Table of Contents
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D
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D
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OPERATION MANUAL
CONTENTS
SETUP & ADJUSTMENT..................................................................................3
1-1. GETTING STARTED.................................................................................3
1-2. SETUP .......................................................................................................8
1-3. CONTROLS & ADJUSTMENTS.............................................................18
1-4. ADJUSTMENT.........................................................................................21
GENERAL OPERATION.................................................................................24
2-1. PLAYING A SOURCE .............................................................................24
2-2. DIGITAL SOUND FIELD PROGRAMS ..................................................25
2-3. SELECTING SOUND FIELD PROGRAMS............................................25
DIGITAL SOUND FIELD PROCESSING AMPLIFIER
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LOGIC
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2-4. MUTING THE EFFECT SOUND ............................................................25
DISPLAY..................................................................................................25
2-6. DESCRIPTIONS OF THE SOUND FIELD PROGRAMS ......................26
CREATING YOUR OWN SOUND FIELDS ....................................................30
3-1. SELECTING AND EDITING PROGRAM PARAMETERS ....................30
PARAMETERS........................................................................................32
TROUBLESHOOTING ....................................................................................34
SPECIFICATIONS ...........................................................................................35
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Related Manuals for Yamaha E580
Summary of Contents for Yamaha E580
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Page 1: Table Of Contents
DIGITAL SOUND FIELD PROCESSING AMPLIFIER OPERATION MANUAL CONTENTS PRECAUTIONS & SAFETY INSTRUCTIONS ...Inside Front Cover SETUP & ADJUSTMENT...3 1-1. GETTING STARTED...3 1-2. SETUP ...8 1-3. CONTROLS & ADJUSTMENTS...18 1-4. ADJUSTMENT...21 GENERAL OPERATION...24 2-1. PLAYING A SOURCE ...24 2-2. DIGITAL SOUND FIELD PROGRAMS ...25 2-3. -
Page 2: Precautions & Safety Instructions
PRECAUTIONS & SAFETY INSTRUCTIONS SAFETY INSTRUCTIONS Read Instructions – All the safety and operating instructions should be read CAUTION before the unit is operated. RISK OF ELECTRIC SHOCK DO NOT OPEN Retain Instructions – The safety and operating instructions should be retained CAUTION: TO REDUCE THE RISK OF for future reference. - Page 3 This product, when installed as indicated in the instructions contained in this manual, meets FCC requirements. Modifications not expressly approved by Yamaha may void your authority, granted by the FCC, to use the product. 2. IMPORTANT : When connecting this product to accessories and/or another product use only high quality shielded cables.
- Page 4 You are the proud owner of a Yamaha Digital Sound Field Processing (DSP) System—an extremely sophisticated audio component. The DSP system takes full advantage of Yamaha’s undisputed leadership in the field of digital audio processing to bring you a whole new world of listening experiences.
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Page 5: Setup & Adjustment
SETUP & ADJUSTMENT 1-1. GETTING STARTED Unpacking If you haven’t already done so, carefully remove this unit and its accessories from the box and wrapping material. You should find the unit itself and the following accessories. Batteries Remote control Pin cable, audio x 2 Pin cable, video Installing the Remote Control Unit Batteries Since the remote control unit will be used for many of this unit’s... - Page 6 Extensive research into the exact nature of the sonic reflections that create the ambience of a large hall has made it possible for Yamaha engineers to bring you this same sound in your own listening room, so you’ll feel all the sound of a live concert.
- Page 7 Audio/Video source with video image. This combination is used on sound field programs No.5 through No.14, and No.16. The YAMAHA “CINEMA DSP” logo indicates these programs created by the combination of Dolby Pro Logic and YAMAHA DSP technology.
- Page 8 It is also possible to further expand your system with the addition of a subwoofer and amplifier. You may wish to choose the convenience of a Yamaha Active Servo Processing Subwoofer System, which has its own built-in power amp. 5 Speaker System...
- Page 9 SPEAKERS. (To avoid interference, keep the speaker above or below the television monitor, or use a magnetically shielded speaker.) If using a SUBWOOFER, such as a Yamaha Active Servo Subwoofer System, the position of the speaker is not so critical because low bass tones are not highly directional.
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Page 10: Setup
1-2. SETUP Before you start making connections make sure all related electronic components are turned OFF. REAR PANEL 2 3 4 (General Model) SINGLE SINGLE DUAL DUAL TAPE INPUT OUTPUT 10dB 0dB To AC outlet... - Page 11 Main Level Switch Normally set to “0 dB”. If desired, you can decrease the main- channel line output level at the MAIN OUTPUT jacks by 10 dB by setting this switch to “–10 dB”. Main Output Jacks Main-channel line output. Connected to input jacks of external stereo power amplifier (MAIN IN or AUX or TAPE PLAY jacks of integrated amplifier or receiver).
- Page 12 Video NTSC/PAL Switch (General Model only) Set this switch to the position corresponding to the standard that your video equipment employs. Voltage Selector (General Model only) Be sure to set to the line voltage in your area before applying power. Consult your dealer if unsure of the correct setting. NOTE: Even if an external power amplifier is connected to the REAR or CENTER line output jacks, the corresponding internal amplifier will not be turned off and output will be available at the speaker...
- Page 13 CONNECTING AN INTEGRATED STEREO AMPLIFIER OR STEREO RECEIVER TO THIS UNIT Using an Integrated Amplifier or Stereo Receiver with PRE OUT and MAIN IN Terminals Some integrated amplifiers and stereo receivers have PRE OUT and MAIN IN jacks which permit the preamplifier and power amplifier sections to function independently.
- Page 14 Using an Integrated Amplifier or Stereo Receiver that Does Not Have PRE OUT and MAIN IN Terminals If your integrated amplifier is NOT equipped with PRE OUT and MAIN IN jacks, this unit must be connected to the amplifier or receiver TAPE jacks.
- Page 15 CONNECTING A COMPONENT PREAMPLIFIER TO THIS UNIT Connect the PRE OUT jacks of the preamplifier (control amplifier) to this unit’s INPUT jacks with a stereo pin cable. Make sure that the “L” output from the preamplifier is connected to the “L” input on this unit, and that the “R”...
- Page 16 CONNECTING TO VIDEO SIGNAL JACKS If your integrated amplifier or similar component is equipped with a video output jack, connect it to this unit’s VIDEO IN jack, and connect this unit’s VIDEO OUT jack to the video input of your monitor.
- Page 17 CONNECTING SPEAKER SYSTEMS Connect the SPEAKERS terminals to your speakers with wire of the proper gauge, cut as short as possible. If the connections are faulty, no sound will be heard from the speakers. Make sure that the polarity of the speaker wires is correct, that is, + and – markings are observed.
- Page 18 CONNECTING THE CENTER SPEAKER(S) TO THIS UNIT Connect the CENTER speaker to the CENTER SPEAKERS terminals. One or two CENTER speakers can be connected to this unit. For the respective connections, follow the methods figured below. If, however, you will not be using a CENTER speaker, be sure to set the Center Mode to “PHNTM”...
- Page 19 Connect the LOW PASS jack to the INPUT jack of the subwoofer amplifier, and connect the speaker terminals of the subwoofer amplifier to the subwoofer. With some subwoofers, including the Yamaha Active Servo Processing Subwoofer System, the amplifier and subwoofer are in the same unit.
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Page 20: Controls & Adjustments
1-3. CONTROLS & ADJUSTMENTS FRONT PANEL NATURAL SOUND DIGITAL SOUND FIELD PROCESSOR/AMPLIFIER DSP-E580 TAPE PROGRAM EFFECT MONITOR PRO LOGIC (General Model) - Page 21 Power Switch * STANDBY Mode (Europe model only) While the power is on, pressing the POWER key on the remote control unit switches the unit to the STANDBY mode. (In this mode, the indicator is half illuminated.) Remote control sensor Signals from the remote control unit are received here.
- Page 22 REMOTE CONTROL UNIT POWER PROGRAM HALL CHURCH JAZZ CLUB CONCERT VIDEO OPERA THEATER SPORTS 70 mm MOVIE THEATER PRO LOGIC TEST — SET MENU PARAMETER EFFECT TAPE ROCK CONCERT CLASSIC ANIMATION FILM GAME KARAOKE – ENHANCED MASTER VOLUME — Power Key Turns this unit on and off.
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Page 23: Adjustment
1-4. ADJUSTMENT PREPARATION 1. Set all volume controls—on the main amp (preamp) and effect power amplifiers—to their MINIMUM positions. 2. Turn on the power to all system components. This unit is turned on by pressing the POWER switch on the front panel or the POWER key on the remote control unit. - Page 24 MAIN/CENTER/REAR EFFECT SPEAKER LEVEL BALANCE ADJUSTMENT This operation uses an internal test-tone generator for balancing the levels of the main, center and rear effect speakers. All speakers should be adjusted to the same apparent sound level for proper Dolby Pro Logic decoding. 1.
- Page 25 OTHER IMPORTANT SETTINGS AND ADJUSTMENTS IN THE “SET MENU” MODE The following three types of settings and adjustments should be done before enjoying audio and video sources. Note that these settings and adjustments cannot be done without monitoring the display information (or the information displayed on the monitor screen).
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Page 26: General Operation
GENERAL OPERATION 2-1. PLAYING A SOURCE 1. Set the MASTER VOLUME control to minimum. Front Panel 2. Turn the power on. Front Panel POWER 3. Select a source using the input selector on the integrated amplifier etc. * To select a tape deck connected to this unit’s TAPE terminals, turn the TAPE MONITOR switch on so that the indicator over the switch on the front panel lights up. -
Page 27: Digital Sound Field Programs
2-2. DIGITAL SOUND FIELD PROGRAMS This unit has 16 programs for digital sound field processing, 4 from actual acoustic environments from around the world, and 12 programs for Audio/Video sources including sources encoded with Dolby Pro Logic surround. Many of the programs contain various parameters that can be adjusted to the listener’s taste. -
Page 28: Descriptions Of The Sound Field Programs
2-6. DESCRIPTIONS OF THE SOUND FIELD PROGRAMS The following list gives brief descriptions of the sound fields produced by each of the DSP programs. Keep in mind that most of these are precise digital recreations of actual acoustic environments. The data for them was recorded at the locations described using sophisticated sound field measurement equipment. - Page 29 5. CONCERT VIDEO: This program produces an enthusiastic atmosphere and lets you feel that you are in the midst of the action, as if attending an actual jazz or rock concert. The indirect sound constituent spreads on the surround side of the sound field by the use of data of a large round hall for the surround side, so the image space around the screen and the sound space are fully expanded.
- Page 30 9. TV THEATER: The data of the sound field of a relatively narrow space is used for the front presence side. A moderately sized spatial sound field without excessive sound extension and reverberations gives reality to the characters in a drama. The data of the sound field of an opera house is used for the rear surround side.
- Page 31 Programs No. 13 through No. 16 reproduces video discs, video tapes and similar sources which are Dolby Surround encoded and bear the “DOLBY SURROUND” logo. 13. 70 mm MOVIE THEATER 1: This program is ideal for precisely reproducing the sound design of the newest movies.
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Page 32: Creating Your Own Sound Fields
In each program, those parameters are preset with values precisely calculated by Yamaha to create the sound field unique for the program. It is recommended to use DSP programs without changing values of parameters, however, this unit also allows you to create your own sound fields. - Page 33 Each sound field program has a set of parameters that allow you to change the characteristics of the acoustic environment to create precisely the effect you want. These parameters correspond to the many natural acoustic factors that create the sound field you experience in an actual concert hall or other listening environment.
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Page 34: Descriptions Of The Digital Sound Field Parameters
3-2. DESCRIPTIONS OF THE DIGITAL SOUND FIELD PARAMETERS Not all of the following parameters are found in every program. INIT DLY (Initial Delay) How it Affects the Sound: Changes the apparent distance from the source sound. Since the distance between a sound source and a reflective surface determines the delay between the direct sound and the first reflection, this parameter changes the location of the sound source within the acoustic environment. - Page 35 REV. TIME (Reverberation Time) How it Affects the Sound: The natural reverberation time of a room depends primarily on its size and the characteristics of its inner surfaces. This parameter, therefore, changes the apparent size of the acoustic environment over an extremely wide range. What it Does: Adjusts the amount of time it takes for the level of the dense, subsequent reverberation sound to decay by 60 dB (@ 1 kHz).
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Page 36: Troubleshooting
PROBLEM Power does not come on. Hum. No sound. No sound from the effect speakers. No sound from the center speaker. The sound suddenly goes off. The volume level cannot be increased, or sound is distorted DSP parameters or other settings on this unit cannot be changed. -
Page 37: Specifications
Minimum RMS Output Power Per Channel Center (1 kHz 0.03% THD 8Ω) ... 25W Rear Effect (1 kHz 0.03% THD 8Ω) ... 25W+25W Input Sensitivity/Impedance (1V) INPUT/TAPE PB ... 150 mV/47 k Maximum Input Signal INPUT/TAPE PB (1 kHz 0.05% THD, EFFECT ON) ... More than 2.3V Output Level/Impedance REC OUT ... - Page 38 YAMAHA ELECTRONIK EUROPA G.m.b.H. SIEMENSSTR. 22-34, D-2084 RELLINGEN BEI HAMBURG, F.R. OF GERMANY YAMAHA ELECTRONIQUE FRANCE S.A. 17 RUE DES CAMPANULES, LOGNES 77321 MARNE LA VALLEE CEDEX 2, FRANCE YAMAHA ELECTRONICS (UK) LTD. YAMAHA HOUSE, 200 RICKMANSWORTH ROAD WATFORD, HERTS WD1 7JS, ENGLAND YAMAHA SCANDINAVIA A.B.