Roland FP-5 Owner's Manual
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Roland FP-5 Owner's Manual

Roland digital piano model fp-5
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®
201a
Before using this unit,
carefully read the sections
entitled: "USING THE UNIT
SAFELY" and
"IMPORTANT NOTES" ( p.
2; p. 4). These sections
provide important
information concerning the
proper operation of the unit.
Additionally, in order to feel
assured that you have
gained a good grasp of every
feature provided by your
new unit, Owner's manual
should be read in its
entirety. The manual should
be saved and kept on hand
as a convenient reference.
Owner's Manual
Thank you, and congratulations on your choice of the Roland Digital Piano FP-5.

Main Features

Stylish, Light, Compact Design
The refined design fits in anywhere; and since it is so lightweight and compact, it's
easy to take the instrument with you wherever you go.
Authentic Piano Performances
Features high-quality concert grand piano sounds and a Progressive Hammer
Action keyboard that gives a more realistic piano touch by providing a heavier feel
in the low end and a lighter feel in the upper notes.
In addition, the FP-5 is equipped with three pedal jacks and comes with a half-
damper pedal capable of adjusting the depth of the resonance, combining to allow
you to enjoy truly authentic piano performances.
Wide Variety of Tones For Use in Many Musical Genres
The FP-5 offers not just piano sounds, but over 50 different onboard sounds that can
be used in a wide variety of musical styles.
You can also play Drum Sets with the instrument.
Additionally, the high-quality effects allow you to add more richness and expression
to the sound.
"Tone Wheel Mode" Simulates Creation of Organ Sounds
Now, you can simulate the way organ sounds are created using the harmonic bars.
You can turn footages on and off and set their volumes to make fine adjustments in
the sound.
"Session Partner" Lets You Enjoy Playing with a Session-Like Feel
Enjoy true session-like feel while performing along with a "rhythm" section built
upon realistic-sounding "rhythms."
You can specify the "rhythm" chord progression with your left hand, and create
original chord progressions as well.
Experience a Variety of Performances with Dual and Split Functions
Layer two of the FP-5's many internal tones, play with different tones assigned to the
left and right sections of the keyboard, and enjoy many other possibilities in working
with Performances.
Easy Recording Functions
You can easily record your own performances using simple button operations.
Includes USB Connector
Connect your computer to the FP-5's USB connector and exchange MIDI data.
High-quality Speaker Provided
Enjoy listening to powerful, moving performances thanks to the high-quality
speaker.
Copyright © 2002 ROLAND CORPORATION
All rights reserved. No part of this publication may be reproduced in
any form without the written permission of ROLAND CORPORATION.

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Summary of Contents for Roland FP-5

  • Page 1: Main Features

    In addition, the FP-5 is equipped with three pedal jacks and comes with a half- damper pedal capable of adjusting the depth of the resonance, combining to allow you to enjoy truly authentic piano performances.

  • Page 2: Using The Unit Safely

    Roland. • When using the unit with a rack or stand recom- mended by Roland, the rack or stand must be carefully placed so it is level and sure to remain stable. If not using a rack or stand, you still need...
  • Page 3 • The unit and the AC adaptor should be located so their location or position does not interfere with their proper ventilation. 101c • This (FP-5) for use only with Roland stand FPS- 11A. Use with other stands is capable of resulting in instability causing possible injury. 102c •...

  • Page 4: Important Notes

    • Use only the specified expression pedal (EV-5; sold separately). By connecting any other expression pedals, you risk causing malfunction and/or damage to the unit. • Use a cable from Roland to make the connection. If using some other make of connection cable, please note the following precautions.

  • Page 5: Table Of Contents

    Setting the Root Note of the Chord Progression ... 47 Setting the Chord Display on or off... 47 Connecting to Audio Equipment... 48 About the FP-5 Sound Generator... 48 Connecting to the USB Connector ... 49 Connecting MIDI Devices... 49 Connectors ...

  • Page 6: Panel Descriptions

    Panel Descriptions Front Panel [Volume] Knob Adjusts the overall volume level (p. 10). [Brilliance] Knob Adjusts the tone brightness (p. 10). [Balance] Knob Adjusts the volume balance of the Upper and Lower Tones in Dual Play and Split Play (p. 21). [Pedal Control] Button Use the damper pedal to change the sound’s pitch (p.

  • Page 7: Rear Panel

    When turned off, chords are specified in the left side of the keyboard (p. 35). Rear Panel USB(MIDI) Connector Use this for connecting a computer to the FP-5 using a USB cable (p. 49). MIDI Connectors Used for connecting external MIDI devices and for sending and receiving MIDI messages (p.

  • Page 8: Before You Play

    Making Connections Before you begin making connections, confirm the following. Is the volume level of the FP-5 turned all the way down? Is the power to the FP-5 turned off? Connect the supplied AC cable to the supplied AC adaptor.

  • Page 9: Connecting Pedals

    * Unplugging a pedal cord from the unit while the power is on may cause the pedal’s effect to be applied without stopping. The power of the FP-5 must be turned off before inserting or removing a pedal cord. Damper Pedal Use this pedal to sustain the sound.

  • Page 10: Adjusting The Sound's Volume And Brilliance

    Rotating the knob clockwise makes the tone brighter; rotating it counterclockwise makes the sound more subdued. If the FP-5 is positioned against a wall, you will probably want to rotate the knob more to the left. Connecting Headphones Connecting headphones allows you to enjoy playing anytime, even at night, without concern.

  • Page 11: Chapter 1 Playing The Keyboard

    Chapter 1 Playing the Keyboard Listening to Demo Songs Now, try listening to demo songs. The FP-5 comes with fifty four demo songs. The seven Tone buttons, the [Start/Stop] button, and the [Play/Stop] button are each assigned one demo song.

  • Page 12: Listening To Internal Songs

    Chapter 1 Playing the Keyboard Listening to Internal Songs Now, try listening to Internal songs. The FP-5 comes with sixty five internal songs. fig.01-01 Press the [Song] button, getting its indicator to light. The following appears in the display. fig.01-02 Press the [-] or [+] button to select the song.

  • Page 13: Listening To Each Part Separately

    When the following appears in the display If there is any performance data stored in the FP-5’s memory, the following appears in the display. fig.01-03 Until you erase the performance data, you cannot play back an internal song. To erase the performance data and play back the internal song, press the [Rec] button.

  • Page 14: Performing With A Variety Of Sounds

    Chapter 1 Playing the Keyboard Performing with a Variety of Sounds The FP-5 features over 300 different internal sounds, allowing you to enjoy performing with sounds suitable for many different types of music. These onboard sounds are called “Tones.” The Tones are divided into seven different groups, each of which is assigned to a different Tone button.

  • Page 15: Simulating The Creation Of Organ Tones (Tone Wheel Mode)

    Folding back the high-frequency portion prevents the high-frequency sounds from being unpleasantly shrill, and folding back the low-frequency portion prevents the sound from becoming “muddy.” On the FP-5 faithfully simulates this characteristic. Chapter 1 Playing the Keyboard NOTE When the Tone Wheel is selected, you cannot enable the dual mode (p.
  • Page 16 Press the [-] or [+] button to select a Tone. Press the [Tone Wheel] button, getting its indicator to light in green or orange. The FP-5 switches to “Tone Wheel mode,” the function is turned on, and the footage buttons flash. fig.05-10 To exit Tone Wheel mode, press the [Tone Wheel] button until the button’s light is red.

  • Page 17: Selecting The Footage

    (articulating each note separately), percussion was applied to all notes. This method is referred to as single trigger algorithm, and is a very important element in organ performance. On the FP-5 faithfully simulates this characteristic. Description Percussion sounds at a pitch one octave above that of the key pressed.

  • Page 18: Performing With Two Layered Tones (Dual Play)

    Although when you press the pedal while in Dual Play, the effect is applied to both tones, you can set the FP-5 so that the effect is not applied to the Lower Tone. Refer to “Changing How the Pedal Effects Are...

  • Page 19: Performing With Different Tones In The Left And Right Sides Of The Keyboard (Split Play)

    Performing With Different Tones in the Left and Right Sides of the Keyboard (Split Play) Performing with the keyboard divided at a certain key into a left side and a right side is called “Split Play,” and the point at which the keyboard is divided is called the “split point.”...

  • Page 20: Changing Tone Group And Tone Variation

    Chapter 1 Playing the Keyboard ■ Changing Tone Group and Tone variation. fig.01-13 Changing the Upper Tone Press the Tone button to choose a Tone Group. Press the [-] and [+] buttons to select the Tones. Changing the Lower Tone Hold down the [Split] button and press the Tone button to choose a Tone Group.

  • Page 21: Changing The Volume Balance For Dual Play And Split Play

    Changing the Volume Balance for Dual Play and Split Play You can change the volume balance of the Upper and Lower Tones in Dual Play (p. 18) and Split Play (p. 19). fig.01-15 Use the [Balance] knob to adjust the volume balance. Chapter 1 Playing the Keyboard You cannot change the volume balance even if you...

  • Page 22: Changing The Keyboard's Touch

    Chapter 1 Playing the Keyboard Changing the Keyboard’s Touch You can change the touch sensitivity, or response of the keys. When the instrument is turned on, this is set to “N (Normal).” fig.01-17 Hold down the [Transpose] button and press the [Reverb] button.

  • Page 23: Adding Reverberation To Sounds (The Reverb Effect)

    Adding Reverberation to Sounds (The Reverb Effect) You can apply a reverb effect to the notes you play on the keyboard. With the reverb effect, you obtain a pleasant reverberation, making it sound as if you were performing in a concert hall or similar space. fig.01-21 Press the [Reverb] button, getting its indicator to light.

  • Page 24: Adding A Variety Effects To The Sound

    Chapter 1 Playing the Keyboard Adding a Variety Effects to the Sound In addition to reverb, you can apply a variety of changes to the FP-5’s sounds. These are referred to as “effects.” With the FP-5, you can select from ten different effect types.
  • Page 25 Press the [-] or [+] button to select the effect. You can select from the following. Indication Effects SYMPATHETIC S.rE RESONANCE ENHANCER DELAY CHORUS TREMOLO t.ch CHORUS ROTARY PHASER FLANGER OVER DRIVE DISTORTION The next time you choose the same tone, the effect type you’ve selected here is applied.

  • Page 26: Changing The Depth Of Effect

    Chapter 1 Playing the Keyboard ■ Changing the Depth of Effect You can select from ten levels of depth for the effect. Hold down the [Effects] button and press the [-] or [+] button. The depth for the effect being applied to the currently selected tone appears in the display.

  • Page 27: Changing The Sound's Pitch In Real Time (Pedal Control)

    Changing the Sound’s Pitch in Real Time (Pedal Control) Connecting the included pedal to the Damper jack allows you to use the pedal to alter the sounds’ pitches. fig.01-23 Hold down the [Pedal Control] button, getting its indicator to light. Try fingering the keyboard.

  • Page 28: Transposing The Key Of The Keyboard (Key Transpose)

    Chapter 1 Playing the Keyboard Transposing the Key of the Keyboard (Key Transpose) You can transpose the key of a performance without having to shift the position of your fingers on the keyboard. This feature is called “Key Transpose.” This lets you take a song in a difficult key with lots of sharps ( ) and flats ( ) and play it in a key with fingering that’s easier for you.

  • Page 29: Using The Metronome

    Using the Metronome Here’s how you can make use of the metronome. fig.02-01 Press the [ (Metronome)] button to have the metronome sound. The [Tempo/Rhythm] button’s indicator flashes in red and green in time with the beat selected at that time. The indicator lights in red on the downbeats, and in green on weak beats.

  • Page 30: Changing The Beat Of Metronome

    Chapter 1 Playing the Keyboard ■ Changing the Beat of Metronome While holding down the [Tempo/Rhythm] button, press the [-] or [+] button to select the beat. The currently selected beat is displayed. fig.02-03 You can select from the following beats. Display Beat Weak beats only...

  • Page 31: Chapter 2 Playing Along With Rhythms

    What are the FP-5’s “Rhythms?” The FP-5 features internal “Rhythms” complementing Pops, Jazz, and other various musical genres. “Rhythms,” or combinations of elements from a musical genre that recreate the mood or signature sound of a particular style, form the foundation of the accompaniment used in “Session Partner.”...

  • Page 32: Performing Along With Session Partner

    Chapter 2 Playing Along with Rhythms Performing Along With Session Partner fig.02-05 Now, let’s try performing along with Session Partner. Since a wide variety of musical genres is provided, be sure to use a Rhythm that best suits the song you are performing. Please refer to “Selecting a Rhythm”...

  • Page 33: Changing The Volume Of A Part

    ■ Changing the Volume of a Part You can adjust the volume level of individual Parts. fig.02-05 While holding down the button for the Part whose volume level you want to change (the [Drums], [Bass], or [Chord] button), press the [-] or [+] button. The volume level of the Part whose button you pressed is displayed.

  • Page 34: Changing A Rhythm's Tempo

    [-] and [+] buttons at the same time. Selecting a Rhythm’s Chord Progression The FP-5 has an optimal chord progression pattern for each Rhythm. When playing the Chord Part while performing, the chord progression is automatic.

  • Page 35: Performing With The Chord Progression Specified In The Left Hand (Chord Progression Off)

    Press the [Chord Progression] button, getting its indicator to go out. The [Split] button’s indicator lights up. The indicator for the [Start/Stop] button flashes, and the FP-5 is put into standby mode. The chord is specified with a key in the left part of the keyboard, and the Rhythm begins.

  • Page 36: Recording The Chord Progression (Chord Progression)

    Hold down the [Chord Progression] button and press the [Rec] button. The [Chord Progression] button and the [Rec] buttons’ indicator flashes in red, the [Start/Stop] buttons’ indicator flashes in orange., and the FP-5 is put into recording standby. The “UCP (User Chord Progression)” appears in the display.

  • Page 37: Storing Settings (Setup)

    Storing Settings (Setup) You can save favorite combinations of Tone settings, settings for dual and split play, Session Partner settings, and the like as a “Setup.” Once saved in this way, you can instantaneously switch the instrument to the desired group of settings simply by calling up the Setup. You can store up to 7 different Programs.

  • Page 38: Chapter 3 Recording A Performance

    While listening the metronome, select the tempo and beat of the song (p. 29). Press the [Rec] button. The [Rec] button’s indicator lights, the [Play/Stop] button’s indicator begins flashing, and the FP-5 is put into recording standby. Press the [Play/Stop] button or play a key on the keyboard to begin recording.

  • Page 39: Recording A Performance Using Session Partner

    Select the Tone or Rhythm to be played (p. 32-p. 36). Press the [Rec] button. The [Rec] button’s indicator lights up, the [Play/Stop] button’s indicator flashes, and the FP-5 is put into recording standby. Recording starts when you begin the performance with Session Partner (p. 32, p. 35).

  • Page 40: Recording Selected Track Buttons

    The [Rec] button’s indicator lights up, the [Play/Stop] button’s indicator flashes, and the FP-5 is put into recording standby. With the FP-5 in standby, go on to record the performance according to the procedures as described in “Recording a Performance” (p. 38), “Recording a Performance Using Session Partner”...

  • Page 41: Erasing Recorded Performances

    Erasing Recorded Performances You can erase recorded performances. fig.03-04 Hold down the [Song] button and press the [Rec] button. A confirmation message appears in the display. fig.03-05 Press the [Rec] button. The recorded performance is erased. If you do not want to erase the performance, press the [Play/Stop] or [Song] button.

  • Page 42: Chapter 4 Other Functions

    How to make settings Hold down the [Variation/Effects] button, and press the [Tempo/rhythm] button. “Fnc” appears in the display, and the FP-5 switches to Function Mode. The [Variation/Effects] and [Tempo/Rhythm] buttons flash in green, and the indicators for the button to which the function is assigned flash in red.

  • Page 43: Changing How The Pedal Effects Are Applied

    Changing How the Pedal Effects Are Applied When the pedal is pressed in Dual Play (p. 18) or Split Play (p. 19), the pedal’s effect is applied to both the Upper Tone and the Lower Tone, but you can change the settings for the tone to which the effect is applied.

  • Page 44: Changing The Work Of The Pedal Control

    Chapter 4 Other Functions ■ Works of the Soft Pedal(FC2) When the instrument is turned on, this is set to function as a soft pedal. Switch to Function mode, and press the [Strings/Pad] button. fig.04-02 flashes in red Press the [-] or [+] button to select the pedal function.

  • Page 45: Changing The Velocity When The Key Touch Is Set To "Fixed

    fig.04-04 flashes in red Press the [-] or [+] button to select the pitch. The range of available pitch change spans from two octaves higher to two octaves lower. The pitch is lowered one octave each time the [-] button is pressed, while each press of the [+] button raises the pitch by one octave.

  • Page 46: Changing The Beat Pattern

    * When performing in ensemble with other instruments, be aware that depending on the key, there may be some shifting of the pitch. Tune the FP-5 to the fundamental pitch of the other Qualities instruments. Changing the Beat Pattern...

  • Page 47: Setting The Intro And Ending On Or Off

    Setting the Intro and Ending on or off This sets session partner Intro and Ending on or off. When set to “Off,” pressing [Start/Stop] causes the Intro and Ending not to be played. Switch to Function mode, and press the [Start/Stop] button.

  • Page 48: Connecting To Audio Equipment

    Chapter 4 Other Functions Connecting to Audio Equipment You can connect audio devices to play the sound of the FP-5 through the speakers of your audio system, or to record your performance on a tape recorder or other recording device.

  • Page 49: Connecting To The Usb Connector

    Connecting to the USB Connector You can use a USB connector to connect the FP-5 to your computer. For more details, refer to the separate “USB Installation Guide.” * Connecting your computer to the FP-5 for the first time requires installation of the “USB Driver” (on the included CD-ROM) to the computer.

  • Page 50: How To Enjoy Midi

    Chapter 4 Other Functions ■ How to Enjoy MIDI Recording Data of Performances Played on the FP-5 to a Sequencer* and Automatically Playing Recorded Performance Data on the FP-5 Connection example: Connecting to a sequencer (the Roland MT series, etc.) fig.04-09.e...
  • Page 51 No sound produced Sound Generator Local Off * When connecting a unit in the Roland MT series, you don’t need to switch off Local Control. MT units transmit Local Off messages when their power is switched on. If you first switch on the FP-5, then the MT-series device, Local Control is automatically switched off on the FP-5.
  • Page 52 Transferring the FP-5’s Settings to an External MIDI Device (Bulk Dump) You can transfer the contents of FP-5’s Setup settings to an external MIDI device. This operation is called “bulk dump.” Use a MIDI cable (optional) to connect the FP-5’s...

  • Page 53: Making The Settings For The Usb Driver

    Restoring the settings to the factory condition (Factory Reset) The settings stored in the FP-5 can be returned to their factory settings. * Executing “Factory Reset” results in deletion of the Settings. If you want to keep any data you have stored, use the “Bulk Dump”...

  • Page 54: Appendices

    Cause/What to do Is the power cord properly connected? No Power (p. 8) Is the volume level of the FP-5 (p. 10) or connected device turned all the way down? Are headphones plugged in? Has a plug remained connected to the Phones jack? (p.
  • Page 55 (p. 9). Are you using a pedal made by another manufacturer? Use the pedal included with the FP-5 or an optional DP Series or similar pedal. Unplugging a pedal cord from the unit while the power is on may cause the Pedal Has No pedal’s effect to be applied nonstop.

  • Page 56: Error Messages/Other Messages

    (p. 13). This appears when you store setting to set up, or select stored settings (p. 37). Bulk Dump. This appears when you transfer the FP-5’s settings to an external sequencer (p. 52). Factory Reset. This appears when you restore the settings to the factory condition (p.

  • Page 57: Tone List

    Tone List → “Performing with a Variety of Sounds” (p. 14) Piano Grand Piano 1 Piano+Strings Grand Piano 2 Piano+Pad Rock Piano Mellow Piano Honky-tonk Harpsichord E.Piano Pop E.Piano Stage E.Piano 60’s E.Piano 70’s E.Piano E.Grand FM E.Piano 1 FM E.Piano 2 Clav.
  • Page 58 Tone List Harmonica Bandoneon Nylon-str.Gt Ukulele Nylon Gt (key Off) Nylon Gt.2 Steel-str.Gt 12-str.Gt Mandolin Steel + Body Jazz Gt. Pedal Steel Clean Gt. Chorus Gt. Mid Tone GTR Muted Gt. Funk Pop Funk Gt.2 Jazz Man Overdrive Gt Guitar Pinch DistortionGt Feedback Gt.

  • Page 59: Rhythm Set List

    Rhythm Set List Pop Drum Set R&B Snare Rock Snare 2 Rock Snare 2 Pop Snare 3 Pop Snare Ghost Pop Snare 3 Finger Snap 707 Claps Hand Clap Hand Clap2 Hand Clap Pop Pedal HH [EXC1] Hand Clap Pop Snare Ghost Pop Kick Pop Kick Rock Side Stick...
  • Page 60 Tone List GM2 Standard Set GM2 Room Set ----- ----- ----- ----- ----- ----- ----- ----- ----- ----- ----- ----- High-Q High-Q Slap Slap ScratchPush [EXC7] ScratchPush ScratchPull [EXC7] ScratchPull Sticks Sticks SquareClick SquareClick Mtrnm.Click Mtrnm.Click Mtrnm. Bell Mtrnm. Bell Jazz Kick 1 Mix Kick Mix Kick...
  • Page 61 GM2 Jazz Set GM2 Brush Set ----- ----- ----- ----- ----- ----- ----- ----- ----- ----- ----- ----- High-Q High-Q Slap Slap ScratchPush [EXC7] ScratchPush ScratchPull [EXC7] ScratchPull Sticks Sticks SquareClick SquareClick Mtrnm.Click Mtrnm.Click Mtrnm. Bell Mtrnm. Bell Mix Kick Mix Kick Jazz Kick 1 Jazz Kick 1...

  • Page 62: Rhythm List

    Rhythm List → “Selecting a Rhythm’s Chord Progression” (p. 34) Genre Chord Progression Pattern No. Hip Pop Guitar Funk Ballad Fast Jazz r.10 r.11 Jazz r.12 r.13 Cutting Guitar r.14 r.15 Fusion r.16 r.17 70’s Soul r.18 r.19 Contemporary r.20 r.21 Medium Pop r.22...

  • Page 63: Chord Progression Pattern List

    Chord Progression Pattern List * It is the Chord Progression Pattern List by each measure. These are basic chord progression pattern from No. 1 to No. 10, and these are suitable chord progression for the internal rhythm from No. 11 to No. 90. Rhyt —...
  • Page 64 Chord Progression Pattern List Rhyt r.36 CmM7 r.37 r.38 r.39 B /D r.40 F m7 r.41 r.42 F dim r.43 r.44 r.45 r.46 r.47 r.48 r.49 r.50 r.51 r.52 A7 9 r.53 r.54 r.55 r.56 r.57 C dim r.58 r.59 r.60 Ddim Ddim...

  • Page 65: Chord Fingering List

    Chord Fingering List ● symbol: indicates the constituent notes of chords. ★ symbol: Chords shown with an “★” can be played by pressing just the key marked with the “★”. → “Performing With the Chord Progression Specified in the Left Hand (Chord Progression off)” (p. 35) Cdim Cm7 ( 5 ) Caug...
  • Page 66 Chord Fingering List E M7 E m7 E dim E m7 ( 5 ) E aug E sus4 E 7sus4 E m6 other Edim Em7 ( 5 ) Eaug Esus4 E7sus4 E other Fdim Fm7 ( 5 ) Faug Fsus4 F7sus4 F other...
  • Page 67 F# / G F#M7 / G M7 F#7 / G 7 F#m / G m F#m7 / G m7 F#dim / G dim F#m7( 5 ) / G m7 ( 5 ) F#aug / G aug F#sus4 / G sus4 F#7sus4 / G 7sus4 F#m6 / G m6 F# other / G other...
  • Page 68 Chord Fingering List Adim Am7 ( 5 ) Aaug Asus4 A7sus4 A other B M7 B m7 B dim B m7 ( 5 ) B aug B sus4 B 7sus4 B m6 other Bdim Bm7 ( 5 ) Baug Bsus4 B7sus4 B other...

  • Page 69: Internal Song List

    31 The harmonious blacksmith d. 32 Ungarische Tänze V Composer Copyright F. Chopin/ Arranged by John © 2002 Roland Corporation Maul Masashi & © 2000 Roland Corporation Kazuko Hirashita J. Maul © 1998 Roland Corporation N. Paganini/ Arranged by John ©...
  • Page 70 * No MIDI data for the music that is played will be output. Composer Copyright L. v. Beethoven © 1996 Roland Corporation F. Chopin © 1996 Roland Corporation F. Mendelsshon © 1996 Roland Corporation J. S. Bach ©...

  • Page 71: Settings Stored In The Setup

    USB Driver settings (*2) Panel lock *1 Only the settings related to the selected tone or rhythm are stored. *2 Though not stored in the Setup, the FP-5 remembers the settings even while its power is turned off. settings settings page p.

  • Page 72: Easy Operation List

    Easy Operation List Power ON Press the Key Press the Key You want to Switch to Function mode Key Touch Demo All Song Play Storing settings to Setup Recording Chord Progression Erasing the recorded performance Selecting the Lower Tone in Split play Hold down the [ ] button and press the [-] or [+] button.
  • Page 73 7 8 9 10 11 Function mode You want to Work of the Pedal Control Bulk dump, Pedal Shift, Transferring the Program Change Octave shift Temperament Changing the Velocity when the Key Touch is set to “Fixed” Setting the Part to which Effects are added Master Tuning How the Soft Pedal(FC2) effects are applied How the Sostenuto Pedal(FC1) effects are applied...

  • Page 74: Midi Implementation Chart

    DIGITAL PIANO Model FP-5 Function... Basic Default Channel Changed Default Mode Messages Altered Note True Voice Number : Note ON Velocity Note OFF After Key’s Touch Ch’s Pitch Bend 0, 32 6, 38 Control Change 98, 99 100, 101 Prog...

  • Page 75: Main Specifications

    1,308 (W) x 360 (D) x 128(H) mm 51-1/2 (W) x 14-3/16 (D) x 5-1/16 (H) inches FP-5 + FPS-11A (With the music stand) : 1,308 (W) x 394 (D) x 920(H) mm 51-1/2 (W) x 15-9/16 (D) x 36-1/4 (H) inches Weights FP-5: 21.5 kg / 47 lbs 7 oz...

  • Page 76: Index

    Index AC adaptor ... 8 AC cable ... 8 All Song Play ... 12 Balance knob ... 21 Bass button ... 32–33, 40, 47 Beat Metronome ... 30 Bend Down ... 43–44 Bend Up ... 43–44 Brilliance knob ... 10 Bulk Dump ...
  • Page 77 Octave Shift ... 44 Organ button ... 43 Panel Lock ... 53 Pedal ... 9 Effects ... 43 Works ... 43–44 Pedal Control ... 27, 44 Pedal Control button ... 27, 44, 53 Pedal Shift ... 52 Phones ... 10 Piano button ...
  • Page 78 Information When you need repair service, call your nearest Roland Service Center or authorized Roland distributor in your country as shown below. PHILIPPINES AFRICA G.A. Yupangco & Co. Inc. 339 Gil J. Puyat Avenue EGYPT Makati, Metro Manila 1200, Al Fanny Trading Office...
  • Page 79 This product complies with the requirements of European Directive 89/336/EEC. FEDERAL COMMUNICATIONS COMMISSION RADIO FREQUENCY INTERFERENCE STATEMENT This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15 of the FCC Rules.
  • Page 80 This owner’s manual is printed on recycled paper. 03124823 ’05-2-7N...

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