern) of one or several bars in length was repeated indefinitely, you can also arrange and play back drum patterns that have been matched to a song structure comprising Intro, Verse, Fill, Bridge, Break, and End Crash elements in any order.

  • Page 62: Adjusting The Recording Level

    Adjusting the recording level fig.07-33 Play the instrument to be recorded. Use the INPUT LEVEL knob to ensure that the peak display for any level meter does not rise The level meters on the display change in response to above 0 dB when the instrument is played the instrument’s volume.

  • Page 63: Setting An Audio Input's Left-Right Position (Input Pan)

    Setting an audio input’s left-right position (Input Pan) When recording from a number of different microphones at the same time or in other similar situations, you can widen the overall sound by setting the left-right position (i.e., the pan) of each microphone before recording is started.

  • Page 64: Applying Reverb For A Warmer Sound During Recording (Reverb)

    In actuality, the true sound was recorded to the track, and reverb was reapplied to the recorded sound during playback. the BR-1200CD copies these settings to ensure that the same sound heard during recording will be heard during playback; however, if you no longer need to hear this reverb, set the corresponding reverb send level to zero.

  • Page 66: Recording

    (p. 70). status and the track buttons, refer to “Input select status and track button functions” below. • If you turn off the BR-1200CD without saving the Press [REC]. current song, the recorded audio will be lost.
  • Page 67 Certain effects applied to mono input sources produce a stereo output, and the BR-1200CD allows stereo tracks to be selected so that this audio can be recorded. If the output of such an effect were recorded to a mono track, the stereo nature of the sound would be lost.

  • Page 68: Recording A New Track While Listening To An Earlier Recording (Overdubbing)

    Recording a new track while listening to an earlier recording (Overdubbing) The BR-1200CD is a multi-track recorder, and in contrast to standard tape recorders, MD recorders, etc., multi-track recorders allow you to record new tracks while you listen to tracks that have been previously recorded. This capability is referred to as “overdubbing.”...
  • Page 69 (p. 70). If you turn off the BR-1200CD without saving the current song, the recorded audio will be lost. Useful tip for overdubbing When you are making a new recording while listening to previously recorded tracks, these tracks can drown out the sound of the instrument currently being played, making it difficult to hear.

  • Page 70: Saving Your Song (Song Save)

    Saving your song (Song Save) In the BR-1200CD, recorded or edited audio data is only temporarily stored on the hard disk until the corresponding song is saved. If the power is turned off without saving the song, all newly recorded audio data, edited data, modified mixer settings, etc.

  • Page 71: Saving Your Song From The Utility Screen

    Saving your song (Song Save) Saving your song from the Utility screen In addition to the above method, songs can also be saved from the Utility screen. Note that both methods save songs in exactly the same way. fig.07-12 2,3,4 Press [UTILITY].

  • Page 72: Demo Song List

    Demo Song List Song Name Composer Music by Marty Friedman/Takeomi Matsuura “Atomic Locust” Copyright © 2004 Marty Friedman, Takeomi Matsuura Composers: Percy Bady, Benjamin Winans “Hold Up the Light” Words and Music: Percy Bady, Words: Benjamin Winans Copyright © 1988 Bad Bady Music, Inc., Dasnice Music, Benny’s Music, BMI Music by Greg Peters and J.P.

  • Page 73: Recording And Playback

    Section 1 Section 1 Recording and Playback Recording Playback...

  • Page 74: Playing Back Repeatedly (Repeat Function)

    Playing back repeatedly (Repeat Function) Use the Repeat function to play a certain section of the song in a repeated fashion. This function can also be combined with punch-in and punch-out to carry out loop recording (p. 75). fig.01-010 Position for playback 1.

  • Page 75: Re-Recording Only The Portion That Is Mistaken (Punch In/Out)

    If you are both playing the instrument and operating the press [REC] to punch in and start recording. BR-1200CD, it can often be difficult to press [REC] at the To punch out after recording, press either [REC] or right time. In such a case, a foot switch (such as the optional [PLAY].

  • Page 76: Performing Manual Punch In And Punch Out Using A Foot Switch

    Roland DP-2 or BOSS FS-5U) to activate punch in and punch at specified locations within a song. This function is extremely out, it should be connected to the BR-1200CD at this time. useful in situations where punch in and punch out must be...

  • Page 77: Recording Procedure

    AUTO PUNCH IN/OUT [ON/OFF]. This button will light up to indicate that auto punch in/ out has been turned on. 7. Press [REC] to prepare the BR-1200CD for recording and then press [PLAY]. Punch in will be activated automatically at the beginning...

  • Page 78: Repeating Recording In A Specific Section (Loop Recording)

    The BR-1200CD automatically switches to record mode Repeat at the punch-in position; recording stops automatically at the punch-out position, and the BR-1200CD reverts to Playback Recording Playback playback mode. After repeating, confirm the results just recorded.

  • Page 79: Using V-Tracks

    V-Tracks for each of these The “ ” is displayed when the V-Track containing tracks. In this way, you can use the BR-1200CD as if it were recorded audio data is selected. fig.11-03d actually a 256-track multi-track recorder.

  • Page 80: Assigning Names To V-Tracks (Track Name)

    Assigning names to V-Tracks Changing the (Track Name) Final Mastering Track Names can be assigned to any or all of the BR-1200CD’s 192 When in Mastering mode, the symbol [ ] will be V-Tracks. Although a name corresponding to the Input Select automatically placed on the right of the V-Track from Track (i.e., Track Name) used for a V-Track is assigned...

  • Page 81: Rectifying Recording Mistakes (Undo/Redo)

    In addition, if you then want to restore this recording, you When a Redo is possible, the “ ” appears beside the can cancel the Undo and return the BR-1200CD to its song name of the top screen. condition at the end of recording. (Redo) The procedure for Redo is as follows.

  • Page 82: Mixing Audio From Various Tracks Onto A Stereo Track (Bounce)

    Mixing audio from various tracks onto a stereo track (Bounce) If you have constructed a song through repeated overdubbing, it is often the case that the recorded instruments will sound disjointed in terms of volume and position, giving the impression that they’re not actually part •...

  • Page 83: Adjusting The Sound Of Each Track (Equalizer)

    Mixing audio from various tracks onto a stereo track (Bounce) Adjusting the sound of each THR (Threshold): This parameter sets the volume level at which the track (Equalizer) compressor starts to affect the sound. As the setting is made smaller (or more negative), the compressor will Each of the tracks contains a built-in three-band equalizer become active at lower volumes.

  • Page 84: Enhancing The Sound (Loop Effects)

    1. Press LOOP EFFECTS [REVERB]. tracks 7 and 8 are pressed in unison at this time, you The BR-1200CD will display a screen (Reverb Send) for will be able to modify the settings for the two adjusting the amount of the audio being sent from each selected tracks at the same time.

  • Page 85: Applying Chorus, Delay Or Doubling

    Applying chorus, delay or doubling fig.07-50bd 1. Press LOOP EFFECTS [CHORUS/DELAY]. The BR-1200CD will display a screen (Chorus/Delay Send) for adjusting the amount of the audio being sent from each track to the delay or chorus. 4. If necessary, repeat Steps 2 and 3.

  • Page 86: Mixing The Playback Tracks To A Single Stereo Track (Bounce)

    In addition, you can also record from one track to a different track using just the BR-1200CD in a procedure known as “bouncing.” You can only select one chorus, delay, or doubling If you are using Drum/Bass/Loop Phrase, these can be effect.

  • Page 87: Bouncing Directly To A Cd-R/Rw Disc

    The audio data bounced to Track 11/12 will now be played back. With the BR-1200CD, you can bounce data directly to a CD- R/RW disc instead of the audio tracks. This is a convenient 7. If you wish to store the track recorded by bouncing, way to keep a copy of song sketches after recording them.
  • Page 88 Do not finalize the disc if you want to bounce or write other tracks to it. If using the BR-1200CD to play the disc, write to the disc in Track-At-Once format (p. 219).

  • Page 89: Section 2 Editing

    Section 2 Section 2 Editing Editing...

  • Page 90: Placing Markers In Your Song (Marker)

    Placing markers in your song (Marker) Positioning a marker The BR-1200CD’s Marker function allows you to place markers at the required points in a song. You can then jump quickly to any registered marker position by simply Press [MARK] to place a marker at the current song position.

  • Page 91: Editing Markers

    Placing markers in your song (Marker) Editing markers 2. Press [F2] (NAME). * If not creating a marker, “NAME” will not appear. Moving markers 3. Use [CURSOR] and the TIME/VALUE dial to change the marker name. 1. Press [UTILITY]. fig.12-09d The Utility Menu screen will appear.

  • Page 92: Changing Scenes Assigned To Markers

    Alternatively, you can press [F2] (SYSTEM) if the Changing scenes assigned to markers SYSTEM icon is currently displayed. The BR-1200CD allows you to assign scenes to markers so The System Parameter screen will appear. that they can be recalled automatically during playback. This fig.10-03d...

  • Page 93: Registering And Recalling Mixer Settings (Scene)

    Registering and recalling mixer settings (Scene) The BR-1200CD allows you to register up to 100 batches of To delete: mixer and effect settings per song. Each of these batches of Press [F1] (DELETE). settings is referred to as a Scene, and they can be quickly and The asterisk (*) indicating a registered scene will easily recalled whenever needed.

  • Page 94: Recalling Scenes Automatically During Recording Or Playback (Auto Scene)

    (Auto Scene) * Settings can be made to indicate whether or not EQ and effect The BR-1200CD allows you to assign scenes to markers so parameters will be restored by Auto Scene (p. 95). This is set that they can be recalled automatically when recording or to OFF in the factory settings.

  • Page 95: Clearing An Auto Scene

    Registering and recalling mixer settings (Scene) Clearing an Auto Scene 4. If you wish to store the modified settings, save the current song (p. 70). 1. Press MARKER [SEARCH ] or [SEARCH ] to move to the marker with the scene assignment you wish to clear.
  • Page 96 Registering and recalling mixer settings (Scene) • When playback reaches a location where a marker has been set, the scene assigned to the marker is called up automatically, and the settings change to those recorded in the scene, including the track EQ and effects patch parameters.

  • Page 97: Finding The Start Or End Of A Section Of Audio (Scrub/Preview)

    1. Hold down [STOP] and press [PLAY]. the BR-1200CD provides a convenient Scrub function that [PLAY] will start flashing and scrubbing will begin. you can use to locate these positions.

  • Page 98: Changing The Scrubbing Direction

    Enabling Preview Use the following procedure to change this scrubbing direction. You must first of all set up the BR-1200CD to use the Preview function. 1. Press [UTILITY]. 1. Press [UTILITY]. The Utility Menu screen will appear.

  • Page 99: Editing A Recorded Performance (Track Edit)

    Editing a recorded performance (Track Edit) Example 1: Copying to the same track twice The BR-1200CD allows you to edit the makeup of your song fig.15-01 using a host of functions such as the copying or moving of sections of audio within a track or to different tracks.
  • Page 100 Editing a recorded performance (Track Edit) COPY INS (insert) Copying will not be performed for any line containing fig.15-07d one or more question marks. As Tracks 9/10 and 11/12 are stereo tracks, it will not be possible to select either of their mono tracks independent of the other.

  • Page 101: Moving Audio Data (Track Move)

    However, it may sometimes be necessary to align a point somewhere along the section of relocated audio data with this destination point. The BR-1200CD allows you to move data in this way using the “FROM” parameter. For example, if you are moving an effect sound comprising a ticking bomb followed by an explosion, you will probably 3.
  • Page 102 Editing a recorded performance (Track Edit) 7. Use [CURSOR] and the TIME/VALUE dial to specify the move range and destination positions. If you are using MOVE + INS, it will not be possible to fig.15-32d specify the same track as the source and destination. 4.

  • Page 103: Exchanging Audio Data (Track Exchange)

    Editing a recorded performance (Track Edit) Exchanging audio data 4. Use [CURSOR] and the TIME/VALUE dial to choose the tracks and V-Tracks between which you want to (Track Exchange) exchange audio data. If a name has been assigned to the selected track, it will The Track Exchange function allows you to exchange the all be displayed at this time.

  • Page 104: Inserting A Blank Space Between Audio Data (Track Insert)

    Editing a recorded performance (Track Edit) Inserting a blank space between fig.15-43d audio data (Track Insert) The Track Insert function allows you to insert a blank space at a specific location. If you want to add a new phrase to the middle of a section of audio data, use this function to add a 5.

  • Page 105: Maximizing The Volume Levels Of Data Recorded To The Tracks (Normalize)

    Editing a recorded performance (Track Edit) Maximizing the volume levels of data recorded to the tracks (Normalize) If a time value is used to specify the Start point and you then switch the specification method to measures or markers, a plus (+) character may be displayed to warn that The Normalize function raises the volume of prerecorded track data to the highest level possible.
  • Page 106 Be sure to keep this in mind. • If after normalization you load another song or turn off the BR-1200CD without saving the current song, the results of normalization will be lost.

  • Page 107: Deleting Audio Data And Closing The Resulting Gap (Track Cut)

    Editing a recorded performance (Track Edit) Deleting audio data and closing fig.15-50d the resulting gap (Track Cut) The Track Cut function allows you to delete audio data from a specified range, and when audio data is deleted in this way, the section of audio data positioned behind it is moved 5.

  • Page 108: Erasing Audio Data (Track Erase)

    Editing a recorded performance (Track Edit) fig.15-05d • If time values are used to specify the above points and you then switch the specification method to measures or markers, a plus (+) character may be displayed to warn that the indicated positions and the actual positions are 3.
  • Page 109 Editing a recorded performance (Track Edit) • As Tracks 9/10 and 11/12 are stereo tracks, it will not be possible to select either of their mono tracks independent of the other. 6. Press [F3] (LOC). The screen for setting the segment to delete appears. fig.02-0831d 7.

  • Page 110: Organizing Your Songs

    Organizing your songs Displaying song details No.: Shows the song’s number. (Song Information) Name: Use Song Information to display the following information Shows the song’s name. for the currently selected song. If song protection is turned on, “PROTECTED” will be ●...

  • Page 111: Erasing Songs (Song Erase)

    Organizing your songs Erasing songs (Song Erase) fig.16-08d Use this function to erase songs from your hard disk. 1. Press [UTILITY]. The Utility Menu screen will appear. 4. Move the cursor to the song to be copied and press [F3] fig.12-12d (GO).

  • Page 112: Making The Most Of Hard Disk Capacity (Song Optimize)

    Please do not turn off the BR-1200CD not actually be deleted from the BR-1200CD’s hard disk. In during the song optimization process. The amount certain cases, the amount of hard disk space used to store this...

  • Page 113: Protecting A Song (Song Protect)

    The current song will be protected. When finished, the message “Complete!” will appear Even if you have saved an important song to the BR-1200CD’s and the display will automatically return to the top hard disk, there is always a possibility that you can screen.

  • Page 114: Naming A Song (Song Name)

    Naming a song (Song Name) Saving your song (Song Save) When you create a new song, the BR-1200CD will automatically Note, however, that the BR-1200CD stores the following name it “SONG 001” or something similar. If all songs are named in when songs are saved.

  • Page 115: Section 3 Using Effects

    Section 3 Section 3 Using Effects Using Effects...

  • Page 116: Makeup Of Br-1200Cd Effects

    Makeup of BR-1200CD effects ● Track-specific compressors (p. 128) The BR-1200CD contains the following types of effects. This type of effect is used to suppress variations in volume. If ● Insert effects (p. 118) the volume of a track fluctuates widely, you can make it more Insert effects are applied to input audio and are capable of uniform using a compressor.
  • Page 117 ● Mastering Tool Kit (p. 146) The BR-1200CD’s Mastering Tool Kit is used during the creation of an audio CD to improve the quality of the finished songs by balancing volumes and compression levels.

  • Page 118: Using Insert Effects

    Rather than being restricted to usage only during recording, [GUITAR/BASS] Guitar bank the BR-1200CD’s insert effects can also be used with a [VOCAL] MIC bank specific track during playback or with the mix created from...

  • Page 119: Modifying Insert Effect Settings

    “*TMP.” If you select a different patch, load a different song, or turn off the BR-1200CD while “TMP” is being displayed, all of the patch settings will return to their previous condition. As it may not be possible to restore these settings, the appropriate care should be taken.

  • Page 120: Changing The Sound Of Insert Effects Using The Value Knobs

    Using insert effects Changing the sound of insert 5. Make changes in the parameters in the same manner with the VALUE 1–VALUE 3 knobs. effects using the VALUE knobs 6. To save the modified sound, carry out the procedure When you move the cursor to the right of the insert effects described below in “Saving insert effect settings”...

  • Page 121: Changing Effect Block Connections

    Using insert effects Changing effect block connections fig.31-54d When you have selected the COSM OD GUITAR AMP or COSM OD BASS AMP effects algorithm, you will be able to freely modify the way in which the algorithm's internal effect blocks are connected. As a result, you will be able to try out a wide range of different effect sequences in the same way as if 6.

  • Page 122: Saving Insert Effect Settings

    Using insert effects Saving insert effect settings This field should be left unchanged at Modified effect settings are saved by writing them together “*TMP(CURRENT)” If a different message is displayed, with a new patch name. however, move the cursor to this field and turn the TIME/VALUE dial counterclockwise to restore 1.

  • Page 123: Copying Insert Effect Settings

    Loop Phrases when the in this way. Track 9/10 track type is set to “METRO&LP.” • If you load another song or turn off the BR-1200CD without saving the current song, your changes will be lost.

  • Page 124: Using An Expression Pedal

    Using insert effects Using an expression pedal When you connect an expression pedal (such as the Roland EV-5 or BOSS FV-500L/FV-500H) to the rear panel’s EXP PEDAL jack, you will be able control certain effect parameters using your feet. fig.53-00 Expression pedal (Roland EV-5 etc.)

  • Page 125: Using Loop Effects

    1. Press [CHORUS/DELAY]. but only a little is applied to the drums. The Chorus/Delay/Doubling Send screen will appear. The BR-1200CD features CHORUS/DELAY/DOUBLING fig.34-03ad and REVERB as loop effects, and using these, you can easily and effectively add breadth and depth to the sound.

  • Page 126: Reverb

    Using loop effects LEVEL 0–100 (Default: 50) The BR-1200CD provides you with a doubling-type send effect that allows you to achieve the same effect without Adjusts the overall volume of the effect sound. If you set this to having to make two separate recordings. And since this 0, the chorus will have no effect.
  • Page 127 Using loop effects PLATE: Simulates the reverberation of reverb devices using large metal plates that have been constant favorites in professional studios. TIME 0.1 s – 10.0 s (Default:2.0 s) This parameter adjusts the duration (time) of the reverb. PRE-DELAY 1.0 ms –100.0 ms (Default: 15.0 ms) This parameter adjusts the delay between the direct sound and the start of the reverb.

  • Page 128: Using Track-Specific Compressors (Track Compressor)

    Using track-specific compressors (Track Compressor) ATTACK 0.1 mS–100 mS A compressor is used to smooth out volume fluctuations in the track’s playback, thus making it easier to hear at all times. This parameter adjusts the amount of time it takes for the compression ratio set by “Ratio”...

  • Page 129: Switching Track Compressors Between Stereo And Mono (Stereo Link)

    Using track-specific compressors (Track Compressor) Switching track compressors between stereo and mono (Stereo Link) If you intend to apply a compressor to a stereo-recorded track, you will need to align the left and right compressor settings in order to prevent differences in volume occurring on the left and right (Stereo Link).

  • Page 130: Using Track-Specific Equalizers (Track Eq)

    Using track-specific equalizers (Track EQ) Setting the Track EQ 5. Press [EXIT/NO] several times to return to the top screen. 6. If you wish to store the modified settings, save the current song (p. 70). For details regarding basic equalizer operations, refer to “Adjusting the sound of each track (Equalizer)”...

  • Page 131: Fixing The Pitch Of Vocals/Adding A Backing Chorus To Vocals (Vocal Tool Box)

    Even if you have recorded a skilled vocalist, however, applying a backing chorus can further enhance the level of the overall performance. When properly used, the BR-1200CD’s Vocal Tool Box will help to ensure that your vocal tracks will always sound great.

  • Page 132: Vocal Tool Box Patches

    (i.e., preset patches) will be 1. Before using pitch correction, record a solo vocal track stored in the BR-1200CD. In addition, 10 user patches can be to work with. freely set up and used within any song, and 10 song patches can be set up for use within a specific song.

  • Page 133: Setting The Correction Method For Vocal Pitch (Pitch Correction Edit)

    Select this setting for a low-pitched, female voice. HI.FEML (High Female) Select this setting for a high-pitched, female voice. * If the BR-1200CD is frequently incorrect when detecting the pitch, either change the type setting. In certain cases, this will reduce the number of incorrect detections.

  • Page 134: Making Detailed Settings For Pitch Correction (Correction Event Map)

    Fixing the pitch of vocals/Adding a backing chorus to vocals (Vocal Tool Box) Making Detailed Settings for Pitch Smooth 0–100 This setting determines how quickly pitch correction will react to Correction (Correction Event Map) changes of pitch in the original vocal part. Large values result in a longer time before correction is applied;...
  • Page 135 Fixing the pitch of vocals/Adding a backing chorus to vocals (Vocal Tool Box) AUTO: SMOOTH -100–+100 After the specified point in the song, all pitches are The value set here is added to the value of the “Smooth” patch parameter (p. 134). corrected in semitone increments.

  • Page 136: Applying A Backing Chorus To Vocals (Harmony Sequence)

    (Harmony Sequence) 9. Start playback on the BR-1200CD. Lets now use the BR-1200CD’s harmony sequence feature to Listen to the backing chorus that will now be applied to apply a backing chorus to a solo vocal performance. A three- the solo vocal part during playback.

  • Page 137: Inserting Rests In A Backing Chorus

    Fixing the pitch of vocals/Adding a backing chorus to vocals (Vocal Tool Box) Inserting rests in a backing chorus 3. Press [F3] (=>PRM.). The Parameter screen will appear. Whenever you use Harmony Sequence, a continuous backing Note that you can press CURSOR [ ] or [ ] while on a chorus is played from the beginning to the end of the song.

  • Page 138: Making More Detailed Backing Chorus Settings (Harmony Event Map)

    Select this setting for a high-pitched, female voice. all of the vocals in the song, from start to finish. * If the BR-1200CD is frequently incorrect when detecting the pitch, In actual practice, however, there may be situations where either change the type setting. In certain cases, this will reduce the you want to have the backing chorus only a certain section or number of incorrect detections.
  • Page 139 Fixing the pitch of vocals/Adding a backing chorus to vocals (Vocal Tool Box) 7. Specify the settings for “VOICE2” and “VOICE3” in The sequence of harmony events with the information they contain is called a “harmony event map.” the same manner. Initially, only one harmony event, “AUTO,”...

  • Page 140: Saving Vocal Tool Box Settings (Patch Write)

    Fixing the pitch of vocals/Adding a backing chorus to vocals (Vocal Tool Box) Saving Vocal Tool Box 5. Move the cursor to the destination patch number and select a destination patch using the TIME/VALUE dial. settings (Patch Write) fig.35-13d Modified Vocal Tool Box settings are saved by writing them together under a new patch name.

  • Page 141: Copying Vocal Tool Box Settings (Patch Copy)

    Fixing the pitch of vocals/Adding a backing chorus to vocals (Vocal Tool Box) Copying Vocal Tool Box settings (Patch Copy) The BR-1200CD’s function for copying patches proves extremely useful when you want to create a number of effect patches with slightly different settings.

  • Page 142: Recreating The Characteristics Of Different Monitor Speakers (Speaker Modeling)

    Connecting external monitor speakers Monitor speakers other than the above are to be connected as To obtain the best results using the BR-1200CD’s Speaker follows. Modeling feature, it is recommended that you used digitally fig.37-02...

  • Page 143: Speaker Modeling Patches

    Recreating the characteristics of different monitor speakers (Speaker Modeling) Speaker Modeling patches Modifying Speaker Modeling settings At the time of purchase, the BR-1200CD’s Speaker Modeling Each of the effect blocks that make up the Speaker Modeling already contains 44 preset patches that cannot be overwritten feature can be fine-tuned by making the appropriate settings.

  • Page 144: Saving Speaker Modeling Settings

    “*TMP.” If you select a different patch, load a different song, or turn off the BR-1200CD while “*TMP” is being displayed, all of the patch settings will 2. Move the cursor to the characters in the patch name you return to their original condition.

  • Page 145: Copying Speaker Modeling Settings

    Copying Speaker Modeling settings It is important to remember that the destination The BR-1200CD’s function for copying patches proves patch will be fully overwritten by the patch specified extremely useful when you want to create a number of effect by copy-source patch number. As it will not be patches with slightly different settings.

  • Page 146: Mastering

    3. Select a Mastering Tool Kit patch using the TIME/ Mastering Tool Kit VALUE dial. Start playback on the BR-1200CD, and select the patch At the time of purchase, the BR-1200CD’s Mastering that gives the best sound for your song.

  • Page 147: Mastering Tool Kit Effects And Volume

    Mastering Adjusting the Mastering Tool VALUE 3 Knob: NATURAL Turning this knob to the right causes the Mastering Tool Kit Effects and Volume Kit to be applied more slowly for a more natural effect. Since sudden peaks in volume are played back as is, this Although you can do your mastering just by selecting condition makes it more difficult to achieve a good patches, you can adjust effects with more detail using the...

  • Page 148: Mastering

    Mastering Mastering 1. Move the current position back to the beginning of the If you turn off the BR-1200CD without saving the song. current song, the mastered track will be lost. 2. Press [EXIT/NO] to return to the Mastering Mode top screen.

  • Page 149: Mastering Tool Kit Settings (Edit)

    In addition 4. If you also want to edit other effect blocks, press [F3] to this type of three-band compressor, the BR-1200CD’s (BLOCK<=) to return to the Mastering Tool Kit edit Mastering Tool Kit also features a number of other effect screen, and then repeat Steps 2 and 3.

  • Page 150: Saving Mastering Tool Kit Settings

    “TMP.” If you select a different patch, 2. Move the cursor to the characters in the patch name you load a different song, or turn off the BR-1200CD while want to change and select new characters using the “*TMP”...

  • Page 151: Copying Mastering Tool Kit Settings

    Mastering Copying Mastering Tool Kit settings Using Auto Fade In/Out The BR-1200CD’s function for copying patches proves The term Fade-In is used to describe the way in which the extremely useful when you want to create a number of effect volume is gradually raised from silence to the standard level patches with slightly different settings.

  • Page 152: Automatic Fade-Out (Auto Fade Out)

    When the current position is in front of the START point, START: you will not be able to hear the BR-1200CD’s playback as This parameter sets the start time for fade out. the volume will be set to zero. The volume will start to...

  • Page 153: Section 4 Using Rhythm

    Section 4 Section 4 Using Rhythm Using Rhythm...

  • Page 154: Makeup Of Drum/Bass/Loop Phrase

    Bass On the BR-1200CD, track 8 is designated as the bass track, and can be used to automatically play bass parts. By selecting realistic bass sounds from the internal PCM bass samples and by setting a suitable tempo, you can have the BR-1200CD automatically play bass parts that are perfect for making demo songs.

  • Page 155: Loop Phrases

    CD-ROMs The BR-1200CD can store 400 user Loop Phrases (in banks A through H) for use in any song and 50 song Loop Phrases that are saved together with a specific song. User Loop Phrases and song Loop Phrases can be overwritten.

  • Page 156: Rhythm Arrangements

    To use rhythm arrangements, press PROGRAMMABLE RHYTHM [ARRANGEMENT/PATTERN], so the ARRANGEMENT indicator is lighted. With this, Arrangement mode is activated, and you will be able to use the BR-1200CD’s rhythm arrangement feature. In this mode, patterns and Loop Phrases arranged to form a rhythm arrangement will provide accompaniment whenever you start playback.

  • Page 157: Using Drums

    Flashing: Drum and loop phrase sounds will be played only when the BR-1200CD is recording or performing playback. Drum sounds will be played even when the BR-1200CD 1. Press [TRACK TYPE SELECT]. is stopped. The Track Type Select screen will appear.

  • Page 158: Selecting Drum Patterns

    (p. 70). The user drum patterns and song drum patterns contained in the BR-1200CD at the time of purchase are empty; you won’t hear anything if you select one of them. If you want to hear drum sounds...

  • Page 159: Selecting A Drum Kit

    Using drums Selecting a drum kit Now that we can hear the drums, let’s select a drum kit to About the Drum Pattern Beat work with. Although every drum, bass, and Loop Phrase 1. Press PROGRAMMABLE RHYTHM pattern has its own beat setting, there is also a [ARRANGEMENT/PATTERN] so the PATTERN universal beat setting that can be applied to all drum indicator is lighted.

  • Page 160: Creating Drum Patterns

    The user drum patterns and song drum patterns confirm it, press [EXIT/NO]; “*TMP” is indicated contained in the BR-1200CD at the time of purchase are again, and the drum pattern reverts to the state it empty; you won’t hear anything if you select one of was in immediately after editing.

  • Page 161: Creating Drum Patterns Using Real-Time Recording

    Creating drum patterns Creating drum patterns 6. Use the track buttons to play the desired drum pattern and use the track faders to set the velocity (dynamics) using real-time recording of the sounds. The relationship between track buttons and drum sounds is as follows.

  • Page 162: Practicing Before Recording (Rehearsal)

    This data will also be lost if you turn off the BR-1200CD before saving. Practicing before recording (Rehearsal) QTZ: Whenever rehearsal is turned on, you will be able to play Moves drum sounds to the nearest quarter note.

  • Page 163: Creating Drum Patterns Using Step Recording

    Creating drum patterns Creating drum patterns [F2] (>>RES<<) Each time this button is pressed, magnification of the using step recording step recording grid is decreased. [F3] (<<RES>>) 1. After carrying out the steps described in “Preparing for Each time this button is pressed, magnification of the recording,”...
  • Page 164 Creating drum patterns When working with long patterns or high resolutions, it The tempo can be set anywhere within a range of 25.0 to is likely that all of the step recording data will not fit into 250.0 BPM. (Beats Per Minute—A value that indicates a single screen.

  • Page 165: Correcting Drum Patterns (Microscope)

    This data will also connected to the MIDI OUT port, it is important that be lost if you turn off the BR-1200CD before saving. the gate time be set to match the specifications described in the drum machine’s manual.
  • Page 166 In general, the gate time specifies the amount of time a sound continues to play. However, drum tones on the BR-1200CD continue to play for a fixed length of time, regardless of the gate time setting, making adjustment of 8. Use the TIME/VALUE dial to select the drum pattern to the gate time unnecessary.

  • Page 167: Changing The Drum Pattern's Groove (Swing)

    50%: swing setting will be lost. This setting will also be No swing will be applied. Weaker beats will be played lost if you turn off the BR-1200CD before saving. exactly halfway between the stronger beats. 51%–100%: Swing will be generated in accord with the specified value.

  • Page 168: Changing A Drum Pattern's Name

    This name will also be lost if you turn off the BR-1200CD before saving. Copying drum patterns 2. Use [CURSOR] and the TIME/VALUE dial to change 1. Press [F3] (WR•CPY•DEL) on the Drum Pattern Edit the name character by character.

  • Page 169: Deleting Drum Patterns

    The drum pattern selected as the copy destination will be overwritten in this process. As it will not be The BR-1200CD allows you to read Standard MIDI Files (or possible to restore the corresponding data, care SMFs) from CD-R/RW discs into user drum patterns and should be taken to ensure that important patterns song drum patterns.
  • Page 170 Creating drum patterns fig.20-041d In the case of SMFs supporting the GM, GS, or XG standards, drum-type performance data is generally assigned to MIDI channel 10. By setting the MIDI channel to 10 in such a case, you can ensure that only the drum data will be extracted from the SMF.

  • Page 171: Using Bass

    → Off. Off: No bass sounds will be played. Flashing: Bass sounds will be played only when the BR-1200CD is recording or performing playback. Bass sounds will be played even when the BR-1200CD is 1. Press [TRACK TYPE SELECT]. stopped.

  • Page 172: Selecting Bass Sounds

    If you want to hear bass immediately after setting up the BR-1200CD for the first time, select a preset bass pattern. Although playback may stop for a period of 1 to 2 seconds when the bass sound is changed, this is normal and is not the result of a malfunction.

  • Page 173: Specifying Bass Pattern Chords

    Using bass Specifying bass pattern chords 6. If you wish to store the chord specification, save the current song (p. 70). You can specify bass pattern chords as described below to hear how the bass pattern will sound playing different chords.

  • Page 174: Creating Bass Patterns

    The user bass patterns and song bass patterns contained sure to crate or edit data with a special care. in the BR-1200CD at the time of purchase are empty; you won’t hear anything if you select one of them. 5. Use [CURSOR] and the TIME/VALUE dial to set the number of beats and measures in the bass pattern.

  • Page 175: Creating Bass Patterns Using Real-Time Recording

    Creating bass patterns Creating bass patterns using fig.20-053d real-time recording When a MIDI keyboard is connected to the MIDI IN port, you will be able to use this keyboard to perform 6. Use the track buttons to play the desired bass pattern real-time recording.

  • Page 176: Practicing Before Recording (Rehearsal)

    This data will also With real-time recording, the data generated by pressing a be lost if you turn off the BR-1200CD before saving. track button is recorded as is, and any imperfections in timing will be reflected in this performance data. If you don’t want to hear these imperfections during playback, you can use the BR-1200CD’s quantize feature to automatically move...

  • Page 177: Creating Bass Patterns Using Step Recording

    3. Press [PLAY]. • It will not be possible to restore data that has been The BR-1200CD will start recording. erased in this way. As a result, care should be taken Even during the recording process, you can select a new during step recording to ensure that important quantization setting by changing the “QTZ”...
  • Page 178 This data will also The most recently input item of performance data or rest be lost if you turn off the BR-1200CD before saving. will be deleted. Each time this button is pressed, the next...

  • Page 179: Correcting Bass Patterns (Microscope)

    Creating bass patterns Correcting bass patterns To change a bass note’s gate time: 1) Move the cursor to “GATE” field. (Microscope) fig.20-069b Microscope is used to made detailed corrections to bass patterns. In specific terms, this function displays a bass pattern’s performance data in list format so that any of the corresponding parameters can be corrected as required.

  • Page 180: Changing The Bass Pattern's Groove (Swing)

    TIME/VALUE dial. corrected data will be lost. This data will also be lost if you turn off the BR-1200CD before saving. OFF: No swing will be applied. ): Swing will be generated in units of eighth notes.

  • Page 181: Changing A Bass Pattern's Name

    The Write screen for bass patterns will appear. swing setting will be lost. This setting will also be fig.20-154d lost if you turn off the BR-1200CD before saving. Applying swing does not change the actual 5. Use the TIME/VALUE dial to select the bass pattern to performance data stored in a bass pattern.

  • Page 182: Copying Bass Patterns

    Creating bass patterns Copying bass patterns Deleting bass patterns 1. Press [F3] (WR•CPY•DEL) on the Bass Pattern Edit 1. Press [F3] (WR•CPY•DEL) on the Bass Pattern Edit screen. screen. The Write bass patterns will appear. The Write bass patterns will appear. fig.20-054d fig.20-054d 2.

  • Page 183: Loading Bass Patterns From The Cd-R/Rw Drive (Smf Import)

    The SMF Import screen will appear, displaying a list of CD-R/RW drive (SMF Import) the SMFs contained on the CD-R/RW. fig.04-1040d The BR-1200CD allows you to read Standard MIDI Files (or SMFs) from CD-R/RW discs into user bass patterns and song bass patterns. Precautions for SMF import If files are grouped into different folders on the current ●...
  • Page 184 Creating bass patterns 9. Move the cursor to “Pattern” and use the TIME/VALUE dial to select the bass pattern to which the data is to be imported. fig.04-1080c It will not be possible to select preset bass patterns as destinations for SMF import. 10.

  • Page 185: Using Loop Phrases

    Drum & Loop phrase track. The BR-1200CD supports this type of song creation method You will now be able to use drums. and allows you to freely arrange and play Loop Phrases 4.

  • Page 186: Selecting A Loop Phrase

    Selecting a Loop Phrase A number of different Loop Phrases will have already been stored on the BR-1200CD at the time of purchase. Let’s now • At the time of purchase, the BR-1200CD will contain select one of these phrases to work with.

  • Page 187: Changing The Loop Phrase Tempo

    Using Loop Phrases Changing the Loop Phrase tempo Setting the tempo using [TAP] In addition to setting the tempo using [CURSOR] and the 1. Press PROGRAMMABLE RHYTHM TIME/VALUE dial, you can also set it by tapping your finger [ARRANGEMENT/PATTERN] so the PATTERN on [TAP] at the desired tempo.

  • Page 188: Creating Loop Phrases

    Creating Loop Phrases Using a portion of an audio track Although the BR-1200CD already contains a number of Loop Phrases at the time of purchase, you can also create your own original Loop Phrases using portions of recorded audio A portion of any one of the current song’s tracks can be used tracks or by importing audio data from commercially to create a Loop Phrase.
  • Page 189 If you want to set the Loop Phrase as extending from the start to the end of the song, press [F3] (ALL). 7. Press [F3] (GO). The BR-1200CD will begin creating the Loop Phrase. When the message “Complete!” appears, it indicates that the phrase has been successfully created.

  • Page 190: Using Wave Data On A Cd-Rom/R/Rw Disc (Loop Phrase Import)

    5. Position the cursor on the file you want to import. 6. If you would like to hear the audio contained in the file, press [F2] (PREVIEW). The BR-1200CD will play the contents of the audio file (Preview). Press [ENTER/YES] once again when you want to stop playback.

  • Page 191: Reading All Files At Once

    9. Press [F3] (GO). The BR-1200CD will begin importing the selected file and creating the Loop Phrase. To cancel writing while this operation is in process, press [EXIT/NO]. When the message “Cancel?” appears, press [ENTER/YES] to confirm cancellation.

  • Page 192: Specifying And Modifying The Source Loop Phrase (Time Modify)

    Creating Loop Phrases Specifying and modifying the Example 1) The bank only contains loop phrases with a BPM setting source loop phrase (Time Modify) of 100. 100 x 0.75 = 75 You are able to change the playback tempo of an existing 100 x 1.5 = 150 loop phrase and create a new loop phrase from that data.

  • Page 193: Modifying Loop Phrase Settings

    Modifying Loop Phrase settings The displayed values represent the number of samples from the beginning of the Loop Phrase. On the BR-1200CD, 44100 samples correspond to one When a loop phrase is created, the number of measures is set second of playback.

  • Page 194: Assigning Loop Phrases To Track Buttons

    (PREVIEW). Press [ENTER/YES] to stop playback. 4. If you wish to store the track button allocation, save the current song (p. 70). If you load a new song or turn off the BR-1200CD without saving in this way, all modified settings will be lost.

  • Page 195: Erasing Loop Phrases

    Creating Loop Phrases Erasing Loop Phrases 5. If you copied to a Loop Phrase in the song bank, you should now save the current song (p. 70). 1. Press CD-R/RW [LOOP PHRASE IMPORT]. Copying all Loop Phrases in a bank The Loop Phrase Menu screen will appear.

  • Page 196: Setting The Universal Beat For Drums, Bass, And Loop Phrases

    Setting the Universal Beat for Drums, Bass, and Loop Phrases Although every drum, bass, and Loop Phrase pattern has its The universal pattern beat is set at the factory to 4/4. You can own beat setting, there is also a universal beat setting that change this setting using the following procedure.

  • Page 197: Using Rhythm Arrangements

    The user rhythm arrangements and song rhythm It is important to remember that whenever a fixed tempo arrangements contained in the BR-1200CD at the time of is set, all tempos previously set for individual measures purchase are empty; you won’t hear anything if you select will be permanently overwritten with this new tempo.

  • Page 198: Setting The Tempo Using [Tap]

    Using rhythm arrangements 4. Press [F1] (EDIT). The Rhythm Arrangement Edit screen will appear. The tempo set for Pattern mode (p. 158, p. 173, p. 187) fig.04-1481d and the tempo set for Arrangement mode are handled separately. Setting the tempo using [TAP] In addition to setting the tempo using [CURSOR] and the 5.

  • Page 199: Creating Rhythm Arrangements

    Creating rhythm arrangements If you cannot find a rhythm arrangement that suits your song fig.21-08d among the BR-1200CD’s preset rhythm arrangements, you can easily create an original arrangement as described below. You can arrange patterns a measure at a time in this •...

  • Page 200: Erasing All Pattern Assignments At One Time

    To erase all pattern assignments at one time, carry out the over. By also inputting chords at the correct positions, you following procedure in the Rhythm Arrangement View can have you BR-1200CD automatically adjust the bass screen. performance to notes that match the chord progression.

  • Page 201: Changing And Moving Chords

    [EXIT/NO] to return to the Rhythm Arrangement Edit VALUE dial. screen. 7. Start playback on the BR-1200CD. If the current rhythm arrangement contains a bass • The location of the first chord is always fixed at 001- pattern, the bass part will be automatically adjusted to 1-00;...

  • Page 202: Inserting Chords

    Creating rhythm arrangements Inserting chords Assembling Loop Phrases 1. Press PROGRAMMABLE RHYTHM [ARRANGEMENT/ Use the following procedure to insert a new chord between PATTERN] so the ARRANGEMENT indicator is lighted. two existing chords. (Arrangement mode) 1. On the Chord Input screen, move the cursor to the 2.
  • Page 203 Loop Phrase can be copied to an audio volume of the Loop Phrase is much louder or quieter track to reduce the load on the BR-1200CD’s hard disk. that than of the other tracks being played.

  • Page 204: Erasing All Loop Phrases At One Time

    BR-1200CD’s audio tracks. 1. Move the cursor to “LOOP,” then press [F2] (CLEAR). The message “Sure?” will appear. • The speed of Loop Phrase playback will be automatically 2.
  • Page 205 This parameter is used to specify the end point of the Unless the song is saved, the copied audio will be copy-destination. lost when the BR-1200CD is turned off or a new song If time values are used to specify the above points and is loaded.

  • Page 206: Modifying All Of The Loop Phrases In The Current Rhythm Arrangement (Arrangement Modify)

    Creating rhythm arrangements Modifying all of the loop phrases in the current Example 2) The rhythm arrangement contains loop phrases with rhythm arrangement (Arrangement Modify) varying tempos, with BPM settings of 100, 120, and 140. The fastest of these tempos is the BPM setting of 140. If you have already set up a rhythm arrangement using loop phrases, you can modify all of the loop phrases used in that 140 x 0.75 = 105...

  • Page 207: Naming And Saving Rhythm Arrangements

    In addition, this data fig.21-28d will also be lost if you turn off the BR-1200CD before saving your data. It is a good idea, therefore, to regularly save rhythm arrangements that you intend to use again.

  • Page 208: Copying A Rhythm Arrangement

    Creating rhythm arrangements Copying a rhythm arrangement Deleting a rhythm arrangement 1. Press [F3] (WR•CPY•DEL) on the Rhythm 1. Press [F3] (WR•CPY•DEL) on the Rhythm Arrangement Edit screen. Arrangement Edit screen. 2. Press [F1] (=>COPY). 2. Press [F2] (=>DELETE). The Copy screen for rhythm arrangements will appear. The Delete screen for rhythm arrangements will appear.

  • Page 209: Setting Tempos And Beats For Individual Measures (Tempo Map/Beat Map)

    6. Move the cursor to the parameter whose setting you In addition to setting of a single tempo and beat for an entire rhythm arrangement, the BR-1200CD can also set these want to change and select a new value using the TIME/ VALUE dial.

  • Page 210: Setting Beats For Individual Measures (Beat Map)

    4. Move the cursor to “BEAT” and press [F3] (MAP EDIT). loaded. In addition, this data will also be lost if you The Beat Map screen will appear. turn off the BR-1200CD before saving. fig.21-38d If no beat map has been set for this song, a single beat will be created at the start of the map.

  • Page 211: Using A Metronome

    Using a metronome Playing a metronome The BR-1200CD can be used to play a metronome in place of a drum performance when recording or practicing. Simply changing the track type may not be sufficient to allow a metronome to be played. Use the following procedure in Setting the track type such a case.

  • Page 212: Selecting Metronome Sounds

    Using a metronome Selecting metronome sounds Adjusting the Metronome and Loop Phrase Volume Balance Now that we can hear the metronome, let’s select sounds to be used. While the balance between the metronome and loop phrase volume levels is normally adjusted with the Track 9/10 1.

  • Page 213: Creating Drum And Bass Patterns Simply And Easily (Ez Compose)

    Creating Drum and Bass Patterns Simply and Easily (EZ Compose) What is EZ Compose? TYPE / No.: KICK SNR This selects the “Kick/Snare” preset pattern and number. “EZ Compose” is a group of functions that lets you create a pattern simply by making a few settings in the screen-you Type: don’t have to input each individual note of the rhythm.

  • Page 214: Adding A Chord Progression

    Creating Drum and Bass Patterns Simply and Easily (EZ Compose) Adding a chord progression Adding a fill-in By selecting the desired chord progression from those made You can choose from a variety of fill-ins and add them to the available on the unit, and adding it to the currently selected currently selected pattern.

  • Page 215: Pasting In Rhythm Arrangements

    Creating Drum and Bass Patterns Simply and Easily (EZ Compose) Press [PLAY] to play the pattern with the current fig.04-1970d settings. Press [ENTER], you can play only the measures within which a fill-in occurs. If the number of measures specified by INTERVAL is greater than the number of measures in the pattern, the measure at which the fill-in occurs will not be played.

  • Page 217: Using The Cd-R/Rw Drive

    Section 5 Section 5 Using the CD-R/RW Drive Using the CD-R/RW Drive...

  • Page 218: Creating Audio Cd

    CD-R discs. If silence is included at the end of your finished Note that the BR-1200CD’s CD-R/RW drive can play commercially song, the pre-gap time will be added to the length of produced audio CDs, CD-R discs, and CD-RW discs.

  • Page 219: Writing Songs To Discs

    2. Insert an unrecorded CD-R or CD-RW disc into the CD- R/RW drive. Methods for creating audio CDs 3. Press [AUDIO CD WRITE/PLAY]. The BR-1200CD allows you to create audio CDs in three The Audio CD screen will appear. different ways. fig.07-57d...

  • Page 220: Writing Several Songs At Once (Disc At Once By Song)

    • The range of available write speeds can sometimes be limited by the type of media being used. In such a case, the BR-1200CD will allow you to select only the 5. Press [F1] (BY SONG). supported speeds. The Disc At Once By Song screen will appear.
  • Page 221 In such a fig.05-140d case, the BR-1200CD will allow you to select only the supported speeds. • If an error occurs, try changing the write speed and then carry out the writing process over again.

  • Page 222: Creating Audio Cds With Audio Tracks Separated By Markers (Disc At Once By Marker)

    CD as a single song. audio CD from the very start of an audio track, press With the BR-1200CD, however, you can use the marker [ZERO] to return to the start of that track and then function to set divisions at the desired points within such an carry out Step 3.
  • Page 223 The Disc At Once By Mark screen will appear. be limited by the type of media being used. In such a fig.05-160d case, the BR-1200CD will allow you to select only the supported speeds. • To cancel writing while this operation is in process, press [EXIT/NO].

  • Page 224: Playing Back Audio Cds

    Let’s now listen to the audio CD we have just created using Playback of the audio CD will begin. the BR-1200CD’s CD-R/RW drive. In addition to CD-R discs, fig.07-73bd this drive can be used to play back CD-RW discs that cannot be played on standard CD players.

  • Page 225: Enabling Playback On Cd Players (Finalize)

    If you intend to play a audio CD that was written using the BR-1200CD’s CD-R/RW drive on a standard CD player, the audio CD must be finalized. Audio CD-R/RW discs can be finalized at any time to enable playback on this type of player.

  • Page 226: Using The Cd-R/Rw Drive To Exchange Data

    Although the songs you’ve recorded and created are stored on the BR-1200CD’s internal hard disk, all of this data would be lost in the unlikely event that the hard disk was damaged. For this reason, we recommend that you also save your songs on CD-R/RW discs (Backup).

  • Page 227: Reading Backup Songs Back Into The Hard Disk (Song Recover)

    In such a recovery, and an asterisk (*) will be displayed for each case, the BR-1200CD will allow you to select only the selected song. To cancel this selection, press [F1] once supported speeds.

  • Page 228: Saving Data On The Hard Disk To Cd-R/Rw Discs

    Saving Data to CD-R/RW Discs (User Backup) The BR-1200CD allows you to back up the following types of user data to CD-R/RW discs. • Insert effect patches A number of types of data can be selected in this way for backup, and an asterisk (*) will be displayed for each •...

  • Page 229: Reading Backup User Data Back Into The Hard Disk (User Recover)

    In such a If you select the data that has no backup data, “*EMPTY” case, the BR-1200CD will allow you to select only the will be displayed. supported speeds.

  • Page 230: Saving The Entire Contents Of The Hard Disk To A Cd-R/Rw Disc

    Hard Disk to a CD-R/RW Disc If the hard disk contains any data of the same type The BR-1200CD allows you to back up all of the data on the as that being recovered, it will be completely internal hard disk onto CD-R/RW discs, regardless of the overwritten in the recovery process.

  • Page 231: Reading Backed-Up Hard Disk Contents Back Into The Hard Disk (Hdd Recover)

    • The range of available write speeds can sometimes be limited by the type of media being used. In such a case, the BR-1200CD will allow you to select only the 4. Press [F3] (HDD). supported speeds. The message “HDD Recover OK?” will appear.

  • Page 232: Copying And Writing Waveform Data

    You can also take audio track data recorded with the BR-1200CD and copy it to your computer for editing. Copying waveform data from a computer 4.

  • Page 233: Copying Audio Track Waveform Data To Computers (Wav/Aiff Export)

    CD-ROM or CD-R drive. In this case, used CD-R discs. 1. Place a writable CD-R/RW disc (a blank disc) in the BR-1200CD’s CD-R/RW drive. The drive’s access indicator will begin to flash. Wait until Set the following items.
  • Page 234 • If, after specifying the above parameters in terms of The BR-1200CD is ready for selection of a new track. location you switch to the measure or marker Here, you cannot specify a track on top of another track indication, a “+”...
  • Page 235 T02__15.WAV or T02__15.AIF be limited by the type of media being used. In such a Track 2, V-Track 16 T02__16.WAV or T02__16.AIF case, the BR-1200CD will allow you to select only the supported speeds. Track 3/4, V-Track 1 T0304_01.WAV or T0304_01.AIF •...

  • Page 236: Playing Smfs Using External Midi Instruments (Smf Player)

    Using the CD-R/RW drive to exchange data Playing SMFs using external fig.41-27d MIDI instruments (SMF Player) You can use the BR-1200CD to read SMFs from CD-R/RW discs and play these files using MIDI instruments connected to the MIDI OUT port. 5. Press [F2] (PLAYER).

  • Page 237: Erasing Data From A Cd-Rw Disc (Cd-Rw Erase)

    Using the CD-R/RW drive to exchange data Erasing data from a CD-RW disc (CD-RW Erase) • Once erasing has been started, it will not be possible If you are using CD-RW discs, you will be able to erase to cancel this process. unneeded data from the discs and reuse them for data storage.

  • Page 238: Setting The Time Until The Cd-R/Rw Drive Stops (Cd Hold Time)

    Setting the time until the CD-R/ RW drive stops (CD Hold Time) Whenever the BR-1200CD’s CD-R/RW drive is used to read or write data, the drive’s internal motor will continue to spin for a specific period of time after this process has been completed.

  • Page 239: Importing Songs From Cds To Audio Tracks

    Importing songs from CDs to audio tracks 1. Insert a audio CD into the BR-1200CD’s CD-R/RW The BR-1200CD allows you to import selected songs from a audio CD to audio tracks. drive. The drive’s access indicator will begin to flash. Wait until this indicator stops flashing and turns off before proceeding.

  • Page 241: Section 6 Using Midi

    Section 6 Section 6 Using MIDI Using MIDI...

  • Page 242: Midi Fundamentals

    MIDI fundamentals MIDI channels By using MIDI to connect the BR-1200CD to other MIDI- capable devices, you can perform the following: The MIDI standard allows data to be exchanged among ● Play rhythm performances on external MIDI sound multiple MIDI-compatible devices using a single MIDI cable,...

  • Page 243: Playing Drum And Bass Patterns On External Midi Sound Module

    MIDI channels on 1. Using a MIDI cable, connect the BR-1200CD to the MIDI the MIDI sound module, refer to the corresponding sound module as shown in the following diagram.

  • Page 244: Drum Sounds And Note Numbers

    Playing drum and bass patterns on external MIDI sound module Drum sounds and note numbers The correspondence between drum sounds and note numbers is as shown below. Drum name Note number Kick 1 C 2 (36) Snare 1 D 2 (38) Closed hi-hat F#2 (42) Open hi-hat...

  • Page 245: Synchronizing External Midi Sequencers And Rhythm Machines

    Synchronizing external MIDI sequencers and rhythm machines Synchronizing a MIDI device to the rhythm’s You can use the BR-1200CD’s tempo and time position as the master tempo and master time position so that external MIDI tempo using the MIDI timing clock sequencers and rhythm machines can be synchronized with its playback (Master Sync).

  • Page 246: Synchronizing A Midi Sequencer To The Playback Time Using Mtc

    MIDI sequencer, refer to its user’s manual. transmission. 2. Using a MIDI cable, connect the BR-1200CD to the OFF: MIDI sequencer as shown in the following diagram. No synchronization signal will be transmitted.
  • Page 247 MTC type using the TIME/VALUE dial. Whereas frames are continuous with the non-drop You will need to match the BR-1200CD’s MTC type to that format, in order to provide support for NTSC-type used on the external MIDI sequencer. For more information...

  • Page 248: Changing The Time Field Display

    MIDI sequencer or the TIME field. rhythm machine on the BR-1200CD, to detect the tempos of 1. On the Sync Parameter screen, move the cursor to the the MIDI device’s playback, and to automatically create “Time Disp.”...
  • Page 249 MIDI Sequencer MIDI OUT 5. Start playback on the MIDI sequencer or rhythm machine. The BR-1200CD will start to record MIDI timing clock signals. Note that it will not be possible to perform playback or recording while these signals are being recorded. In 3.

  • Page 250: Setting The Starting Time Of Synchronization (Sync Offset)

    6. Move the cursor to “Sync Gen.” and select “MIDI The Utility Menu screen will appear. CLK” using the TIME/VALUE dial. fig.12-12d The BR-1200CD will now be set up to transmit MIDI timing clock signals. 7. Press [EXIT/NO] several times to return to the top screen.

  • Page 251: Controlling Mmc-Compatible Devices From The Br-1200Cd

    MMC Mode with MMC and MTC. This parameter is used to set the BR-1200CD’s MMC In this type of setup, the BR-1200CD will act as master for operation mode. both MMC and MTC, and therefore, you will be able to OFF: No MMC signals will be transmitted.

  • Page 252: Controlling Track Volumes Via Midi (Midi Fader)

    MIDI sequencer, need to turn this function on if you intend to use it. you will be able to carry out remote control of BR-1200CD 1. Press [UTILITY]. mix-downs and other procedures.

  • Page 253: Setting The Midi Channel For Midi Fader

    At the time of purchase, the following MIDI channels will be When fader operation data is received via MIDI, the setting initially assigned to the BR-1200CD’s faders and expression for the corresponding fader will change while the actual pedal.

  • Page 254: Inputting Drum And Bass Patterns From A Midi Keyboard (Midi Recording)

    Inputting drum and bass patterns from a MIDI keyboard (MIDI Recording) Although the BR-1200CD’s track buttons and faders can be used to input drum and bass patterns, the input procedure can be simplified and note volumes can be controlled much more precisely if you use an external MIDI keyboard for this purpose.

  • Page 255: Using Midi To Control The Switching Of The Insert Effects (Effects Program Change)

    Bank Select message received immediately before this. In addition, when an insert effects patch is selected on the BR-1200CD, the bank and number for that patch are transmitted from MIDI OUT as Bank Select and Program Change messages.

  • Page 257: Section 7 Using Usb

    Section 7 Section 7 Using USB Using USB...

  • Page 258: Before Using Usb (Overview)

    Before Using USB (Overview) Operations that can be The BR-1200CD is equipped with a USB connector, which allows you to connect the BR-1200CD directly to a computer, performed via USB making it easy to back up your important song data and exchange files between the BR-1200CD and the computer.

  • Page 259: Connecting A Computer

    When you double-click the BR-1200CD icon or the “Removable Disk (*:)” icon in Windows, or double-click the BR-1200CD icon in Mac OS, all of the files and folders Use the USB cable to connect the BR-1200CD to your computer. contained in the BR-1200CD’s hard disk will be displayed on- Purchase USB cables at computer stores or other retailers.

  • Page 260: With Windows

    Backing up the BR-1200CD’s fig.52-08 data 1. Connect your computer and the BR-1200CD with a USB cable. 2. Confirm that the recorder is stopped, then press [UTILITY]. 6. Select all of the files and folders and copy them to the backup folder on the PC.

  • Page 261: Reading Backup Data Back Into The Br-1200Cd From The Pc (Recover)

    “Stop USB Disk-drive (*:)” message displayed there. fig.52-100 Note that all of the data on the BR-1200CD’s hard disk will be deleted as a result of this operation, and if necessary, you should make a separate backup.
  • Page 262 With Windows 6. When the “BR-1200CD” icon (or “Removable Disk (*:)” 2) Click [OK] in the “Safe To Remove Hardware” dialog box that appears. icon) is displayed, double-click this icon. All of the backup files and folders will appear on-screen.

  • Page 263: Saving Br-1200Cd Track Data In Wav/Aiff Format (Wav/Aiff Export)

    WAV/AIFF format fig.52-16d (WAV/AIFF Export) You can convert the BR-1200CD’s track data into WAV or AIFF files and save these on your computer. After converting your mastered tracks to WAV or AIFF files, you can easily 6. Move the cursor to “TYPE” and use the TIME/VALUE use your computer to create audio CDs with the data, as well as load the data into audio applications.
  • Page 264 2) Click [OK] in the “Safe To Remove Hardware” dialog box that appears. With Windows 2000/Me 1) In My Computer, right-click on the “BR-1200CD” icon (or “Removable Disk (*:)” icon) to “Eject” the disk. 2) Click the icon in the task tray, then click the “Stop USB Disk-drive (*:)”...

  • Page 265: Loading Wav/Aiff Files In Br-1200Cd Tracks (Wav/Aiff Import)

    The loop point settings within an AIFF file will be fig.52-24d ignored. 1. Connect your computer and the BR-1200CD with a USB cable. 2. Confirm that the recorder is stopped, then press 6. Use [CURSOR] and the TIME/VALUE dial to specify [UTILITY].
  • Page 266 With Windows 8. When the “BR-1200CD” icon (or “Removable Disk (*:)” 3) Click [OK] in the “Safe To Remove Hardware” dialog box that appears. icon) is displayed, double-click this icon. The files and folders from the BR-1200CD’s hard disk 12. Press BR-1200CD’s [EXIT/NO].

  • Page 267: With Macintosh

    The files and folders from the BR-1200CD’s hard disk data will be displayed on the PC monitor. fig.52-08 1. Connect your computer and the BR-1200CD with a USB cable. 2. Confirm that the recorder is stopped, then press [UTILITY]. The Utility Menu screen will appear.

  • Page 268: Reading Backup Data Back Into The Br-1200Cd From The Pc (Recover)

    1. Initialize the BR-1200CD’s hard disk. (p. 285) 7. Select all of the backup files and folders. Note that all of the data on the BR-1200CD’s hard disk Extra care should be taken to ensure that each and will be deleted as a result of this operation, and if every file and folder is selected and copied.
  • Page 269 With Macintosh With Mac OS X 6. Double-click the BR-1200CD icon. The files and folders from the BR-1200CD’s hard disk If the current song contains newly recorded audio will be displayed on the PC monitor. data or newly modified settings, the message “Save Current?”...

  • Page 270: Saving Br-1200Cd Track Data In Wav/Aiff Format (Wav/Aiff Export)

    WAV/AIFF format fig.52-16d (WAV/AIFF Export) You can convert the BR-1200CD’s track data into WAV or AIFF files and save these on your computer. After converting your mastered tracks to WAV or AIFF files, you can easily use your computer to create audio CDs with the data, as well 6.

  • Page 271: Loading Wav/Aiff Files In Br-1200Cd Tracks (Wav/Aiff Import)

    With Macintosh Loading WAV/AIFF files in 8. Double-click the “BR-1200CD” icon. All of the files and folders from the BR-1200CD’s hard BR-1200CD tracks disk will be displayed on the PC monitor. (WAV/AIFF Import) fig.52-08a You can take WAV or AIFF files on your computer, such as files created with audio software applications, and load them to the BR-1200CD’s tracks.
  • Page 272 4. Move the cursor to the IMPORT icon and press 8. Double-click the BR-1200CD icon. [ENTER/YES]. The files and folders from the BR-1200CD's hard disk Alternatively, you can press [F3] (IMPORT). will be displayed on the PC monitor. The USB Import screen will appear.

  • Page 273: Other Convenient Functions

    Section 8 Section 8 Other Convenient Functions Other Convenient Functions...

  • Page 274: Adjusting The Display's Contrast

    Adjusting the display’s contrast In certain locations, the BR-1200CD’s display may be difficult to read. In such cases, use the following procedure to adjust the display’s contrast. fig.53-25 1. Press [UTILITY]. The Utility screen will appear. fig.53-26d 2. Move the cursor to the LCD icon and press [ENTER/ YES].

  • Page 275: Tuning Instruments (Tuner)

    C on a piano keyboard). At the time of purchase, a patterns (p. 171). frequency of 440 Hz is set for A4 in the BR-1200CD, and if this is suitable, there will be no need to change the setting.
  • Page 276 Tuning instruments (Tuner) For example, when the right tuning guide is lit, it indicates that the string’s pitch is higher (or sharper) than the correct pitch, and you should loosen the If you do not want the sound being tuned to be corresponding peg.

  • Page 277: Mixing Audio-Device Output With The Br-1200Cd's Output (Audio Sub Mix)

    Mixing audio-device output with the BR-1200CD’s output (Audio Sub Mix) 1. Press [UTILITY]. The Audio Sub Mix function allows LINE IN to be directly mixed with the audio being output via the LINE OUT jacks. The Utility screen will appear.

  • Page 278: Using Condenser Microphones (Phantom Power)

    Most condenser microphones need a supply of power known fig.53-17 as phantom power in order to operate. 1,5 1,5 Accordingly, the BR-1200CD can supply phantom power at +48 V to condenser microphones connected to any of the XLR-type connectors for MIC 1 and MIC 2. Phantom power Condenser microphones generally contain a pair of thin opposing electrodes.
  • Page 279 • Phantom power is not supplied to the 1/4” phone jacks for IMIC 1 and 2 or to the GUITAR/BASS jack. • The phantom power setting reverts to “OFF” whenever the BR-1200CD is turned on. Remember, therefore, to turn on this power supply whenever it is needed.

  • Page 280: Creating A Md Protected From Digital Copying

    1200CD to a MD recorder or another similar digital device, you can use the following procedure to prohibit the creation 5. Mix down your song(s) from the BR-1200CD to a MD of digital copies from the mix-down tape. recorder or another similar digital device.

  • Page 281: Changing The Content Of The Level Meter Display (Pre/Post Fader)

    Changing the content of the level meter display (Pre/Post Fader) 1. Press [UTILITY]. Normally, the level meters for the tracks, which are displayed on the top screen, will indicate the levels that the The Utility screen will appear. various signals have after they have passed through the fig.12-12d corresponding faders (i.e., the post-fader volumes).

  • Page 282: All Br-1200Cd Settings (Initialize)

    Initializing all BR-1200CD settings (Initialize) The Initialize function allows you to return all of the fig.53-28 following BR-1200CD parameters to their original settings. ● Global Parameters • Reference Pitch in Tuner parameters • System parameters • Sync parameters • MIDI parameters •...
  • Page 283 EFFECTS icon fig.53-32d 5. Press [ENTER/YES] once again. When this icon is selected, The BR-1200CD will start the initialization process. • User patches from all insert effect banks When this process has finished, the message • Vocal Tool Box user patches “Complete!”...

  • Page 284: Performing Hard Disk Operations

    The currently selected partition is indicated by an asterisk (“*”). The BR-1200CD is set with one partition at the factory, so only one partition will appear in the display. 4. If you want to switch the partition being used, move the cursor to the partition you want to use, then press [F3] (SELECT).

  • Page 285: Initializing The Hard Disk (Disk Initialize)

    The message “FORMAT MODE: NORMAL” appears. fig.54-04d The appropriate settings for the internal hard disk were made before the BR-1200CD left the factory, so it is ready for immediate use. If for any reason the hard disk can no longer be written to or read from, or if you immediately want to delete all data from the disk, you can carry out Disk Initialize.

  • Page 286: Initializing Only One Of Multiple Partitions

    The state of progress of the initialization will be shown on the display, and you should not turn off the BR-1200CD until this procedure has been completed. Failure to observe this precaution could considerably reduce the life span of the hard disk or could result in it being permanently damaged.

  • Page 287: Section 9 Appendices

    Section 9 Section 9 Appendices Appendices...

  • Page 288: Insert Effect Algorithm List

    BOSS GT-6, this effect allows you to recreate a - Chorus host of distortion and guitar amplifier sounds. In addition, the - Phaser BR-1200CD also allows you to freely change the way in which - Pitch Shifter this algorithm's internal effect blocks are connected. - Doubling fig.31-12...

  • Page 289: Cosm Comp Guitar Amp

    Insert effect algorithm list 4. COSM COMP GUITAR AMP 6. BASS MULTI This is a multi-effect designed for bass, and it is suitable for This is a multi-effect designed for electric guitars. In addition creating standard bass sounds. to a COSM compressor/limiter, it uses a preamp and speaker fig.31-17 simulator to produce characteristic amp sounds.

  • Page 290: Cosm Od Bass Amp

    In addition, the fig.31-19 BR-1200CD also allows you to freely change the way in which this algorithm's internal effect blocks are connected. fig.09-080 COSM Comp/Limiter...

  • Page 291: 11. Voice Transformer

    Insert effect algorithm list 11. VOICE TRANSFORMER BANK: STEREO This is a multi-effect designed for vocals. It allows you to produce unique effects using a voice transformer. 14. STEREO MULTI fig.31-21 This algorithm connects seven types of effects, all in full stereo.

  • Page 292: Bank: Simul

    Insert effect algorithm list BANK: SIMUL 18. VO+ACOUSTIC This algorithm is for use when simultaneously recording a vocal part and acoustic guitar. 16. VO+GT.AMP You can create a warm sound for the guitar and make it This algorithm is for use when simultaneously recording a sound as if a mic were being used, even when an electric- vocal part and electric guitar.

  • Page 293: Insert Effect Parameter Functions

    BOSS and have neither licensed nor Top-Hi -100–+100 authorized the BOSS BR-1200CD. Their trademarks are This adjusts the level of the direct sound from the strings—in other used solely to identify equipment whose sound is words, it adjusts the harmonic content.

  • Page 294: Band Equalizer

    Insert effect parameter functions 3 Band Equalizer Low-Mid Q 0.5–16 This parameter sets the range of change in gain for the frequency set by “Low-Mid Freq” A larger value results in a narrower range of This is the 3-band equalizer. change.

  • Page 295: Chorus

    Insert effect parameter functions Chorus LowCutFilter FLAT, 55.0–800 Hz This allows you to get a mild effect sound by cutting the high-end component above the set frequency. This effect adds a sound with a subtly shifted pitch to the When “FLAT” is selected, the high cut frequency will have no effect. direct sound, which gives the final output sound greater breadth and depth.

  • Page 296: Compressor

    Tone -50–+50 The BR-1200CD uses COSM technology to model four types (When set to BOSSCmp) of compressor/limiter effects, which combine the functions This parameter adjusts the tone. Higher values cause the high of a compressor and a limiter.

  • Page 297: Cosm Overdrive/Distortion

    This is a booster that works very well BOOSTER with COSM amps. JC-120 The sound of the Roland JC-120. (COSM OD GUITAR AMP only) JAZZCMB The sound suited to jazz. This gives a basic, traditional distortion...
  • Page 298 Insert effect parameter functions Speaker Type This models the lead channel of a Peavey EVH 5150DRV 5150. MTL STK This is a drive sound suited to metal. This is a compact open-back speaker 1x10” This is a lead sound suited to metal. MTLLEAD cabinet with one 10-inch speaker.

  • Page 299: De-Esser

    Insert effect parameter functions ■ When “COSM OD BASS AMP” algorithm Ultra Hi OFF, ON is selected (when set to CONCERT) This controls the ultra high-frequency range lying beyond treble. Type Ultra Lo -, 0, + This sets the type of the bass guitar preamp. The distortion and tone characteristics of each amp are as shown below: (When set to CONCERT) This controls the character of the lower range.

  • Page 300: Defretter

    Insert effect parameter functions Defretter Delay This effect simulates the sound of a fretless bass. This effect creates a thicker sound by applying a delayed sound to the direct sound. On/Off OFF, ON On/Off OFF, ON This parameter turns the defretter effect on or off. This parameter turns the delay effect on or off.

  • Page 301: Distance

    Insert effect parameter functions Distance Enhancer Microphones often exhibit a boost in the volume of the lower By adding sounds that are out-of-phase with the direct frequencies when they are positioned close to the sound sound, this effect enhances the definition of the sound and source, and this is referred to as proximity effect.

  • Page 302: Flanger

    Insert effect parameter functions Flanger Humanizer This algorithm produces a flanging effect, which makes a This can create human vowel-like sounds. sound seem as if it is twisting. Vowel1 A, E, I, O, U On/Off OFF, ON This selects the first vowel. This parameter turns the flanger effect on or off.

  • Page 303: Lo-Fi Box

    Insert effect parameter functions Release 0–100 OFF, 15–1 This adjusts the time it takes for limiting to be removed once the Modifies the number of data bits. When turned off, the number of signal level drops below the threshold. data bits will remain unchanged. If an extremely low number of bits is selected, certain input sources Detect HPF THRU, 20–2000 Hz...

  • Page 304: Mic Converter

    Selects the type of microphone that was actually used to record the part. Release 0–100 Adjusts the time from activation of the noise suppressor until the DR-20 Roland DR-20 volume is reduced to zero. Sml.Dy Small dynamic microphone Head-worn dynamic microphone Hed.Dy...

  • Page 305: Phaser

    Insert effect parameter functions ■ When algorithm other than “COSM OD GUITAR Phaser AMP” and “COSM OD BASS AMP” is selected By adding varied-phase portions to the direct sound, the Rate 0–100 phaser effect gives a whooshing, swirling character to the This sets the rate of the Phaser effect.

  • Page 306: Pitch Shifter

    Insert effect parameter functions Pitch Shifter ■ When algorithm other than “COSM OD GUITAR AMP” and “COSM OD BASS AMP” is selected This effect moves the pitch of the original sound up or down P.Shift Type within a range of two octaves. Selects either a manual or pedal-type pitch shifter.

  • Page 307: Preamp

    Adjusts the tone for the middle frequency range. “VO+GT.AMP” algorithms * If you have selected “MATCH” or “VO DRV” as the preamp type, the middle control will have no effect. The sound of the Roland “JC-120,” a favor- JC-120 Treble GUITAR AMP: 0-100, BASS AMP: -100–+100 ite of pro musicians around the world.

  • Page 308: Ring Modulator

    This effect simulates the characteristics of various types of sound with the signal from the internal oscillator. The sound speakers. When the output from the BR-1200CD is connected will be unmusical and lack distinctive pitches. directly to a mixer or similar device, this effect can be used to create the sound of your favorite speaker system.

  • Page 309: Sub Equalizer

    Insert effect parameter functions Sub Equalizer Tremolo/Pan This adjusts the tone as a sub equalizer. A parametric type is Tremolo is an effect that creates a cyclic change in volume, adopted for the high-middle and low-middle range. and pan moves the stereo position in a cyclic manner between left and right (when stereo output is used).

  • Page 310: Vibrato

    Insert effect parameter functions Vibrato This effect creates vibrato by slightly modulating the pitch. The wah effect creates a unique tone by changing the frequency response characteristics of a filter. Type MANUAL, PEDAL Auto wah modifies the filter in a cyclic fashion or in response This parameter sets whether or not vibrato is to be controlled using to the volume of the input source in order to create automatic the pedal.
  • Page 311 Insert effect parameter functions Mode LPF, BPF, HPF Polarity DOWN, UP Selection for the wah mode. Selection for the direction in which the filter will change in response to the input. LPF: This creates a wah effect over a wide frequency range. The frequency of the filter will rise.
  • Page 312 Insert effect parameter functions Frequency 0–100 Adjusts the center frequency of the wah effect. Peak 0–100 Adjusts the way in which the wah effect is applied to the area around the center frequency. Lower values will produce a wah effect over a wider area;...

  • Page 313: Speaker Modeling Parameter Functions

    A radio-cassette recorder. A radio-cassette recorder with its Low BoomLoB Boost function turned on. Output Sp. This parameter is used to specify the actual type of speaker connected to the BR-1200CD. DS-90A speakers are connected. DS-90/A: DS-50A: DS-50A speakers are connected. DS-30A: DS-30A speakers are connected.

  • Page 314: Bass Cut Filter

    Speaker Modeling parameter functions Bass Cut Filter Limiter This filter cuts out vocal pop and other unwanted low-band A limiter reduces loud input levels to prevent distortion. noise. On/Off OFF, ON On/Off OFF, ON Switches the limiter on or off. This setting turns the Bass Cut Filter on or off.

  • Page 315: Mastering Tool Kit Parameter Functions

    Mastering Tool Kit parameter functions Equalizer This is a compressor effect that controls the volume level for each frequency range (lower range, midrange, and upper range) separately in order to even out the differences On/Off OFF, ON between them. This parameter turns the equalizer effect on or off. This allows you to achieve the optimal level when mixing Input Gain -24–+12 dB...

  • Page 316: Bass Cut Filter

    Mastering Tool Kit parameter functions Bass Cut Filter Expander This filter cuts out vocal pop and other unwanted low-band This effect expands the dynamic range at a fixed ratio. noise. On/Off OFF, ON On/Off OFF, ON This setting turns the expander on or off. This setting turns the Bass Cut Filter on or off.

  • Page 317: Compressor

    Mastering Tool Kit parameter functions Compressor Mixer This effect is used to compress the overall output signal The mixer is used to adjust the volume of each frequency when the input level exceeds a set value. band. On/Off OFF, ON Low Level -80–+6 dB This setting turns the compressor on or off.

  • Page 318: Effect Parameters Assigned To Value Knobs

    Effect parameters assigned to VALUE knobs When the insert effect patch setting screen is displayed, you can assign parameters you wish to control to value knobs VALUE 1 through VALUE 3. When the effect patch selection screen is displayed, you can assign parameters you wish to control to value knobs VALUE 1 through VALUE 3.
  • Page 319 Effect parameters assigned to VALUE knobs Effect Block Parameter Abbreviation Effect Block Parameter Abbreviation Rate UNI.V RATE Rate FLANGER RATE Uni-V Depth UNI.V DEPTH Depth FLANGER DEPTH Level UNI.V LEVEL Flanger Manual FLANGER MANUAL Delay Time SHT.DLY TIME Resonance FLANGER RESO Short Delay Feedback SHT.DLY FEEDBCK...
  • Page 320 Effect parameters assigned to VALUE knobs Effect Block Parameter Abbreviation Effect Block Parameter Abbreviation Mode TRM/PAN MODE On/Off EQ ON/OFF Tremolo/Pan Rate TRM/PAN RATE Low Gain EQ LOW Depth TRM/PAN DEPTH Low-Mid Gain EQ L.MID G Low-Mid Freq EQ L.MID F Algorithm: COSM COMP GUITAR AMP Low-Mid Q EQ L.MID Q...
  • Page 321 Effect parameters assigned to VALUE knobs Effect Block Parameter Abbreviation Effect Block Parameter Abbreviation Rate CHORUS RATE Rate FLANGER RATE Depth CHORUS DEPTH Depth FLANGER DEPTH Chorus Pre Delay CHORUS PREDLY Flanger Manual FLANGER MANUAL Effect Level CHORUS LEVEL Resonance FLANGER RESO Rate PHASER RATE...
  • Page 322 Effect parameters assigned to VALUE knobs Effect Block Parameter Abbreviation Effect Block Parameter Abbreviation On/Off FILTER ON/OFF Voice P.SHIFT VOICE Equalizer/Wah Effect Type FILTER TYPE Mode 1 P.SHIFT MODE1 Low Gain EQ L.GAIN Pitch 1 P.SHIFT PITCH1 Low Freq EQ L.FREQ Fine 1 P.SHIFT FINE1 Low Q...
  • Page 323 Effect parameters assigned to VALUE knobs Algorithm: COSM COMP BASS AMP Effect Block Parameter Abbreviation On/Off EQ ON/OFF Effect Block Parameter Abbreviation Low Gain EQ LOW On/Off CMP/LM ON/OFF Low-Mid Gain EQ L.MID G Type CMP/LM TYPE Low-Mid Freq EQ L.MID F Attack CMP/LM ATTACK Low-Mid Q...
  • Page 324 Effect parameters assigned to VALUE knobs Algorithm: MIC MODELING Effect Block Parameter Abbreviation Rate PHASER RATE Effect Block Parameter Abbreviation Depth PHASER DEPTH Phaser On/Off MIC ON/OFF Manual PHASER MANUAL Input MIC INPUT Resonance PHASER RESO Mic Converter Output MIC OUTPUT P.Shift Type P.SHIFT TYPE Phase...
  • Page 325 Effect parameters assigned to VALUE knobs Effect Block Parameter Abbreviation Effect Block Parameter Abbreviation Mode TRM/PAN MODE On/Off E:AMP ON/OFF Tremolo/Pan Rate TRM/PAN RATE Amp Type E:AMP TYPE Depth TRM/PAN DEPTH Volume E:AMP VOLUME On/Off DELAY ON/OFF Bass E:AMP BASS Type DELAY TYPE Middle...
  • Page 326 Effect parameters assigned to VALUE knobs Algorithm: VO+ACOUSTIC Effect Block Parameter Abbreviation On/Off M:COMP ON/OFF Sustain M:COMP SUST Compressor (Mic) Attack M:COMP ATTACK Level M:COMP LEVEL On/Off M:NS ON/OFF Noise Suppressor (Mic) Threshold M:NS THRESH. Release M:NS REL. On/Off A:AC ON/OFF Body A:AC BODY Acoustic Processor...

  • Page 327: Insert Effect Patch List

    Insert Effect Patch List GUITAR Patch Name Algorithm Patch Name Algorithm P001 CLEAN JC-120 COSM OD GUITAR AMP P051 OCT FUZZ COSM OD GUITAR AMP P002 JAZZ TONE AM COSM OD GUITAR AMP P052 WOMAN TONE COSM OD GUITAR AMP P003 CLASIC DIST COSM OD GUITAR AMP P053 SCREAM TWEED...
  • Page 328 Insert Effect Patch List Patch Name Algorithm Patch Name Algorithm P001 VOCAL COMP 1 COSM VOCAL COMP P101 Mtown LoDown COSM OD BASS AMP P002 VOCAL COMP 2 COSM VOCAL COMP P102 Liverpool COSM OD BASS AMP P003 KICK COMP COSM VOCAL COMP P103 B-M Exprosed COSM OD BASS AMP...
  • Page 329 Insert Effect Patch List STEREO SIMUL Patch Name Algorithm Patch Name Algorithm P001 CMP+FAT EQ STEREO MULTI P001 EQ + JC120 VO+GT.AMP P002 CMP+THIN EQ STEREO MULTI P002 DELAY+ JC120 VO+GT.AMP P003 CMP+TIGHT EQ STEREO MULTI P003 COMP +CLN TW VO+GT.AMP P004 CMP+BIG EQ STEREO MULTI...

  • Page 330: Vocal Tool Box Patch List

    Vocal Tool Box Patch List Patch Name Algorithm Patch Name Algorithm P006 Clean Harmny HARMONY SEQUENCE P001 Smooth Alto PITCH CORRECTION P007 Natural Cho. HARMONY SEQUENCE P002 Smooth Sop. PITCH CORRECTION P008 Wide Chorus HARMONY SEQUENCE P003 Smooth Tenor PITCH CORRECTION P009 Spacy Chorus HARMONY SEQUENCE...

  • Page 331: Preset Rhythm Arrangement List

    Preset Rhythm Arrangement List Name Tempo Beat Bass Name Tempo Beat Bass P001 ARG.ROCK 01 HEAVY FINGERED P051 ARG.BALAD 02 STD2 FINGERED P002 ARG.ROCK 02 ROOM FINGERED P052 ARG.BALAD 03 JAZZ FINGERED P003 ARG.ROCK 03 ROOM PICK P053 ARG.BALAD 04 STD2 FINGERED P004...

  • Page 332: Preset Drum Pattern List

    Preset Drum Pattern List Recom- Number of measures Recom- Number of measures Pattern Pattern mended Beat mended Beat Name Name Tempo Tempo ROCK 01 BLUES 01 ROCK 02 BLUES 02 ROCK 03 BLUES 03 ROCK 04 BLUES 04 ROCK 05 BLUES 05 ROCK 06 BLUES 06...

  • Page 333: Preset Bass Pattern List

    Preset Bass Pattern List Recom- Number of measures Recom- Number of measures Pattern Pattern mended Beat mended Beat Name Name Tempo Tempo ROCK 01 BLUES 01 ROCK 02 BLUES 02 ROCK 03 BLUES 03 ROCK 04 BLUES 04 ROCK 05 BLUES 05 ROCK 06 BLUES 06...

  • Page 334: User Loop Phrase List

    User Loop Phrase List WAV File Name WAV File Name A001 \\AIRBRUSH\B NOHAT.WAV B001 \\EASY GO\DRUMS\BREAK.WAV A002 \\AIRBRUSH\BRSH BT.WAV B002 \\EASY GO\DRUMS\BRIDGE.WAV A003 \\AIRBRUSH\CRASH.WAV B003 \\EASY GO\DRUMS\CHORUS.WAV A004 \\AIRBRUSH\VERSE.WAV B004 \\EASY GO\DRUMS\END CRSH.WAV A005 \\AIRBRUSH\VERSE2.WAV B005 \\EASY GO\DRUMS\INTRO.WAV A006 \\BASH IT\BRIDGE.WAV B006 \\EASY GO\DRUMS\SOLO.WAV A007...
  • Page 335 User Loop Phrase List WAV File Name WAV File Name C001 \\FLY\DR & PERC\END CRASH.WAV D001 \\ROCK HEAD\DRUMS\VERSE.WAV C002 \\FLY\DR & PERC\END CRASH2.WAV D002 \\ROCK HEAD\PERC\LOOP1 END.WAV C003 \\FLY\DR & PERC\FILL.WAV D003 \\ROCK HEAD\PERC\LOOP1.WAV C004 \\FLY\DR & PERC\FILL10.WAV D004 \\ROCK HEAD\PERC\LOOP2 END.WAV C005 \\FLY\DR &...

  • Page 336: Harmony Sequence Chord Note List

    Harmony Sequence Chord Note List Chord types that enable chord conversion (26 types and N.C.) consist of the following notes. The following shows chord types with the root C. fig.Chprd Type – – – (N.C) sus4 6(9) add9 7sus4 7(13) * The 13th of the chord is not played.

  • Page 337: Troubleshooting

    Troubleshooting The input cannot be heard If the BR-1200CD does not function as you expect, please check the following points before assuming that a malfunction has ❍ Has the sound source been correctly connected to occurred. If this does not resolve the problem, contact a nearby either an input jack or connector? Roland service center or your dealer.
  • Page 338 In such cases, ❍ Is the CD-R/RW drive being “force ejected?” connect the mic via a mic preamp to the BR-1200CD, so Pressing a straightened paper clip or similar object into that they can be boosted to line level before recording.

  • Page 339: Problems With Usb

    ❍ Does the other device support the MMC commands It is possible that the power of the BR-1200CD was turned off of the BR-1200CD? without using the POWER switch. The lost data cannot be recovered.

  • Page 340: Error Messages

    Error Messages Blank Disc! Data Too Large! Cause: Disc in the CD-R/RW drive contains no data. Cause 1: You attempted to import an SMF exceeding 250 KB. Action: Load a CD-R/RW disc that has data written on it. Action 1: Prepare the SMF to be loaded so that it is no more than 250 KB.

  • Page 341: Hdd Full

    Error Messages Event Memory Full! Medium Error! Cause: The BR-1200CD has used up all the events that can Cause: There is a problem with the CD-R/RW disc or hard be handled by one song. disk. Alternatively, the disc on the CD-R/RW drive is unreadable.

  • Page 342: Set Location

    Error Messages Not CD-RW Disc! Too Long Name! Cause: The disc is not a CD-R/RW disc, so the data cannot Cause: The names of files and folders on the current CD-R/ be erased. RW disc are too long. Action: Use a CD-R/RW disc. Action: Add up the lengths of all file names and folder names, and then modify these names to reduce the...

  • Page 343: Midi Implementation

    DIGITAL RECORDING STUDIO Date: Dec. 1, 2004 MIDI Implementation Model: BR-1200CD Version: 1.00 ❍Expression (Controller number 11) 1. Receive data Status 2nd byte 3rd byte ■Channel Voice Messages n = MIDI channel number: 0H - FH (ch.1 - ch.16) vv = Expression: 00H - 7FH (0 - 127) ●Note off...

  • Page 344: Data Transmission

    3rd byte EOX (End Of Exclusive) * Only a device ID of 7FH or message matching the BR-1200CD’s device ID is received. * When this message is received, Identity Reply message (p. 346) will be transmitted. n = MIDI channel number: 0H - FH (ch.1 - ch.16)

  • Page 345: Pitch Bend Change

    * If the Sync parameter “Sync Gen.” is set to “MTC,” quarter frame messages of the time * Transmitted according to the content of the SMF during playback of SMFs. code type specified by “MTC Type” will be transmitted when the BR-1200CD is running ●Pitch Bend Change (recording or playing).

  • Page 346: System Exclusive Messages

    MMC command message ●Start STOP (MCS) EOX (End of Exclusive) Status * If the transport switch [STOP] was pressed, the BR-1200CD transmits this message. ❍DEFERRED PLAY (MCS) * Transmitted when “Sync Gen.” is “MIDI CLOCK” in the SYNC parameter. Status Data byte...
  • Page 347 41 | 29H || 73 | 49H || 105 | 69H | * If the efficient Maker of the locate switch is pressed or when moved, the BR-1200CD 10 | 0AH || 42 | 2AH || 74 | 4AH ||...

  • Page 348: Midi Implementation Chart

    MIDI Implementation Chart DIGITAL RECORDING STUDIO Date : Dec. 1, 2004 MIDI Implementation Chart Model BR-1200CD Version : 1.00 Transmitted Recognized Function... Remarks Basic Default 1–16 1–16 Memorized Channel Changed 1–16 1–16 Default Mode Messages Altered ************** Note 0–127 0–127 Number : DRUMS: 27–75, BASS: 0–72...

  • Page 349: Specifications

    Specifications ● Input Impedance BR-1200CD: Digital Recording Studio GUITAR/BASS jack: 1 MΩ ● Tracks MIC 1, 2 jacks: 12.5 kΩ (HOT-COLD) Track: 12 V-Track: 192 (16 V-Tracks per each Track) (TRS balanced/XLR) 6.5 kΩ (HOT-GND, COLD-GND) LINE IN jack: 22 kΩ...

  • Page 350: Power Consumption

    18-7/8 (W) x 11-3/4 (D) x 3-3/4 (H) inches ● Weight 4.1 kg / 9 lbs 1 oz (Excluding AC Adaptor) ● Accessories AC Adaptor (PSB-7U) Owner’s Manual Roland Service (information sheet) CD-ROM “DISCRETE DRUMS” ● Options Expression Pedal: EV-5 (Roland) Foot Volume/Expression :...

  • Page 351: Index

    Index Symbols Algorithm ............. 118, 288 ALL ..100, 102, 108–109, 189, 191, 195, 205, 229, 233 *TMP ..... 119, 138, 144, 150, 160, 174, 188, 199 ALL icon ............... 283 *TMP(CURRENT) ....122–123, 140, 144–145, 150 Amb Density ..............298 + ..........
  • Page 352 Index Backup Menu screen ........226, 228, 230 Balance ................138 CANCEL ............... 121 BANK CD hold time ..............238 GUITAR ..............288 CD HoldTime ............... 238 MIC ................290 CD player ..............218 SIMUL ..............292 CD TRACK ..............91 Bank ...............
  • Page 353 Index Compatible OS ............. 258 Delay time ..............126 Compressor ....82, 116, 288, 291–292, 296, 317 DELAY TYPE ............... 126 Compressor Edit screen ..........128 DELETE ....122, 166, 168, 179, 181, 193, 199, 201, 203, 207 Compressor/Defretter ........288–289 Delete CONCERT ..............
  • Page 354 Index ExpH Release ............... 316 ExpH Thres ..............316 EDIT ................119 ExpL Attack ..............316 [EDIT] ................60 ExpL Ratio ..............316 EDIT button ..............23 ExpL Release ..............316 EDITED ................. 110 ExpL Thres ..............316 Editing ................99 ExpM Attack ..............
  • Page 355 Index HPF ................ 303, 311 Hum to Half-tone ............305 Gain ............298, 303, 307, 314 Hum to Single .............. 305 Gain SW ................ 298 Human Feel ..............137 GATE ..............178–179 Humanizer ............ 288, 290, 302 Gate time ..............178 Humbucking-style ............
  • Page 356 Index LEVEL ................126 Level ....293–294, 296–297, 299, 301–302, 305, 309–312, 314 M.SCOPE ..............179 Level 1/2 ............... 306 Macintosh ............. 258, 267 Level Disp..............281 MANUAL ............. 306, 310 LEVEL DR ............186, 212 Manual ..............302, 305 LEVEL LP .............
  • Page 357 Index Microscope ............165, 179 MTC ............... 246–247 MID ................. 83 MTC Type ..............247 MID FREQ ..............130 MTL STK ............... 298 Mid Freq ............... 294 MTLLEAD ..............298 MID GAIN ..............130 MUF FUZ ..............297 Mid Gain ............... 294 Mid Level ..............
  • Page 358 Index Parametric ..............309 PRE-DELAY ............125, 127 Partition ................ 286 Pre-fader ............... 281 Patch name ........... 122, 140, 150 Pre-gap ................218 Patch number ............... 119 Pre-gap setting screen ..........218 Pattern mode ..............156 Presence ..............298, 307 Pattern Selection screen ......
  • Page 359 Index Rehearsal .............. 162, 176 Scrub/Preview screen ..........98 REL .................. 83 [SEARCH] ............... 43 RELATIVE TIME ............248 SEARCH button ............21, 90 RELEASE ..............128 Security Slot (SECURITY LOCK) ........ 29 Release ............304, 314, 317 SELECT ................38 Release Time ..............
  • Page 360 Index Song rhythm arrangement ......... 156, 197 Song Save ..............70, 114 T.E.................. 299 Song Select ..............38 TAP ..............158, 187, 198 SP Modeling ..............313 [TAP] ................59 SPEAKER MODELING ..........229 TAP button ..............24 Speaker Modeling ..........117, 142 Tap tempo .............
  • Page 361 Index Track Insert ..............104 USB connector ..............28 Track Insert screen ............104 USB icon ................ 260 Track Level ..............93 USB screen ..............260 FADER ..............93 USE BASS ............... 49 SCENE ............... 93 USE DRUMS + BASS + LOOP ........49 Track Menu screen ............
  • Page 362 Index V-TRACK button ............24 V-Tracks ................44 WAH ................310 Wah ............... 288–291, 310 Wah pedal ..............124 Wah Type ..............311 WAV ............190, 234, 263, 270 WAV file ............... 233 WAV/AIFF export ........233, 263, 270 WAV/AIFF import ........232, 265, 271 WAV/AIFF screen ..........
  • Page 363 Cet appareil numérique de la classe B respecte toutes les exigences du Règlement sur le matériel brouilleur du Canada. For the USA DECLARATION OF CONFORMITY Compliance Information Statement Model Name : BR-1200CD Type of Equipment : Digital Recording Studio Responsible Party : Roland Corporation U.S. 5100 S.Eastern Avenue, Los Angeles, CA 90040-2938 Address : (323) 890-3700 Telephone :...
  • Page 364 For EU Countries 03890501 07-09-6N...

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