Many “authorities” tell you that shields
should only be connected at one end. Some-
times this can be true, but for most (99%)
audio systems, it is unnecessary. If you do ev-
erything else correctly, you should be able to
connect every component of your audio system
using standard, off-the-shelf connecting cables
that are available at any music store.
Here are some guidelines:
1. All return lines to the stage should be
balanced. At a minimum, they should be
impedance balanced. Remember that you can
balance a line by inserting a piece of equip-
ment in-line that has a balanced output.
2. Run your own AC power wiring from the
stage for the mixer and related equipment.
Don’t use the “conveniently located”
receptacle thoughtfully provided by the
management for your use. You have no idea
how it’s wired or grounded.
3. Carry an outlet tester, available at any well-
stocked hardware store. Use it to tell you if
the outlet you’re about to plug into is wired
correctly. Consider it cheap insurance.
4. If you carry enough equipment that you
need to wire directly into the electrical
service, then use a voltmeter to ensure that
the line voltage is correct, then use the
outlet tester mentioned in #3, above. Do
this before you connect any of your audio
equipment. Chances are that your 120V
gear won’t be too happy if it sees 220V for
any length of time.
5. Cables that are too long are less likely to
pick up hum if you uncoil them in their
entirety, and then find a place to stow the
excess. Leaving the excess coiled only helps
the cable pick up hum more efficiently.