Sony STR-DE685 Operating Instructions Manual
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Sony STR-DE685 Operating Instructions Manual

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See also: Service Manual , Manual
FM Stereo
FM-AM Receiver
Operating Instructions
!"
STR-DE685
© 2002 Sony Corporation
4-238-380-51(1)
GB
CS

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Summary of Contents for Sony STR-DE685

  • Page 1 FM Stereo FM-AM Receiver Operating Instructions !" STR-DE685 © 2002 Sony Corporation 4-238-380-51(1)
  • Page 2 * Manufactured under license from Dolby Laboratories. “Dolby”, “Pro Logic” and the double-D symbol are trademarks of Dolby Laboratories. ** “DTS” and “DTS Digital Surround” are registered trademarks of Digital Theater Systems, Inc. ® is a U.S. registered ® partner, Sony ® NERGY...

  • Page 3: Table Of Contents

    Table of Contents List of Button Locations and Reference Pages Main unit ... 5 Hooking Up the Components Required cords ... 6 Antenna hookups ... 7 Audio component hookups ... 8 Video component hookups ... 9 Digital component hookups ... 10 Multi channel input hookups ...

  • Page 4: About This Manual

    About This Manual The instructions in this manual is for model STR-DE685. Check your model number by looking at the lower right corner of the front panel. The instructions in this manual describe the controls on the receiver. You can also use the controls on the supplied remote if they have the same or similar names as those on the receiver.

  • Page 5: List Of Button Locations And Reference Pages

    List of Button Locations and Reference Pages How to use this page Use this page to find the location of buttons that are mentioned in the text. Main unit ALPHABETICAL ORDER 0 – 9 2 CH ea (26, 27) A – D A.DEC ed (25–27) AM ej (32) AUX wj (23)

  • Page 6: Hooking Up The Components

    Hooking Up the Components Required cords A Audio cord (not supplied) White (L) Red (R) B Audio/video cord (not supplied) Yellow (video) White (L/audio) Red (R/audio) C Video cord (not supplied) Yellow (video) D Optical digital cord (not supplied) E Coaxial digital cord (not supplied) Orange F Monaural audio cord (not supplied) G Monaural mini-plug cord (not supplied)

  • Page 7: Antenna Hookups

    Antenna hookups DIGITAL OPTICAL VIDEO 2 TAPE TAPE SACD DVD/LD COAXIAL FRONT SURROUND MULTI CH IN Notes on antenna hookups • To prevent noise pickup, keep the AM loop antenna away from the receiver and other components. • Be sure to fully extend the FM wire antenna. •...

  • Page 8: Audio Component Hookups

    Audio component hookups MD or Tape deck INPUT OUTPUT LINE LINE DIGITAL OPTICAL VIDEO 2 ANTENNA TAPE TAPE CTRL SACD Ω COAXIAL DVD/LD COAXIAL CENTER FRONT SURROUND WOOFER CD/SACD MD/TAPE MULTI CH IN OUTPUT LINE CD or SACD player MONITOR VIDEO IN VIDEO IN VIDEO OUT VIDEO IN...

  • Page 9: Video Component Hookups

    Video component hookups DVD or LD player OUTPUT AUDIO OUT ENNA VIDEO IN VIDEO IN CTRL Ω COAXIAL S-VIDEO S-VIDEO AUDIO IN AUDIO IN CD/SACD MD/TAPE DVD/LD VIDEO 2 To the front panel Camcorder or video game Note on video component hookups You can connect your TV’s audio output jacks to the VIDEO 2 AUDIO IN jacks on the...

  • Page 10: Digital Component Hookups

    (two front speakers, two surround speakers, and a center speaker) and a sub woofer are required. You can also connect an LD player with an RF OUT jack via an RF demodulator, like the Sony MOD-RF1 (not supplied). Note You cannot connect an LD player’s DOLBY DIGITAL RF OUT jack directly to this unit’s digital input jacks.
  • Page 11 Connect the digital output jacks of your MD or tape deck to the receiver’s digital input jack and connect the digital input jacks of your MD or tape deck to the receiver’s digital output jack. These connections allow you to make digital recordings of TV broadcasts, etc. DIGITAL OPTICAL DIGITAL...

  • Page 12: Multi Channel Input Hookups

    Multi channel input hookups Although this receiver incorporates a multi channel decoder, it is also equipped with multi channel input jacks. These connections allow you to enjoy multi channel software encoded in formats other than Dolby Digital and DTS. If your DVD player is equipped with multi channel output jacks, you can connect them directly to the receiver to enjoy the sound of the DVD player’s multi channel decoder.

  • Page 13: Other Hookups

    OUTPUT LINE CD player, tape deck, MD deck, etc. • If you have a Sony CD changer with a COMMAND MODE selector If your CD changer’s COMMAND MODE compatible selector can be set to CD 1, CD 2, or CD 3, be sure to set the command mode to “CD 1”...

  • Page 14: Connecting The Ac Power Cord

    Other hookups (continued) AUX AUDIO In hookup If you have an individual audio component (except PHONO) Use the audio cords to connect the LINE OUT jacks on the CD player, tape deck or MD deck to the AUX IN jacks on the receiver so that you can listen to stereo sources in surround sound.

  • Page 15: Hooking Up And Setting Up The Speaker System

    Hooking Up and Setting Up the Speaker System Speaker system hookups Required cords A Speaker cords (not supplied) (–) B Monaural audio cord (not supplied) Black Active sub woofer Front speaker B* INPUT AUDIO MONITOR DVD/LD VIDEO 2 MONITOR VIDEO OUT VIDEO IN VIDEO OUT COMPONENT VIDEO SPEAKERS...
  • Page 16 Speaker system hookups (continued) Notes • Twist the stripped ends of the speaker cords about 10 mm. Be sure to match the speaker cord to the appropriate terminal on the components: + to + and – to –. If the cords are reversed, the sound will be distorted and will lack bass.

  • Page 17: Performing Initial Setup Operations

    Performing initial setup operations Once you have hooked up the speakers and turned on the power, clear the receiver’s memory. Then specify the speaker parameters (size, position, etc.) and perform any other initial setup operations necessary for your system. To check the audio output during settings (to set up while outputting the sound), check the connection (page 22).

  • Page 18: Specifying The Speaker Parameters

    You cannot change the configuration if you select MICRO SP. The setting for Micro Satellite Speaker (MICRO SP.) has been programmed to optimize the sound balance. If you use Sony’s Micro Satellite Speakers, select MICRO SP. Caution When you use Micro Satellite Speakers and the speaker size is set to “LARGE”, you may not obtain...
  • Page 19 x Front speaker size ( • If you connect large speakers that will effectively reproduce bass frequencies, select “LARGE”. Normally, select “LARGE”. • If the sound is distorted, or you feel a lack of surround effects when using multi channel surround sound, select “SMALL”...
  • Page 20 Multi channel surround setup (continued) x Sub woofer selection ( • If you connect a sub woofer, select “YES”. • If you do not connect a sub woofer, select “NO”. This activates the bass redirection circuitry and outputs the LFE signals from other speakers.
  • Page 21 x Surround speaker position ( PL. XXX)* This parameter lets you specify the location of your surround speakers for proper implementation of the Digital Cinema Sound surround modes. Refer to the illustration below. • Select “SIDE” if the location of your surround speakers corresponds to section A.

  • Page 22: Checking The Connections

    Multi channel surround setup (continued) Adjusting the speaker level Use the remote while seated in your listening position to adjust the level of each speaker. Note The receiver incorporates a new test tone with a frequency centered at 800 Hz for easier speaker level adjustment.

  • Page 23: Basic Operations

    Basic Operations Selecting the component Function buttons Press the function button to select the component you want to use. To select Press VIDEO 1 or VIDEO 2 TV or satellite tuner VIDEO 2 Camcorder or VIDEO 3 video game DVD or LD player DVD/LD MD or Tape deck MD/TAPE...

  • Page 24: Changing The Display

    Selecting the component (continued) SPEAKERS A/B Press SPEAKERS A/B button to output the sound from the speakers connected to the SPEAKERS FRONT terminals. Each time you press the button, the display changes cyclically as follows: SP. A t SP. B t SP. OFF To drive Speaker System A (Connected to the...

  • Page 25: Enjoying Surround Sound

    In collaboration with Sony Pictures Entertainment, Sony measured the sound environment of their studios and integrated the data of the measurement and Sony’s own DSP (Digital Signal Processor) technology to develop “Digital Cinema Sound”. In a home theater, “Digital Cinema Sound” simulates an ideal movie theater sound environment based on the preference of the movie director.
  • Page 26 The selected sound field is indicated in the display. x C.ST.EX A (Cinema Studio EX A) Reproduces the sound characteristics of the Sony Pictures Entertainment “Cary Grant Theater” cinema production studio. This is a standard mode, great for watching most any type of movie.

  • Page 27: Using Only The Front Speakers (2 Channel Stereo)

    Tips • The receiver lets you apply the last selected sound field to a program source whenever it is selected (Sound Field Link). For example, if you listen to CD with “JAZZ” as the sound field, change to a different program source, then return to CD, “JAZZ”...

  • Page 28: Understanding The Multi Channel Surround Displays

    Understanding the multi channel surround displays DIGITAL SP. OFF L F E SL S SR 1 ; DIGITAL: Lights up when the receiver is decoding signals recorded in the Dolby Digital format. 2 PRO LOGIC: Lights up when the receiver applies Pro Logic processing to 2 channel signals in order to output the center and surround channel signals.

  • Page 29: Customizing Sound Fields

    : Lights up when the disc being L F E played back contains the LFE (Low Frequency Effect) channel and when the sound of the LFE channel signal is actually being reproduced. qs SW: Lights up when sub woofer selection is set to “YES”...
  • Page 30 Customizing sound fields (continued) Initial settings Parameter BAL. L/R XXX* CTR XXX dB* SUR.L. XXX dB* SUR.R. XXX dB* S.W. XXX dB* L.F.E. XXX dB COMP. XXX D. RANGE * The parameters can be adjusted separately for MULTI CH IN. Front balance ( XXX) Lets you adjust the balance between front left...

  • Page 31: Adjusting The Equalizer

    Adjusting the equalizer The EQ menu lets you adjust the equalization of the front speakers. The settings are stored individually for each sound field. Start playing a program source encoded with multi channel surround sound. Press EQ. The button lights up and the first parameter is displayed.

  • Page 32: Receiving Broadcasts

    Receiving Broadcasts Before receiving broadcasts, make sure you have connected FM and AM antennas to the receiver (page 7). Direct tuning You can enter a frequency of the station you want directly by using the numeric buttons on the supplied remote. For details on the buttons used in this section, see pages 39–42.

  • Page 33: Preset Tuning

    Preset tuning After you have tuned in stations using Direct Tuning or Automatic Tuning, you can preset them to the receiver. Then you can tune in any of the stations directly by entering its 2-character preset code using the supplied remote.

  • Page 34: Other Operations

    Other Operations Naming preset stations and program sources You can enter a name (index name) of up to 8 characters for preset stations and program sources. These names (for example, “VHS”) appear in the receiver’s display when a station or program source is selected. Note that no more than one name can be entered for each preset station or program source.

  • Page 35: Using The Sleep Timer

    • Some sources contain copy guards to prevent recording. In this case, you may not be able to record from the sources. • When MULTI CH IN is selected, no signals are output from DIGITAL OUT jacks (MD/TAPE OPTICAL OUT). Recording on a video tape You can record from a VCR, a TV, a DVD player or an LD player using the receiver.

  • Page 36: Control A1 Control System

    (C.MODE.AVX) Lets you select the command mode of the remote. Change the command mode when you use 2 Sony receivers in the same room. x 2ch decode mode ( Lets you specify the type of decoding for the 2 channel source.

  • Page 37: Basic Functions

    The CONTROL A1 control system has been updated to the CONTROL A1 which is the standard system in the Sony 300 disc CD changer and other recent Sony components. Components with CONTROL A1 jacks are compatible with components with CONTROL A1 , and can be connected to each other.
  • Page 38 CONTROL A1 control system (continued) Automatic function selection When you connect a CONTROL A1 compatible Sony amplifier (or receiver) to other Sony components using monaural mini- plug cords, the function selector on the amplifier (or receiver) automatically switches to the correct input when you press the play button on one of the connected components.

  • Page 39: Operations Using The Remote Rm-U305C

    Operations Using the Remote RM-U305C You can use the remote RM-U305C to operate the components in your system. Before you use your remote Inserting batteries into the remote Insert R6 (size-AA) batteries with the + and – properly oriented in the battery compartment. When using the remote, point it at the remote sensor g on the receiver.
  • Page 40 To listen to Minidisc or audio tape. To listen to an audio equipment. To listen to compact disc. SYSTEM Receiver/TV/ Turns off the receiver and STANDBY VCR/Satellite other Sony audio/video To listen to radio (Press AV tuner/ programs. ?/1 and Press repeatedly to select...
  • Page 41 Remote Operations Function Button ENTER TV/VCR/ After selecting a channel, satellite tuner/ disc or track using the LD player/ numeric buttons, press to MD deck/ enter the value. DAT deck/ Tape deck D. SKIP/ Receiver Scans and selects preset CH/PRESET stations.

  • Page 42: Changing The Factory Setting Of A Function Button

    VCR (command mode VTR 3*) DSS (Digital Satellite Receiver) VCD player * Sony VCRs are operated with a VTR 1, 2 or 3 setting. These correspond to Beta, 8mm and VHS respectively. Now you can use the CD/SACD button to control the tape deck.

  • Page 43: Additional Information

    If you have any question or problem concerning your receiver, please consult your nearest Sony dealer. Troubleshooting If you experience any of the following...
  • Page 44 Troubleshooting (continued) There is no sound from one of the front speakers. Connect a pair of headphones to the PHONES jack to verify that sound is output from the headphones (page 24). If only one channel is output from the headphones, the component may not be connected to the receiver correctly.
  • Page 45 The FM reception is poor. Use a 75-ohm coaxial cable (not supplied) to connect the receiver to an outdoor FM antenna as shown below. If you connect the receiver to an outdoor antenna, ground it against lightning. To prevent a gas explosion, do not connect the ground wire to a gas pipe.

  • Page 46: Specifications

    Specifications Amplifier section POWER OUTPUT Rated Power Output at Stereo Mode (8 ohms 1 kHz, THD 0.7 %) Reference Power Output (8 ohms 1 kHz, THD 10 %) FRONT CENTER SURR 1) Measured under the following conditions: 2) Measured under the following conditions: 3) Depending on the sound field settings and the source, there may be no sound output.
  • Page 47 FM tuner section Tuning range 87.5 - 108.0 MHz Antenna terminals 75 ohms, unbalanced Intermediate frequency 10.7 MHz Sensitivity Mono: 18.3 dBf, 2.2 µV/75 ohms Stereo: 38.3 dBf, 22.5 µV/75 ohms Usable sensitivity 11.2 dBf, 1 µV/75 ohms Mono: 76 dB Stereo: 70 dB Harmonic distortion at 1 kHz...

  • Page 48: Tables Of Settings Using Surr, Level, Eq, And Set Up Buttons

    Tables of settings using SURR, LEVEL, EQ, and SET UP buttons You can make various settings using the LEVEL, SURR, EQ, SET UP buttons, jog dial, and buttons. The tables below show each of the settings that these buttons can make. Press Press SURR...

  • Page 49: Adjustable Parameters For Each Sound Field

    Adjustable parameters for each sound field The adjusted SURR and EQ parameters are stored in each sound field. < EFFECT 2CH ST. AUTO DEC. NORM.SURR. C.ST.EX A C.ST.EX B C.ST.EX C HALL JAZZ CONCERT GAME MULTI CH IN PCM96K The adjusted LEVEL parameters are applied to all the sound fields. <...
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  • Page 55 DIGITAL OPTICAL VIDEO 2 TAPE TAPE SACD DVD/LD COAXIAL CENTER FRONT SURROUND WOOFER MULTI CH IN !"# !"#$%& • !"# $ !"#$%&'( • !"#$%&'()* • !" ANTENNA CTRL VIDEO IN VIDEO IN VIDEO OUT VIDEO IN Ω COAXIAL S-VIDEO S-VIDEO S-VIDEO S-VIDEO AUDIO IN...
  • Page 56 !"#$% INPUT OUTPUT LINE LINE DIGITAL OPTICAL VIDEO 2 ANTENNA TAPE TAPE CTRL SACD Ω DVD/LD COAXIAL COAXIAL CENTER FRONT SURROUND WOOFER MD/TAPE CD/SACD MULTI CH IN OUTPUT LINE !" MONITOR VIDEO IN VIDEO IN VIDEO OUT VIDEO IN VIDEO OUT S-VIDEO S-VIDEO S-VIDEO...

  • Page 57: Component Video

    !"#$% !"#$% OUTPUT AUDIO OUT VIDEO TENNA VIDEO IN VIDEO IN VIDEO OUT VIDEO IN CTRL Ω COAXIAL S-VIDEO S-VIDEO S-VIDEO S-VIDEO AUDIO IN AUDIO IN AUDIO OUT AUDIO IN CD/SACD MD/TAPE DVD/LD VIDEO 2 VIDEO 1 OUTPUT VIDEO AUDIO !"...
  • Page 58 !"#$% !"#$%&E F =asa= !"#$%"&'()*+,-./0123 !"#$%"456*789:=R= !"# =oc= !"#$%&'() !"#$%&'() !"#$%&'()*+,- ./"#'(012%&'() !"#$%&'&() !"!#$ !"F !"#=oc=lrq E *+,-./0 !"# !"# OUTPUT VIDEO AUDIO OUTPUT DIGITAL OPTICAL DIGITAL OPTICAL VIDEO 2 ANTENNA TAPE TAPE CTRL SACD Ω COAXIAL DVD/LD COAXIAL CENTER FRONT SURROUND WOOFER...
  • Page 59 !"#$%&'()*+,-+./#$%&0()1 !"#$%&'(&)*+ DIGITAL OPTICAL DIGITAL OPTICAL VIDEO 2 TAPE TAPE TAPE SACD SACD DVD/LD COAXIAL FRONT MULTI CH IN !"#$%&'( )*+,-./0'(123 • • !"#$%&'()*+,-"#. • !"#$%&'()*+,%& !" !"#$ • !"#$%&' ,"#-./%&0123456789: !" INPUT OUTPUT LINE LINE ANTENNA CTRL VIDEO IN VIDEO IN VIDEO OUT VIDEO IN Ω...
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  • Page 61 DIGITAL OPTICAL VIDEO 2 TAPE TAPE SACD DVD/LD COAXIAL FRONT SURROUND MULTI CH IN CONTROL A1 的連接 • !"#$% !"#$%&'()*+,-. !"#$% !"#!$% !"#$ !"#$% !"#$%& !"#$%&"'()* !"#$%& !"#$%&'()*+,-. !"#$ CONTROL A1 ANTENNA CTRL VIDEO IN VIDEO IN VIDEO OUT VIDEO IN Ω...
  • Page 62 !"#$%&'()* !"#$ !"#$%&'()*+&' !"#$% !"!#$% IMPEDANCE USE 8 – 16 FRONT B SPEAKERS IMPEDANCE USE 8 – 16Ω FRONT A Ω !"#$ !"#$%"& !"#$%&'()*+*,- !"#$%& !" !"#$%...
  • Page 63 !"#$%&' !"#$ !"#$%&' !"#$%&'( !"#$% INPUT AUDIO MONITOR DVD/LD VIDEO 2 MONITOR VIDEO OUT VIDEO IN VIDEO OUT COMPONENT VIDEO SPEAKERS S-VIDEO S-VIDEO S-VIDEO AUDIO SURROUND CENTER AUDIO OUT AUDIO IN VIDEO 1 WOOFER SPEAKERS IMPEDANCE USE 8 – 16 ! "...
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  • Page 73 !" !"#$%&'()*+,-./0 !"#$%&'()%&*+,-. !"#$%&'() *+,-. !"#$%&'()*+,-.)/ !"#$%&' !"#$%&'()*+,-./0 !"#$%&'()* +,-./ !"#$%&'$ ( !"#$%&'()* !"#$%&' !"#$% !"#$%&'()*+,-. !"#$%&'()*+,-. !"#$%&'()*+,-./0 !"#F !"#$%&'( !"#$%&'()*+, !"# !"#$%&'()*+,-./0 !"#$%&'() *+, !" !" !" !" !" !" !"#F a`p E !"#$ a`p D C S !"#$%&'( !"#$%&'()*+ pçåó...
  • Page 74 !=E F !"#$%&'() !" !"#$%&'()*+,-./0 !"#$%& !" bu _F x `KpqKbu _ E !"#$%&'()*+,-./0 !"#$%&'()* !" bu `F x `KpqKbu=` E !"#$%&'()*+ , - !"#$%&'()*&+,-./ !" • !"#$%&'&()* R !"#$%& !"# • !"#$%&'()*+ !" #$%&'()*+,-. !"#$%&'()* +,-. !"#$% !"#$%& • !"#$%&'()* !"#$%&'( !"...
  • Page 75 !"#$%&'()*+,-./01 • !"#$%&'()*"#+,-./ !"#$ !"# !"#$%&'()*+,- `a !"#$% !"#$%&'()*+,-./)0 • !" !"#$%& !" !"#$%&'(# • !"#$%&'()*+,(-./0 !"#$ EO !"#$% O`e=pqK !"#$%&'()*+(,-./ !" #$%&'()*+, !"#$ %&' ()*+,-. !O`e=pqK !"#$%&'()$ • !"#$%&'()*+,-./ ( !" #$%& !"#$%&'()* • !"#$%&'( )*+, -. !"#$%&'()*=O= !"#$%&'()*+ !"#$%&'()*+,-./01 !"# !"#$=açäÄó=mêç=içÖáÅ=...
  • Page 76 !"# $%&' !"# $%&' DIGITAL SP. OFF L F E SL S SR !"#$%&'( 2 mol ildf`W= !"#$%&'() !"#$%&'()*+,-.- !" klojKprooK !"#$ jmbd 3 aqp !"#$%&'()*+, !"# 4 jmbdW= jmbd =jmbd= !"# O !"#$ !"#$%&'()*+,-./ =POJPP= PRO LOGIC DTS MPEG STEREO D.RANGE EQ COAX !"#$%&'()
  • Page 77 !"=icb L F E !"#$%&'(=icb= !"#$%&'()*+,- !"#$%&'()*+vbp qs pt !"#$%& !"#$%& !"#$W= qd pmK=lcc !" pmK=lcc !"#$%&'()$*+,-./ !"#$%&'()*+,-. !"#$%&' ()*+, -) !"#$%&'()*+,-$./ !"#$%& !"#$%&'()*'+, !"#$%&'()&*+ !"#$%&'()* !"#$!%&'()*+%,-. !"#$% &'()*%+ !"#$ !"#$%&'()*+,- proo= !"#$%&'()*+,-#. !"#$%&'(%)*+,-. =proo !"#$%&'()*+ !" !"#$%&'()*+, !"#$%&' !"#$ !"# bccb`q !=Ebccb`qF...
  • Page 78 !"#$ D. RANGE !"#$%&'( !"#$"%&'()*+,- !=E`qo=uuu=Ç_F !"#$%&'()* !"#=EproKiK=uuu=Ç_F !"#$%&$'()*+ !"#=EproKoK=uuu=Ç_F !"#$%&$'()*+ !"#$%=EpKtK=uuu=Ç_F !"#$%&'()*+ !"#$ %&=EiKcKbK=uuu=Ç_F !"#$%&'()*=icb !"#$%&'()*+,%-./ !"#$%&'( !"#$%&' • !"#$%&'=icb= ! "#$%&'"()*+=icb • !"#$%&lcc !"#"$%&'()*+#"$, !"# !"#$%&'() !"#=E !"#$%&'()*+,-./0 !"#$%&'()* +,-./ !"#$%&'()*+,lcc • !"#$%&'()*+,-./0 • !"#$%&'()*+ ,-. • !"# !"#$%&'()*+,-./0 •...
  • Page 79 !" !"#$%&'()*+!,- !"#$%&'()* +, !"#$%&'(%)*+,-. !"#$%&'()*+ !"#$%&'() = = = = =EÇ_F !"#$%&'()*+, !"#$%&' !"#$%&' !"#$%&'(") !"#$%& !"#$%&'()*+!,- . !"#$%&' ()* !"#$%&'()* !"#$%&'( !"#$%&'()* !"#$%&'( !"#$%&'( !"#$%&'=?/1= =jlab pcK=`ioK !"#$%&'( =EÇ_F !"# !"# =?/1 !"#$%&'()
  • Page 80 !"#$%&'()* ! "#$%=T= !"#$%&'()*+,-./0 !"#$%&'()*+,!-./ !"#$ !"#=qrkbo !"#$%&'() !"#=aKqrkfkd !"#$%&' !"#$%& !"#$%&'()*$+,-. !"#$% &'()*+,- =P= =Q= !"#$%&'()*+,-. !"# !"#$%& '() • • =EjlklF !"#$ !"#$%&' !"# qrkfkd=J !=O= =R= !"#$% !"#$%&'()*+,-./0$ !"#$=qrkfkd=H= =qrkfkd=J !"#$%&'()*+,-./01 !"#=qrkfkd=H !"#$%&' !"=qrkfkd=J !"#$%&pqbobl =cj= !"#$%&'=cj=jlab= !"#$%&'($)*+, !"#$%&'()*+,- cj=jlab !"#...
  • Page 81 !"#$%!"!&'()*+,- !"#$%&'()*+,-./0 !"#$%&'() *+,-./ !"#$% !"#$%&'()*+, !"#$%&'()*+,-./! !"#$%&'() * !"# =qrkbo !"#$%&'() !"#$=PO= !"#$%& !"#$%&'() =jbjlov !"#$%&'%&" jbjlov !"#$%&'( jbjlov Q= =S !"#$ !"#$%& =mobpbq=qrkfkd=H= =mobpbq=qrkfkd=J !"#$ !"#$%&'(jbjlov !"#$%&=P= !=jbjlov= !"#$%&'(jbjlov !"#$%&=P= !=O= =S= !"#$%&'()* !" !"#$% !"#$%&'()*+,-./0 !"#$% =qrkbo !"#$%&'() =mobpbq=qrkfkd=H= =mobpbq !"#$%&'(...
  • Page 82 !"#$%&' !"#$%&'()*+,-=U= ! "#$!%&'()*+,-. !"#$%&'()*+,sep !"#$% &'()*+,-. !"#$%&'()*+,- . !"#$%&'()*+,-./0 !"#$%&'()*sep !"#$%&'#()*+, !"#$%&'"#$()*+,- !"#$ !"#$%&'()*+ =qrkbo !" !"#$%&'() !"#$%&'()*+,-. !"#$%&' =PP= !"#$% !"#$%&'()*+,-. !"#$= = = = !"#$%&'()*+,= !"#$%&'() !"# !"#$%&'&()*+,- !"#$ = = = = !"#$%&'()*+,-. =bkqbo !"#$%&'()*+,-./0 !"# !"#$%&'()*+,-./0 !"#$%&'()*+,-.
  • Page 83 !"#$%&'()*&+,%-./ • !"#$%&'()*+,- !"#$ • !" !"#$%&'$()*$(asa= !"#$% &#'()*&+, !"#$%&'()*+,&'-. !"#$%&'()%*+,&-. !" !"#$%&'()*+ !"#$%& !"#$%&'()*+,%& !"#$%!&'!&( !"# $%&'()* + !" !"#$%&'()*+,-./012 !"#$%$&'()*+,-.!"/ !"#$%#&'()*+,- !"#$%&'()*+,-./010 !"#$%&'(&)* !+,-./ !"#$%&'()*+,-./012 !"#$%&'()*=sfabl=O= • !"#$%&'()*+,-. asaLia= !"#$ !"#$%&'( =jriqf=`e=fk • !" =ob`=lrq= !"#$ !"#$%&!'()*+,-. !"#$%&'()=pibbm ! "#$%&'()*+,- t - - t - -...
  • Page 84 !"#$%& !"#$%&'()*+,-./0 !"#$%&'()*+,- !"# !"lcc !"#$%&'()* !"#$%&' !"#$%&'()*+,-./0 =O= =pçåó= !"#=E x=O= !"#=O= !"#$%&'()*+,()- açäÄó=mêç=içÖáÅ=ff=E !"#$%& !"# !" !"ali_v=mi • !"#$%&'()*+,-=O= !"#$%&'()=Q= !"ff=jlsfb • !"#$%&=ff= !"#$%&'()*+,-./ !"#$%&'()*+,- ./ !" !"ff=jrpf` • !"#$%&'()*+ =ff= !"#$%&'( =`a= açäÄó=mêç=içÖáÅ=ff=E !"#$%&' aqp= =jmbd= !"#$%&'() !"#$%&'( PRO LOGIC !"#$%&'...
  • Page 85 !"#$%&'()*+ !"# !"#$%&' !"#$%& !"#$% &'(#) !"#$%&'()*+# !"#$%&'() !"# !" !"#$% !"#$%&'()*+ ! "#$%&'()*+,-./0 !"#$%&'()*+,-./0 !" !"#$%&'()* !"# !"#$%& !"#$%&'()* !"#+, !"#$%!" !" !"#$ %!"&'()* !"#$%&'()*+,-)./ !"#$%&'() !"#$%&' !" !"#$ %&'()*+ !"#$%&' !"#$%&'()*+ ,-./ !"#$%&'() !"# CONTROL A1 CONTROL A1 !"# !"#$%&...
  • Page 86 !"#$ !"# !"#$%&'() !"#$%&'#() !"#$%&'()* !"#$%&'()*+,-./0 !"#$%&'()*+,-./0 !"# !"#$% &'()*+,-./" • !"#$%&' !"#$% !"#$%&'( • !"#$%&'()*+,-./01 !"#$%&'()*+,-./01 !"#$%&'() !"#$%& !'()*+,-./ • !"#$%&'()*+, !"#$%&'()*+,-./0 !"#$%&' !"#$%&'()*+,-!. !"#$%&' !"#$%&'()*+,-.=N !"#$%&'( !"#$%& !"#$% !"#$%&'()*+,-./ !"# !"#$%&'()*+,'-. • • )*+,-./ !"#$%&'()*+,-./ !"#$%&'()*+ !"#$%&'()*+, !"#$ %&'()*+,-.
  • Page 87 !" !"#$%&'( !"#$%&' !"#$% !"#$ !"#$%&'()*+, !"#$%&=g !"#$%&'()*"+,=S= !"#$%&'()*+,-./012 !"#$%&'()'*+,-./ • !"#$%&' • !"#$%&'()*+,'-./0 • !"#$%& !"#$%&'()*+,-./01 • !"#$%&'()*+, !"#$% !"#$%&'()* pibbm !"#$ SLEEP SYSTEM STANDBY FUNCTION VIDEO 1 VIDEO 2 VIDEO 3 VIDEO DVD/LD TV/SAT PHONO MD/TAPE FN SHIFT CD/SACD TUNER MENU...
  • Page 88 !"#$=E F sfablL asaLia melklG qrkbo pefcq aKqrkfkd +/– jriqfLO`e !" #=ck=pefcq= !"#$%&'# qbpq !" jbkr !" !" sqo= jbkr=HL– =asa= !"#$%& !" !"#$ !"#$ !"#$%&' !"#$% & !"# !"#$%&' !"#$ =O`e= !"#$%& !"#$%&'() !"#$% !"#$%& ! "#$%& !"#$% !"#$%&' !"#$%&' –...
  • Page 89 !"#$%&' bkqbo !"#$%&' !"#$%&'() !"#$%&' aKphfmL !"#$ `eLmobpbq HL– !" !"#$%&' !"#$ s`a= asa= !" ./> s`a= s`a= asa= !"# !"#$% !" s`a= asa= s`a= asa= s`a= s`a= qsLsqo !"# afp` qfqib asa= jbkr asa= bkqbo asa= obqrok asa= VLvLBLb asa= -/-- !"#$%&'...
  • Page 90 !"#$=E F – !"!#$% !"# $ • !"#$%&'()*+, !"#$%&'()*+,-./01 !"#$%&'()*+ !"#$%&'()*+,-./"0 • ! "#$ !"#$%&' • !"#$%&' ()*+,-./ !"#$%&'()*+,-. • !"#$%& !"#$% !"#$%& ! "#$ !"#$"%& !"#$% !"#$%& !" !"#$%&$'( !"#$%&'( !"#$%&'()*+,-.$/ !"#$%&'()*!+,-./ !"#$%&'=`a= !" !qrkbo= =ck=pefcq= !"#$ !"#$%&'%& !"#$ %&'()*+",- !"...
  • Page 91 !"#$ !"#$%&'()*+,-./012 !"#$%&'()*+,-./01 !"#$%&'( )*+,-./ • ! "#$%& '( ")*+$% !"#$% !"#$%&'()*+,-./01 • !"#$%&'()* !" !"#$%&'()*+,-./01 • !"#$%&'( !"#$%&'()*"+ !"#$%&'()*+,- • !" !"#$%&'()*+,-./012 ! "#$!%&'(&)*+,-./ !"#$%&'()*+,-.! !"#$%&'()*+,-./01 • !"#$%&'() !"#$%&'()*+,-./01 • !"#$%&'( !"#$%&'()*+,-./01 • !" !"#$%&'()*+, -%". !"# $%& !"#$%&#'()*+,!*+-. !"#$%&'()*+,-.)/01 !"#$%&'()*+*,-./01 !"#$%&'$()*+, -.
  • Page 92 !"#$ !"#$%&'$() !"#$%&=melkbp= !"#$%&'(=OQ= !"#$%&'()*+,-./*0 !"#$%&'&()*+,-. / !"#$%&'()*+,-.+/ !"#$%&'()*+,-."/0 !"#$%&'&()*+,-./ !"#$%!&' !"#$%&'() !"#$%&'()*+,-./ • =ibsbi= • !"#$%&' !"#$%&'()*+,-./ • !"#$%&'()*+,-./0 • !"#$%&'()=P= !"#$%&'!( • !"#$%&'()*+,-. • !"#$%&'&()*+,&-!.*/0 !" !"#$%&'()*+=jlab • !"`KpqKbu • !"#$%&'=OO= • !"#$%&'(')*+,-./ • !" !"#$ !"#$% !"#$%=ORJOS !"#$%&...
  • Page 93 !"#$ !"#=TR= !"#$%&'() ! "#$ cj !"#$%&'$ !"#$%&'()*+,-.*/0 !"#$%&'()*+, -./ =cj= ANTENNA Ω COAXIAL !"#$ !"#$%&'()* • !"#$%&' ()*+!"# !"#$%&'()*+,-,. • !"#$%&' !"#$%&'( )*+,- ! • !" !"#$ !"#%&'()*+, • !"#$%&' !"#$%&' • !"# $%&'()"()*+,- !"#$%&'() • !"#$%&'()*+, • !"#$%&'!( •...
  • Page 94 !" !"#$%&'()* !"# !"# !"# !" #$% !" #$% !"#$%&'"()*+ ,-./ – !"#$%&' !"#$%&'()*+ !"#$%&' !"# – – – – !" ±...
  • Page 95 !" !" !"# !"# !" µ !" !"# !"# !"# !"# !"# !" !" !" !"#$% !" µ µ !" !"#$%&'( !"#$ !"#$%&'()*+,-./ !" !" × × !"#$%&'...
  • Page 96 !"#$%&'()*+,-./ D. RANGE PRO LOGIC !"# !"#$%& !"# !"# !"#$%...
  • Page 97 !"#$%& !"#$%&'() !"#$%&'( !"#$%&'()*+,-./012$345-67&'89-.:;< !"# !"#$%&'()#*+,-./012 !"#$%&' !"#$%&"'!()*+ !"#$%&'()*+%#,-. !"#...
  • Page 98 Sony Corporation Printed in China...

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