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Much less EQ is needed to make it sound good. The CM-200A is stylish and has low handling noise. For best results, use the included foam pop filter. The CM-200A also makes a great all-around instrument mic.
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position toward or away from the mouth to pre- vent breath pops. CM-312AE: Wireless version of the CM-312A, to be used with your favorite wireless transmitter. INSTRUMENT MICS CM-700: Cardioid condenser mic. Flat response, accurate sound, 151 dB maximum SPL! Sounds great on acoustic guitar and piano, drum overheads, toms, horns, sax.
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GLM-100: Mini omni condenser mic. Flat response from 20 Hz-20 kHz, accurate sound, 148 dB maxi- mum SPL! Clips onto acoustic guitar, flute, horns, sax, drums, fiddle, etc. Suggested starting positions for the GLM-100: Acoustic guitar: Tape the mic to the guitar body about ½...
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SASS-P MKII: Stereo condenser mic. Excellent for drum overhead miking. Toms sound deep, full-bod- ied and close-up. Cymbals sound bright and crisp. Place the SASS at least 3 feet above the snare drum. ® PZM-6D : Pressure Zone Microphone phase interference when used on reflective surfaces. Its tone quality is switchable between natural and bright.
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® PCC-160 : Surface-mounted cardioid microphone. Terrific in a kick drum – just lay it on a pillow or blanket inside. All Crown microphones are condenser mics which require phantom power.